Death in Paradise Season 13

Death in Paradise Season 13 finished with a bit of a whimper.
Death In Paradise s12,06-01-2023,Generics,Generics,(L-R) Darlene Curtis (GINNY HOLDER), Marlon Pryce (TAHJ MILES), DI Neville Parker (RALF LITTLE), Naomi Thomas (SHANTOL JACKSON), Commisioner Selwyn Patterson (DON WARRINGTON), Catherine Bordey (ELIZABETH BOURGINE),Red Planet Pictures,Denis Guyenon

Death in Paradise Season 13 finished with a bit of a whimper. Neville finally chooses the right path. After vacillating about just who he is in love with, the DI picks DS Cassell (Joséphine Jobert) to be his partner. The couple then leave St Marie to travel the world.

Together.

Wait how many

A little bit of shifting around took place, while Florence waited for Neville to make up his mind. Marlon gets a job in Jamaica so he can watch over his little sister. And while Cassell first shows up as a familiar face, it was not long before another “blast from the past” Officer Dwayne Myers Danny John-Jules makes an appearance.

Another face from previous seasons also arrives in Jamaica to give the commissioner a hand getting Marlon hired on. JP Hooper (Tobi Bakare) appears in a “blink and you’ll miss him” cameo.

Season 13 had one other arrival from a previous season. Zoe arrives to see if she can breathe some life into the failed relationship with Neville. She arrives just as DS Cassell returns to the tropic island.

Sailing into the sunset

While Death in Paradise does not exactly allow both Marlon and the new couple Parker and Florence to sail off into the sunset, this trio does leave. DI Parker takes on his most baffling case. He manages to solve the missing passenger issue and then goes on to decide just where he and Cassell stand. Marlon heads to Jamaica and now we must wait to see who the new DI will be.

Pundits favour Simon Bird and from the outside looking in, he does seem a perfect fit. There have been no signs of a deal here, but he would make a refreshing change from four seasons of Ralf Little. Don’t get me wrong, he was alright in the role, but he did somewhat overstay his welcome.

hello I must be going

Throughout the 13 seasons of Death in Paradise each time a new Detective Inspector arrived, he left rather quickly. Ben Miller, the first and, arguably, the best detective on the island, was murdered in the first episode of season 3. So it was exit stage left, feetfirst.

Kris Marshall flew in to solve his predecessor’s murder and hung around from season 3 to season 6. I will admit to having a bit of prejudice with Marshall. He was brilliant in My Family and darn near stole Love Actually as the overly optimistic Brit who came to America for the birds.

Ardal O’Hanlon was next. Another favorite first spotted in the splendid comedy Father Ted. He lasted from season 6 to 9. His replacement was Ralf Little who just left the series.

All this movement of good actors who each brought something to their role felt a bit like the Groucho Marx song from Animal Crackers (1930) “Hurrah for Captain Spaulding.” They were no sooner settled than they had to leave.

*Video courtesy of Catherine Thompson via YouTube*

One thing is certain however, whether Simon Bird gets the nod to be the next DI or not, Death in Paradise may well continue for quite a while. American viewers can watch the show via Britbox – all the seasons and on Pluto TV seasons 1 through 6.

Death in Paradise may have let DI Parker exit softly with the love of his life, but the final episode was an interesting take on the “locked room” scenario. And that whimper, was really just a romantic gesture after all.

Parish Episode 5: The Dead are Heavy

Parish: The dead are heavy.

Right up until Episode 5, Parish has followed a certain formula. But, this latest episode, Kumba, jumps to the front of those cliches. Dead bodies are heavy, dammit, and they show this as Gray and his cohort in crime remove a corpse from chez Parish. This one little attention to detail has made all the difference here.

Almost every cop show and other forms of televised violent action, time and again, show dead bodies being very easy to move about. Disposal is easy. Wrapping them up in a rug, or tarpaulin is not an issue at all.

Wrong.

