Written and directed by Matthew Mahler, To Be Alone charts William (played by Timothy J. Cox) as he deals with grief in a cold environment. Mahler takes the audience through a short journey with the disturbed, and recent, widower, and uses a number of settings to show just what has happened here.

The story

William’s wife is upstairs in the bedroom, lifeless under the bedsheets, and he spends his time watching television evangelical programs when he is not constructing something in the back garden. Clearly the man is grieving but struggling to deal with the reality of the situation.

Mahler plants a number of messages in is film. To Be Alone works on a number of levels. Its imagery implies suicide, check out the line on the woman’s arm and the noose at the end of William’s rope, and the opulence of the kitchen.

His theme seems to suggest that material things cannot make us happy or give us the ability to cope. The voice over preaching of the church lady, who really does sound like Dana Carvey’s SNL creation, implies that grasping at conventional religion is not the answer.  William does take some of the “gospel” in but he alters it to fit his needs.

Silent Grief

Timothy J. Cox makes the most of his silent portrayal of a man attempting to cope with unexpected death. Also dealing with the devastating time spent alone  after the event.  Watching TV and eating, almost automatically, is only part of the emotional response. Cox manages to snap out of his robotic trance in a manner that convinces.

Mahler’s coldly shot film leave many questions unanswered. Why did Mary kill herself?  Did she, in fact, commit suicide?  William is clearly upset about the death, but did he orchestrate it? Is this the reason behind the “ornate” cross in the back garden?

The verdict

To Be Alone is a 4 star film that looks at death, survivors and the grieving process without a lot of dialogue. The film moves forward with external inputs: the church lady, the sheriff’s phone calls, and William’s silent journey to complete his ceremony.

Repeated viewing of the film reveals more details and raises more questions. It is an interesting offering that prompts the viewer to think about the events unfolding.

 


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One response to “To Be Alone (2017): Cold Grief (Review)”

  1. […] was clearly a labour of love. Mahler puts himself into his work/passion. I loved To Be Alone (2017) with its up close and personal look at death and grief. There were things that I really […]

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