Ever since Edgar Wright was given the old “heave ho” from the original Ant-Man the tiny (and not so tiny) superhero’s fate has been open to debate. Certainly Scott Lang (Paul Rudd) is a like-able alternative to Michael Douglas’s Hank Pym but one can only imagine what Wright’s take on the whole thing would have been.
Still, Bring It On director Peyton Reed was an inspired choice to helm the first outing of Ant-Man and he has proven with Ant-Man and the Wasp that he can blend his comic touch, yet again, with action flawlessly. The film delivers on a broader scale, in terms of comedy, (although it has lost some of the delightful dichotomies involved in that Thomas the Tank engine fight) and introduces a gender changed Ghost.
Of course the best bit about making Ghost a female is that the incredibly gorgeous and talented Hannah John-Kamen (who kicked bad-guy butt weekly on SyFy via Killjoys and recently did a star turn in Ready Player One) got to show off her excellent acting chops once again. Evangeline Lily reprises her role as Hank’s chip off the old block daughter, Hope and Rudd’s character’s three stooge pals return as well.
A quick nod to the splendid Michael Peña, who once again shows his comic genius is in order here. He almost steals every single scene he is in which almost cements his return in future installments of this franchise. Everyone, including the “newcomers” – Randall Park, Michelle Pfeiffer, Laurence Fishburne and the brilliant Walton Goggins all bring something to the Marvel table. Judy Greer, Bobby Cannavale and the always adorable Abby Ryder Fortson give us an Ant-Man verse we know and love.
There is, of course, the inevitable tie-in with “Infinity Wars” and the eagerly waited second half of said film. While, in this reviewer’s estimation, it all may stem from that green stone that Dr. Strange coughed up to Thanos to save Tony Stark, it may well be the Quantum bits and Lang’s exposure to them that turns around the downbeat and upsetting of part one of Infinity Wars…
Ant-Man and the Wasp is built around Scott’s escape from the same trap that Janet Van Dyne (Pfeiffer) fell into 30 years before. But there is also the “Accord” law breakage that puts Lang on house arrest and the dilemma of Ghost, who become a major fly in the ointment of our heroes.
The comedy in this second installment of the franchise is surely a touch of genius on the part of Reed as helmsman. The hilarity is so contagious and spot on that good old Stan Lee’s cameo is quite tame. It also affects the gag from the first film about the tiny crashing items and their lack of fan-fare.
Douglas is still grumpy and funny in turns, Lily is still hot as ever as Wasp, even before she dons the suit and, John-Kamen kills it as the trapped between dimensions “villain” being driven mad by the pain.
There is not a lot wrong with the film and it is a mark of its success that one immediately wants to sit through the entire thing again as soon as it finishes. Ant-Man and the Wasp ends on a huge cliffhanger, one that only those Marvel fans who remember to stick around after the credits start rolling will see, and it is a real “Debbie Downer” of an ending.
(It is amazing to see how many filmgoers leave before the credits finish. Have they learned nothing?)
Theories abound about the ending and the possible connection between the upcoming part two of Infinity Wars. We are reasonably sure that despite the negative vibe put off by the end of this film, Ant-Man and his new sidekick Wasp will be around to fight another day…
The film earns a full 5 stars just for its comedy alone. Rudd, Lily and Douglas make a great team, along with Fortson and the three stooges that accompany Rudd’s character once again. Cannavale has little to do and Judy Greer (a personal favorite since Cursed) is funny as Lang’s ex who’s had a change of heart.
Ant-Man and the Wasp is still playing at cinemas and is worth seeing on the big screen. This one is a keeper though and will make a great addition to all your other Marvel verse films.