There is a reason that the phrase “dead weight” exists. Suddenly Parish has left behind the candy floss world of television violence and struck a realistic chord with its intended audience.

The series strides forward with a new awareness.

Episode 5

This is the aftermath episode of Parish. Two men killed in Gray’s house, not by Gray, need to be removed. Meanwhile, the axis of power is being shifted. Anton Valmont (Bradley Whitford) has, he believes, cut off The Horse (Zackary Momoh) from his crown and throne. Mr. Tongai is not out just yet though.

It is also an episode that looks back at a lot of grief and pain.

Backstory

Backstory is just another name for memories. In Parish these walks down memory lane are painful. Between Gray’s reliving his past for the remaining family he has and the politician recounting how her parents came to this country, they are not joyous.

Gray is remembering things he would like to forget. Rose reveals that she has memories that are painful as well. The recording Gray receives that references Maddy’s death, brings back more pain and regret. It also makes him become proactive once again, trying to find out who killed his son.

moving forward

Gray will have to reconcile things with Mak and Rose. Before that, however, he will have to face the latest task from The Horse. We also learn the price that some newcomers to America must pay to become citizens; Kumba.

Giancarlo Esposito proves yet again that he has the chops to carry a series. He is in good company. All the actors in this episode have settled into their roles with conviction.

Parish has begun to take on a certain reality. It is odd to realise that removing a dead body could add so much gravitas to a television series. This show is streaming every Sunday on AMC and AMC+.

Griselda: Watered Down Medellín on Netflix

Griselda: Watered Down Medellin on Netflix

Griselda is, pretty much watered down Medellín. Sure it was brought to us from the team that gave Netflix “Narcos,” but it is pretty much PG13. In terms of violence, sex, nudity, et al; it fails to deliver. Narcos had more grit and violence per screen inch than all of this retelling about the “Godmother” of coke tale.

Sofia Vergara stars as the coke queen and she acts her little cotton socks off. The problem here is the way the Netflix represents this “legend” from south of the border. Where Narcos had plenty of focus on Pablo Escobar as the light and dark sides of a coin. AKA a bad boy who liked to play Robin Hood to gain more influence in the streets. Griselda is painted as the underdog.

One can watch many documentaries about the real Griselda Blanco. Starting from her meteoric rise to the top of the slag heap in New York to her fall from said heap in flames whilst residing in southern California. Two of these factual recounting of the Cocaine Cowboys in Miami features added information from the award winning Miami Herald journalist Edna Buchanan. * On a side note here, this is one journo I would give my right arm to meet and share a coke with. No pun intended.*

This Netflix offering about Griselda never once mentions her beginnings in New York. Six full episodes and not one reference, oblique or otherwise, about the Big Apple. The special offering instead shows a victim of domestic violence. A woman who must turn to crime in order to survive and nurture her three sons.

Reality Sucks

The real Griselda

Sofia Vergara knocks this one out of the park. However, reality does indeed suck. The real boss lady was heavier and despite the “ugly” makeup Vergara wore for the series, she does not remotely resemble the real deal.

The show itself also showed a lighter side to the cocaine Godmother. The body count was very low, at a best guess law enforcement put her murder victims in the hundreds. We are not going keep harping on the real Griselda Blanco and her long list of homicidal exploits. There are a host of other websites doing that already.

We will point out the insanity of trying to knock the glam off of Vergara to play a part that she clearly felt born to play. Netflix also follows a skimpy formula in terms of the escalated violence levels that the Columbians brought to the table. As Buchanan says herself the cops in the Miami Dade area were shell-shocked. They had never seen this level of brutality.

It was the O.K.Corral on speed.

The netflix touch

The Netflix series focuses on Griselda fighting against a misogynistic “man’s world.” How she is underestimated at every turn. An underdog. A woman not afraid to take chances but still loves her sons with the heart of a lion. A female villain who looks like a thug.

Here then is another problem with this retelling of the myth. Vergara was never going to look like Griselda. Perhaps the donning of prosthetics, to fatten those model cheeks? Or, at the very minimum, a fat suit. Sofia is too lean and mean to fit that mold.

