It is all too seldom that one finds a short, or any length, film based upon a Stephen King story that immediately grabs the viewer and says, “Yes!” King wrote Rainy Season back in 1993. It worked, as lore would have it, as a cure to the author’s writing block and it is a sharp and concise homage to Shirley Jackson’s “The Lottery” but set in King’s beloved Maine.
Vanessa Ionta Wright, who wrote the screenplay, gives us a film that does justice to the King short story and looks, quite simply, stunning. Everything about the film screams big budget, the sound, the colors and the sets all feel about as mainstream as you can get without the big price tag.
The storyline follows King’s; a young couple head to the town of Willow, Maine to stay in an old boarding house. The husband is writing a book and the couple may be young but they have a disturbing past together that is only hinted at.
Anyone who has read King’s short story will remember the climax and the very “Shirley Jackson” feel of the somewhat random unfairness of it all. Wright’s intimate cast of four let us in on that theme and they all fit perfectly.
For example, the barefoot old man (Kermit Rolison) rolling his bugle cigarette sounds like he is reading from a script; because he is. The young couple do not heed the muddled warnings from the older couple (Rolison and Jan Nelson) because they are distracted by their recent past and their discomfort at being outsiders.
Brian Ashton Smith is John Graham and Anne-Marie Kennedy is his wife Elise. They have an uneasy chemistry. Holding hands like a full grown Hansel and Gretel entering the scary woods, the pair clearly love one another but there is something dark underneath their affection.
Both actors show the pain beneath the surface very well and this also helps to sell the final moments of the film.
Above all else, though, Wright spoils us with an almost perfect cinematic version of the short story. The greens are vibrant, the sounds of the countryside are alive and, almost, overbearing and the house is a perfect fit for the tale that is told.
The film’s effects are all, from the look of it, practical and they work brilliantly. Between cinematographer Mark Simon’s skillful avoidance of catching the creatures full on and the sounds being made by them, we can identify the things immediately.
Rainy Season is low key horror that builds steadily and the director uses sound masterfully to provide an almost perfect payoff at the end. Just as the country noises punctuate the film’s events, they also work to make this low budget “Dollar” production practically sing.
This is easily one of the best adaptations of any Stephen King story on offer. Wright, who wrote and directed the film as part of the author’s “Dollar Baby” program, obviously “gets it.” She is clearly a fan of King’s work. Take the start of the film as an example. The camera zooms in on the radio as John Graham fiddles with the knob.
The car’s make is in big cursive letters on the front of the radio, “BUICK.” This has to be a huge nod and wink to King’s “From a Buick 8.” It could be said that this reference is a connection, of sorts, to the things found in Rainy Season…
Rainy Season is hitting the festival circuit at the moment (2017/2018) and it is our prediction that this will be a massive award winner. Wright, who was the Graphic Designer on the superb 2016 short The Price of Bones, is definitely one to keep an eye out for.
This film is a full 5 star offering. It is a visual treat as well as a splendidly paced and plotted dramatic horror film. We would be willing to bet that Stephen King must love this adaptation.
Have a look at the trailer and see what you think.