Mikes Film Talk

The Witch (2016) can best be described as turning Hansel and Gretel on its head. If you go into the woods in this tale your life will change.

But not for the better.

The setting

Several things stand out in The Witch. Right off the bat, there is that heavy Yorkshire accent combined with the “Olde English” phraseology. . Writer director Robert Eggers’ decision to have his protagonists come from “God’s Country” was a sly bit of irony. Especially considering the circumstances of the plot and the players in it.

Another is the emphasis on the bleakness of the setting.  The downright dourness of all the early settlers. People who faced a new world with God in their heart and a blunderbuss at their side. Pundits today who work overtime to take the humor from this modern day world would have fit right in. Eggers’ pilgrims have no sense of humor at all.

Of course the main theme here is the simplicity of the people who believed in God. They also believed He was to be found everywhere if they only kept him in their heart. Eggers took this belief system and twisted it. It is a darker version of Hansel and Gretel. One with a touch of “Little Red Riding Hood,” where the witch is not vanquished at all.

The Witch got some dire reviews when it came out. It seems that that Yorkshire accent, confusing to American audiences. Along with all those thy’s and thee’s and come hither’s put American audiences off. But “by ‘eck that were how they talked” back then.

(Thick Yorkshire accents are best understood by those who come from “God’s Country.” While the rest of the us have to really work at picking out about half of what is said.)

The film does offer something else in spades though. Above and beyond the woodcutter link to a Grimm’s Fairy Tale or two.

Tension

The Witch has atmosphere and a sense of foreboding so powerful it practically leaps off the screen.  Watching the film is an exercise in tension. There is also  a feeling that Eggers may well be telling his version of Job in the new world. (One of the characters actually references that particular parable.)

The moment the family are banished from the “plantation” we know this is going to end badly for them all. William (Ralph Ineson), Katherine (Kate Dickie) and their family. Sure enough, not long after relocating, Thomasin (Anya Taylor-Joy) is out playing peek-a-boo with the youngest family member. The baby boy is stolen between peeks.

Eggers throws a lot into the mix. He includes the hysteria from the Salem Witch Trials. The two smallest children, after the theft of the baby, sound nothing like the rest of the family. The duo are thick as thieves and sound years older than they actually are.

The youngest children, after the baby is stolen, are damned creepy and disturbing. The two throw fits and mimic the gyrations of the young girls in Salem Massachusetts. Those histrionics that got so many punished for witchery. This adds to the suspense and overall sense of foreboding that rules the film.

(There is a bit where a hand flies up to cradle young Caleb’s head, played brilliantly by Harvey Scrimshaw. The sight of the hand is enough to make the keyed up viewer gasp and jerk away from the screen.)

What works

Most agree that Anya Taylor-Joy nails it in this film. Clearly this young actress is one to watch. She will be the next big thing in the acting world for a long time to come.

However, this was not a one person show. All the actors knocked it out of the park. Ineson with that deep resonant Yorkshire voice of authority. Dickie ringing the changes on her emotional toil and inner strength. Scrimshaw and his change after that meeting in the woods. Kudos to the youngest actors: Ellie Grainger and Lucas Dawson who were just brilliant.

Anyone watching this film may never want to go near a black goat again…ever. Black Phillip was damned creepy full stop. It goes a long way to explaining how religious fervor and superstition combined to create an atmosphere of dread.

All About the Culture

It is interesting to note that one of the plot devices entailed Katherine rounding on Thomasin. The end result of which ends up making the girl’s life a misery. Since she has “come into womanhood” the mother insists that it is time for the child to leave.

This appears to be an British cultural issue. It is even alluded to, in jest, in the John Ford film The Quiet Man. In the 1952 film, the conspiracy against Squire Danaher is that two grown women cannot live under the same roof. It holds true to this day as this writer can firmly attest.

The Witch may not be the scariest film made in 2015. It did have some pretty decent competition. It is, however,  undoubtedly the most unsettling and atmospheric horror film of the year.

Cinematographer Jarin Blashchke does a brilliant job in terms of lighting and each frame is nigh on perfect.  The sound is spot on while the sets and  the costumes feel authentic  right down to the smallest detail.

Fans appeared to be split in their reactions to the film. Most seeming to want or expect jump scares every two seconds. There are, at least a couple of these popcorn hurling moments in The Witch.  The good new is that they are far enough apart that each come as a surprise.

The Verdict

The Witch is a solid 4.5 star film. Those who love a nuanced horror film that takes its time to set up the finale will adore this one. It loses a half star for the, at times, impenetrable Yorkshire accent.

The film  is available on Amazon Prime to rent. Fans of horror films will want to check it out if they have not already. It is worth watching.

The Trailer