Tag: No Country for Old Men

The Player: LA Takedown – The Mystery of Ginny Continues

The Player - Season 1

Last week saw Kane finding the SD card hidden in the picture a’la The Purloined Letter. In The Player this week, L.A. Breakdown, the mystery of Ginny deepens. While Alex goes after a No Country for Old Men type of hitman hired by a cartel to kill people from a five year-old theft of drug money, Mr. Johnson steps in and muddies the water in Kane’s search for his “dead” wife.

On top of the two plot threads of Ginny and the main one dealing with super sniper Suarez, Detective Brown (Damon Gupton) is approached by a new character, FBI agent  Rose Nolan who calls him into a search for the former Player (whose body we see Johnson standing over in the season pilot episode). 

As Kane enters the next bet (Can Alex Kane stop the sniper from killing his next victim [sic]) more backstories are revealed and characters, like  Donovan, who Kane asks to help him get all the data off the Ginny SD card. Johnson, who last week promised his player help in finding Ginny, intercepts Donovan and after combing through all he found on the card, takes a large amount of it.

After explaining the penalties of telling his friend about the intercepted data, Donovan then lies to Alex about what he found. Brown learns from Agent Nolan that his old friend Kane is another in along list of former special forces, NSA, FBI, et al men who were all acting strangely before falling off the grid.

Cassandra King (Charity Wakefield) has more of her character revealed, SAS, British Royal Marines and a crack shot herself with a sniper rifle.  Kane proves that he can think outside the box, in a stand off with Suarez he drops his weapon and says, “Take the shot.” A confused cartel sniper stands still while King places a shot in the killer’s back from an amazing distance. 

This episode allows Philip Winchester a chance to show off some pretty impressive chops. While Wakefield’s King  is still the stronger, and more interesting, character of the three main protagonists, Kane is approaching a cool second place. The tears of frustration and loss for Ginny adds a huge amount of depth to this reluctant player.

Snipes still comes across as cooler than cool although he is still bit too aloof.  His pit boss feels like Blade without the vampiric powers and Whistler.  It still remains to be seen whether this star’s presence will increase in the show or stay in the periphery as shadow. The fact that he personally intervenes twice, in two episodes,  seems to indicate that Johnson will move to the fore as he continues to orchestrate Kane’s personal life.

The interplay between Kane and Suarez lacked the panache of the Coen Brothers’ killer, although the cartel assassin did have a pretty impressive kill record.  Sadly, there is not enough Suarez to make this part of the plot too interesting.

It is Mr Johnson’s systematic tearing down of Donovan McDowell, Alex’s techno expert friend, that takes center stage in terms of character development. The pit boss’s calm demeanor while threatening all that Donovan holds near and dear speaks volumes about Snipes’ Johnson. This is stepping up out of the periphery and showing what this man is willing to do for the “game.”

There is a nicely paced running gunfight and car chase, although there are only two vehicles actually chasing Alex in his Jeep, an RPG is used repeatedly so kudos to making a tight budget work well.  Kane and King interact interestingly in this sequence with the Dealer proving that in terms of cold-blooded, she holds all the cards.

As the season progresses, The Player is starting to impress more and more. It is difficult to find fault with a series that includes references to Edgar Allen Poe and the Coen Brothers. Not to mention the “shooting the target” to save his life and the interaction afterward between Alex and “Baahb.”

The Player airs Thursdays on NBC. Tune in and see some high octane action against a thumping musical score with the blindingly beautiful Charity Wakefield making her co-stars disappear each time she is on screen.  Of course, Winchester is entertaining and Snipes is convincing as the chap who can make cartel’s “eat it.”

True Grit Sacrilege

This was the first ever video I posted on my channel that dealt with film. I was practically incandescent with rage when I’d heard that the Coen Bros were remaking True Grit. I DID see the remake and I reviewed it later. Enjoy or not, it’s a little rough. LOL

Ghostquake: Haunted High (2012) TV Movie Rubbish

One of the “advantages” of living overseas is the ability to watch made for TV movies that are disguised as normal feature films. It is probably my own fault. I have a list of things I watch for: favourite directors, favourite actors, and whether the film is a horror film or not.

