Finestkind (2023): A high Seas Western

Written and directed by Brian Helgeland (Legend, Payback) Finestkind is really a high seas western sans horses and dry land. Starring Ben Foster, Toby Wallace, Jenna Ortega and Tommy Lee Jones, the film spends quite a bit of its two hour and six minute run time, setting up the main characters.

Moving at a snails pace, the movie works hard to build up the relationships between all the characters. There is a certain amount of stereotypical scenarios and Hollywood clichés that aid in this endeavor. There are signposts aplenty that make the ending events of the film no surprise to the viewer.

The performances are pretty much spot on. Tommy Lee Jones, as Eldridge, wears his deep wrinkles like scars of time, awards given for living such a hard worn life. Ben Foster as Tom, Eldridge’s son, gives the impression that he too will wear these scars with pride when his time comes.

Toby Wallace’s Charlie, Tom’s half-brother is a rich kid wanna be fisherman. His motivation is that he can get to know his older brother better and become more of a “manly” man. Jenna Ortega, as the charmingly named Mable, *Tom’s father states mid film that he did not think people named their girls Mable anymore.* plays her part with conviction. Sadly, she is stuck as a trope-like character who follows Hollywood’s “perfect” girlfriend mold, admittingly with a twist that was also seen well in advance.

Clayne Crawford (Who struck gold in Lethal Weapon as the disarmingly brilliant Riggs in the small screen version of the popular films. *That is, until inhouse bickering led to his dismissal from the show.*) Crawford shines in an all too small, but extended, cameo. His performance wets the appetite for doing more roles like these.

Helgeland has a film that looks crisp. Finestkind, however, drags in the middle despite some impressive visuals and spot on camera work. It could well have done with having a good 30 minutes shaved off to pick up the pacing. Having said that, it was enjoyable and while it felt, in many cases, like a TV movie of the week the movie itself did entertain.

It does indeed feel like a western. Clear cut and not so clear cut villians, and there is even a pretty satisfying gunfight in the movie.

This is a good solid 3.5 stars worth of entertainment. Popping a couple of bowls of popcorn, one bowl will not suffice this overly long film, and drinking a couple of cans of fizzy, can only add to the enjoyment factor.

The Homesman: Tommy Lee Jones in Another Offbeat Western (Review/Trailer)

The Homesman: Tommy Lee Jones in Another Offbeat Western (Review/Trailer)

The Homesman, written and directed by Hollywood A Lister Tommy Lee Jones, is another offbeat western by the man who brought the world The Three Burials of Melquiades Estrada, although that was a modern day western and his most recent offering is actually a period piece. Set back in the days of sod houses and farmers trying to survive the harsh Nebraska winter on the plains, the film is a western mainly due to its locale and time. Jones directs the feature and co-wrote the screenplay with Kieran Fitzgerald and Wesley A. Oliver based on the book written by The Shootist author Glendon Swarthout.

True Grit Sacrilege

This was the first ever video I posted on my channel that dealt with film. I was practically incandescent with rage when I’d heard that the Coen Bros were remaking True Grit. I DID see the remake and I reviewed it later. Enjoy or not, it’s a little rough. LOL

Men in Black 3 (2012) Here We Go Again…Again

Whether or not the third instalment of the Men in Black  (MIB) series was highly anticipated or not depends on who you talk to. Most critics agreed that Men in Black II was a ‘wash-out’ and  was mediocre at best.

Box office receipts tell a different story. MIB II grossed twice it’s production costs. Somebody must have liked it. And enough somebodies liked it enough (do you see what I did there?) for the studios to even consider making a MIB 3.

Will Smith
Will Smith (Photo credit: Alan Light)

Amblin Entertainment wouldn’t back a lame horse in the money stakes. They must have felt that the winning combination of Smith and Jones was a solid one. With a string of ‘hit’ films under their belts. Who wouldn’t pay to see Tommy Lee Jones and Will Smith on the big screen together again.

Français : Tommy Lee Jones au festival de Cannes.

Add into the mix an intricate time travel plot (and hey! We haven’t seen that before have we) and casting ‘hot-as-a-rocket-blast’ Josh Brolin as the young Tommy Lee Jones and British actress extraordinaire  Emma Thompson and Men in Black 3 could just make up for the dull-as-dishwater second act in the series.

Rip Torn on the red carpet at the Emmys 9/11/9...
Rip Torn on the red carpet at the Emmys 9/11/94 – Permission granted to copy, publish, broadcast or post but please credit “photo by Alan Light” if you can (Photo credit: Wikipedia)

Of course the curious side of me wonders why Rip Torn was replaced by Ms Thompson. Was he not allowed to participate because that would have violated his parole? In spite of the man’s personal problems, surely the film would have benefited from his presence. I always felt that his role of  Zed was sort of sacrosanct. Obviously not.

Word on the street is that Josh Brolin steals the show with his portrayal of the young Agent K (Tommy Lee Jones) and that he has Jone’s mannerisms and voice down pat. Not surprising really when you consider his portrayal of ex-President George W Bush Jr in  W. The man is a chameleon of an actor, just look at his films, not least of which was True Grit. He was almost unrecognisable as Tom Chaney.

Josh Brolin leaving the press conference of Tr...

Still despite the good box office returns of MIB 3 so far I will not  be queuing up to see the film in the cinema. I have spent my monthly allowable expenditure of seeing Red Lights with it’s talented cast. So as much as I adore seeing Tommy Lee Jones doing what he does so well and Will Smith is watch-able no matter what he does, I’ll have to give it a pass.

I will, though, be renting the blu-ray as soon as it is released and I’ll then be writing what I think of the film. Until then look into the light and remember nothing…