Her sons, in the six part series, were all children for way too long. An effort to make their inevitable deaths more disturbing. Any of the many documentaries that do not offer watered down the facts, show otherwise. These guys were grown and working in the business that would eventually kill Mama Coke.

The facts have been watered down and, for lack of a better phrase, “Hollywood-ised.” The series hits lightly on everything. The violence, the money, the glitz and glamor and finally the excessive amount of death.

But.

Netflix does so lightly but with good intentions. There are only a few scenes that brush up against the inhumanity of Griselda Blanco and the killing of innocents that she ordered. This decision did no one any favours. In making Griselda more palatable, the essence of the woman was lost.

The female of the species

The series does tell a good story. While this can be seen as a revelation about the rise and fall of a woman in the cocaine trade on the east coast it is, by no means, an anomaly.

Queen of the South, starring Alice Braga is about the real life drug queen Sandra Ávila Beltrán. Both women were, apparently, equally violent.Each capable of cold blooded murder and they were indeed deadlier than the male.

The Netflix series does do a good job of introducing the viewer to Griselda Blanco. Although this is a toned down vision presented to the audience. One where this woman, in fighting against spousal abuse, rises to the top. This plot device, while being commendable for nodding to modern standards of equality, hide much of the truth. Griselda was never a shrinking violet.

Griselda is streaming on Netflix and is well worth watching. Despite its tendency to serve up watered down facts, it is a binge worthy show. Go and check it out.

Death and Other Details: (Episode Fire): Hidden

Death and Other Details: (Episode Fire): Hidden
Recap and Review *Possible spoilers.*

Death and Other Details (Episode Fire): Hidden continues its farcical approach to murder. Rufus states, at the start of the episode, “Here’s the problem with an eyewitness account: usually it’s some form of bullsh*t.” This makes a certain amount of sense. Especially when the owner of the cruiser asks, rhetorically, “Who wants reality?”

Jules, we learn, “played” Sunil beautifully. This heroic action, carefully orchestrated, gave the conman an in. As Rufus reaffirms this, he finishes his discourse on “bullsht*t and we segway into Inspector Hilde Eriksen pushing the security team into action.

All this before the opening credits.

Hidden

Episode Fire (Norsk for four in honour of Inspector Eriksen.): Hidden has the entire cruise liner on security lockdown. Imogene is in a very private lockdown after bumping into Jules. She was following Anna’s wife Leila into the hold of the ship when she found the faux security head.

The cruise liner guests are all reacting badly to the lockdown. This latest situation has affected everyone. Negotiations have stalled between Anna and Celia. Jules and Imogene have their own negotiation and it ends in an uneasy partnership. They go deeper into the hold and Jules shows her a group of hidden Ukraine refugees.

In this one episode, we find that hidden under that “conman facade” lies a man of principle. Jules is, for better or worse, an Idealist.

In the meantime, Eriksen starts looking for the only guest she cannot find; Mr Llewellyn Mathers.

https://mikesfilmtalk.com/2012/06/08/triangle-2009-if-at-first-you-dont-succeed/
Secrets

In short order, we learn that the youngest Ukraine refugee has been roaming around the ship. Via a vent. Sunil is furious with Jules. Mr Mathers is now in the “brig” and he does not like it. Rufus already knew about the stowaways, much to Imogene’s chagrin and Celia knows everything about her fellow travellers.

In this episode, secrets that were hidden are now being exposed. Celia knows, for example, that the priest is having a sexual affair with Katherine.

Rufus and Imogene question Yeva about her foray into the vents. Imogene takes the lead and learns that on the night of the murder, she was looking at Keith’s room. Rufus admonishes Imogene for leading their witness. She tries again. This time, they learn that Teddy was in the murdered man’s room. Another secret, once hidden, now in the open air.