I am a sucker for horror films. The only other genre that comes close on my favourite’s list is westerns. But with westerns I am cynical and leery of new ones. Ever since the 1970’s when westerns became a gaunt shell of their former glory (mainly the introduction of the psychological element spelt the death knell of the western) I look at them with a jaundiced eye that wants to be surprised and pleased with what Hollywood has to offer.

Sometimes I get lucky; the Coen brothers and True Grit, their modern western No Country for Old Men and their noir western Blood Simple. Clint Eastwood and his film Unforgiven, or the cross genre film Cowboys and Aliens. All good and not a bit of dross anywhere, but, I do not take on face value anything that Hollywood trots out as a western as being good. Not, at least, until I’ve researched it…a lot.

But horror films are different. I invariably see a horror film and I’ll decide, like some overgrown wide-eyed Rebecca of Sunnybrook Farm, that this film is going to be good. “Look at who is in it,” or “Wow look who directed it,” or “That trailer is awesome.” And just like that, I walk into the world of the crap film all innocence and fresh-faced gormlessness.

Of course, these imported made for TV films are doubly disguised. At least in the US, you know from the get-go that it is a TV film. The real giveaway is that it is on TV and it is a “new” film. I don’t know if they have the quaint Movie of the Week anymore, but I’m sure there must be a modern equivalent.

I saw the title of this movie, Ghostquake and saw that one of my old favourites Danny Trejo was in it and that lovely alumni from Buffy and Angel Charisma Carpenter was in it as well, and I thought, “Well this must be pretty good, I mean, look who is in it.” And just like that, I paid a grand total of 3 pounds sterling for the film. New mind you not used or “pre-viewed” but new from Tesco’s; where most films go for between 10 and 20 pounds.

Danny Trejo one of the few times he’s not locked in the janitor’s closet.

I know what you are thinking, “Surely, the fact that it was only 3 pounds should have tipped you off.” But in my defence, I will state for the record that I have found some great films for mere pennies, thank you.

But not often and very rarely, okay?

A great clue as to how dreadful this film is can be gleaned by the fact it has taken me over 500 words to get around to talking about the thing.

Believe me when I tell you it is more than dreadful, it is almost beyond description. But in my attempt to save anyone else from the horror (pun intended) that is Ghostquake (or Haunted High as it was called on its television premiere, presumably on the Sy Fy channel) I will gamely try to discuss the film.

The film takes place in the fictional high school of Halloman. It is a preppy type “school uniform” school and it is haunted by the apparition of the old principal who was the leader of a satanic cult who killed students. His grandson is now attending the school and his presence combined with some cursed gold coins has caused his grandfather (and his evil sidekick, a demonic ex-student with a horrible complexion and very sharp teeth) to manifest and start killing the hapless students who are in the school after hours.

I had a good idea that this was a disguised made for TV film when I realised that there were no lingering shots of the dead students. There was not even a lot of gore. I knew for sure, when I started inadvertently putting in commercial breaks.

The level of acting (if you could even classify what most of the “actors” did as acting) was execrable and apart from Danny Trejo, who has a certain level of believability in most of what he does, the only other actor who even came close to “acting” was Charisma Carpenter.

Oh look! It’s Charisma Carpenter, now don’t blink or you’ll miss..Ah ya blinked.

Unfortunately Mademoiselle Carpenter was in the film for exactly one minute and thirty-two seconds. I know, because I timed it…twice. After meeting her maker by being half swallowed by a portion of the floor that looked suspiciously like that marshmallow stuff that comes in jars she never appears again, except as another name in the end credits.

Trejo made out a bit better as he made until the last reel, coming back as a ghostly avenger to drag the demon ex-principal to the hell that awaits all bad actors. Sadly he could not drag the rest of the cast with him.

I could spend another 1000 words talking about continuity lapses and sound problems (the main one being that the entire film sounded “looped”) and plot holes that were big enough to fly a Boeing 767 through. Not to mention the dreadful combination of over acting and wooden acting.

Most “bad” horror films have the slim redemption of at least being so bad that they are funny. I have seen quite a few of those and, oddly, they become favourites; almost as revered as the really good horror films. Ghostquake did not even come close to the “it’s so bad, it’s good” category.

In fact, I felt strongly like going to Tesco’s and demanding my 3 pounds back.

Final verdict: Avoid at all costs and if you see it, drive a stake though the packaging and burn it.

A rose under any other title would still stink like…NOT a rose.
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