Captain Marvel – An Old White Critic’s View


Captain Marvel

Captain Marvel is well placed in the verse to help build up the ever increasing frenzy of anticipation for “Endgame” and if one old white film critic may be so bold, it is a fine addition to the ever increasing list of Mar-vell films on offer for fans of the comic universe to view. (And yes, this is one hell of a long sentence …) Starring Brie Larson as the title character/Carol Danvers with computer ‘air-brushed’ versions of Samuel L Jackson and Clark Gregg and a pretty decent cameo by Annette Bening, the film; a jointly directed effort by Anna Boden and Ryan Fleck, is a bit of enjoyable, female empowering, fun.

Jude Law, complete with yellow coloured eyes, does a brilliant turn as fellow Kree warrior Yon-Rogg and it is difficult not to fall in love with Brit actress Lashana Lynch character Maria Rambeau. This final piece of the ‘Endgame’ puzzle fits in nicely with everything leading up to the final battle of The Avengers v. Thanos and gives us a feel good factor of 100.

One does not have to be a Captain Marvel fan to appreciate this new and improved version of the superhero and if the viewer was not a Brie Larson fan going into this installment, it is almost guaranteed that they will be by the time the end credits, and the final teaser trailer roll.

One melancholic note was the opening montage of Stan Lee Marvel cameos that reminded us of the heart of Marvel’s passing. Later in the film, Stan is reading the Mallrats script – circa 1995 – a fact pointed out in other reviews, and it is a bittersweet moment indeed.

The plot is a tad convoluted, it has to be though as it is a necessary addition to the verse (film-wise) thus far and it ties everything in very nicely to the overall story-arc. But as a standalone film, Captain Marvel overachieves in terms of powerful female role models. Everyone of the feminine gender is strong and self actualized, even the baddy – Gemma Chan as the Kree warrior who ‘has never liked’ Marvel, aka Vers…

Marvel looks stunning, the film, not the character – although Larson is beyond impressive as the title character. The set pieces and the scenery, which is most likely CG but looks brilliant in spite of its computer origins, are gorgeous and the characters all step out smartly to add a lot to the existing story.

(It has to be pointed that “Endgame” intrudes through the entire film, one cannot help but overthink the entire installment and wonder just how, or when, the timeline will marry up with the whole Thanos storyline. It takes the time-travel theory and stands it on its head but also makes one wonder if this is even a factor when the cinema airs the latest installment of the Spiderman franchise trailer after he “dies’ in “Infinity War.”)

At two hours and three minutes the film does drag a bit at the start, but, and this is a big but, it is necessary to set up the main character’s personality and to show what a prig Jude Law’s character is. (Without revealing too much about the plot, it is sufficient to say that Yon-Rogg is an insufferable arse…)

Captain Marvel takes a lot of nods and winks, not least of which is Nick Fury’s “Marvel” line, and one can literally see a load of homages in the film. Groot-like death dealing by the cat is only one of the nods given to other films in the verse. It is all good fun and while there are some extemporaneous and downright slow bits in the film, it is greater than the sum of its parts.

This is a full five star addition to the Marvel-verse and one that must be seen prior to the final installment of Infinity Wars – aka Endgame. Check it out before April 26 and the big battle between our Marvel heroes and Thanos…

Author: Mike's Film Talk

Former Actor, Former Writer, Former Journalist, USAF Veteran, http://MikesFilmTalk.com Former Member Nevada Film Critics Society

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