It is inconceivable that this splendid little “feel good” film was excluded, nay snubbed, at The Golden Globes. Greta Gerwig’s Lady Bird is, quite simply, wonderful. Starring Saoirse Ronan as Lady Bird, along with the delightful and talented Laurie Metcalf as the teen’s passive aggressive mum, the film is a coming of age story set in a Catholic school in Sacramento.
While Lady Bird never quite lives up to the comedic promise of that opening scene in the car, it does go on to deliver a steady stream of low-key humour, a little heart-break and some well timed pathos. Metcalf and Ronan make a delightful double-act and Tracy Letts (as the big hearted dad) steps in, as needed, to spread a little love to both combatants.
Writer and director Gerwig addresses a lot of teen issues in this dramedy. Sexuality, losing one’s virginity, living on the wrong side of the middle-class divide, unemployment and trying desperately to grow “away” from one’s parents. None of these subjects are earth shatteringly original or ground breaking but they are delivered expertly and adorably by Ronan as the girl who wants to soar above her socially placed limits.
There is not doubt that this is Ronan’s film. She rules each and every scene she is in. However major kudos need to be given to Lucas Hedges – Lady Bird’s first love interest, Beanie Feldstein; who plays the best friend and if Metcalf does not snag a little golden fella come award time for her performance as Lady Bird’s mum, there is something definitely rotten going on in the Academy.
Lady Bird allows us into the main character’s world and her determination to head back east for her further education. She submits applications to colleges in New York on the sly, with help from her dad while she rushes to complete her last year of high school and break free of her lower middle class bonds.
We are privy to her foray into love, her first: School play, job and her acceptance into the upper echelons of Sacramento society. She becomes friends with rich girl Jenna Walton (played by Odeya Rush, who looks eerily like a young Mila Kunis) while turning her back on her old bff.
Lady Bird may not be Gerwig’s semi-autobiographical tale, but it gives us a taste of what she finds fascinating. She gives us a character who is, according to a Rolling Stone interview, a combination of underachiever and dreamer who dares to exceed her own wildest expectations.
Christine snacks on unconsecrated communion wafers with her bestie Julie and pranks the nun headmaster by putting a just married sign on her car. She steals a teacher’s grade book and then lies about her math grade to get a better score. She falls in love (twice) and buys all the things she has been forbidden to have when she turns 18.
Rebellion may be the catchword here, but it is pretty tame. This is what makes the character of Lady Bird so endearing and we cheer her brief, somewhat timid, trips into the abyss. The film is a firm 4 star venture that gives us a heroine we can get behind and a protagonist we understand.
Catch this one as quick as you can, the Golden Globes may have snubbed this simply wonderful film but one can be sure that the Academy will not. Movies like this one go a long way toward proving that Hollywood is a long way from being finished.
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