Teddy’s secret is being a dominatrix. Yeva saw her shoes, but Teddy was not, in fact, inside Keith’s room. Rufus and Imogene question Teddy. She reveals she was with Mr. Mathers on the night of the murder.

Teddy and Sunil start talking about a plan to remove the Ukraines before Interpol find them. If this secret gets out, they will all be in trouble.

Rufus tells Teddy there is a problem with her alibi. He and Imogene question Teddy. They take her to the brig and Winnie, her sister, confesses to the murder.

Imogene and Sunil escape with the previously hidden refugees and the episode ends with a disturbing encounter with Leila in the wet dock.

Everything Else

We learn that Winnie may not be the killer, from Leila, and at this halfway point a boogeyman may indeed pop up. Despite starting with a farcical feel, this episode quickly changed direction.

Like the rest of the episodes in this Christie-like murder mystery, the pacing was fast and, in some cases, a staccato rhythm dominated the episode. We can be assured that other hidden secrets will be unveiled in this entertaining “Who dunnit.”

Mild violence, partial nudity and a PG 13 rating for dialogue, make this show entertaining without being too risque.This series is a bit of 5 star fun. Head on over to Hulu and check it out. Remember, “Details matter.”

A Haunting in Venice: Haunted Poirot

A Haunting in Venice: Haunted Poirot

A Haunting in Venice features a haunted Poirot. The Belgian detective with the “mustaches” sees and hears a few ghosts in this film. Kenneth Branagh stars as Agatha Christie’s diminutive crime solver extraordinaire. This is not his first time donning the “stache.” He is in good company. 40 actors have portrayed Poirot over the years. *David Suchet holds the record playing the Belgian an incredible 70 times on British television.*

Branagh has played the sleuth three times. Twice in remakes and now this new movie based very loosely on Christie’s book Halloween Party. In many ways, apart from Poirot attempting to debunk a haunted piazza, this feels a little like “Mousetrap.” This West End stage production has been playing so long that it holds the world title of “longest running.”

Films, stage and television adaptations aside, Christie penned 33 novels and 51 short stories. All these tales have been about Poirot. There have also been 14 films made about the little Belgian with the gray cells. *Does anyone else feel the overwhelming compulsion to speak with a french accent after watching one of these?*

The story

A haunted Poirot is “hiding” in Venice. He refuses to solve crime. He is haunted by death. The neverending tide of corpses have driven him to a retirement of mediocrity. Ariadne Oliver (Tina Fey) entices Poirot out of his self imposed exile from crime.

There is an invitation to a party and a seance from the tragic Rowena Drake (Kelly Reilly). Her daughter died at the haunted piazza she owns. A world class medium; Joyce Reynolds (Michelle Yeoh) will attempt to contact Drake’s daughter, Alicia. The main seance attendees include Poirot, Rowena, and Ariadne. The rest of this small party includes, Olga, Dr. Ferrier and his son Leopold as well as Maxime Gerard (The fiance who broke things off with Alicia.) Also along for the ride are Joyce’s assistants: Desdemona and Nicholas Holland and last but not least, the ex cop who protects Poirot from the world; Vitale Portfoglio.

After the party guests depart, this Halloween seance begins. Everyone sits but Poirot. His detecting is about to begin.

Everything else

The entire tone of this film is, in turns, moody, foreboding, dark and scary. The pallet of colour chosen by the director, along with the cinematographer Haris Zambarloukos, is perfect for this haunted mystery that Poirot must solve.

Everyone brings something to the table here. However, it goes without saying that the winner of the MVP (Most Valuable Player) award in this brilliant offering from Branagh and writer Michael Green, is Jude Hill. This young actor almost steals the film. There is no point where eyes do not go immediately to him when he appears.

A Haunting in Venice has more twists than a Chubby Checker dance contest and some darn good scare scenes. Overall, this Christie adaptation is almost perfect.

We give this one a full 5 stars. Sure there are a few goofs here and there, but not enough to spoil this atmospheric nod to Poirot. It is streaming on Hulu at the moment. Head on over and check it out.

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