Dress Code (2023) Mafia Secrets in New Jersey

Dress Code (2023) or Mafia secrets in New Jersey

Dress Code (2023) or Mafia secrets in New Jersey, as I think of it, is an interesting tale of the Mob and the life they lead. On the streets and behind closed doors nothing is left to the imagination here. First time director Joseph Pupello helms this feature, written by Peter Panagos, with promising capability.

NOt the Sopranos

The movie is set in New Jersey. If at all in doubt, just listen to those topical sentences voiced by “Joisey” accented guys and gals. Gerard Garilli is Bobby Russo, the only son of Dominic (Freddie Maas) and Joyce (Alex Di Trolio). Uncle Rocco, played by Frank Osso, comes to visit often and he dotes on the young Bobby. *Nicholas Giordano does an excellent job as the youngster who wants to experiment with fashion. The Sopranos, Dress Code is not. Although, like Tony, there are links to the mafia and disturbing secrets.

The Setting

All photos provided courtesy of Gerard Garilli

Like the “Sopranos” the locale is indeed New Jersey. Bobby exists in a nuclear family and the tension between the three is palpable. Dominic rules with an iron fist. He does not believe in sparing the rod. Joyce loves Bobby and tries to understand him. Bobby is not overly popular with the neighborhood kids. He has one true friend.

He is fascinated with his mother’s clothes and makeup. Dominic catches Bobby with lipstick on his face. He threatens to beat the boy with his belt. Bobby’s only salvation is his Uncle Rocco. Fast forward a few years and Bobby is a young adult. He still lives at home with his parents in New Jersey. Rocco is taking the young adult under his wing. Bobby is now in the Mafia proper.

The Secret

Bobby talks to. him mom in Dress Code (2023)

Bobby is into cross dressing. He tells his mother that it makes him feel alive. He feels “smothered” but this disappears when he dresses up. This secret could ruin the New Jersey mafia soldier if it ever gets out. Bobby’s fiance and soon to be mother of his child, has no idea of his passion.

No one in the mafia knows of his addiction to wearing women’s things. Bobby appears to be a regular mafioso, masculine and tough. He is, infact, all these things. His colleagues in the New Jersey mob, however, will not see this as a good thing. The only person he can talk to about it is his dead mother.

The Cast

Gerard Garilli is lowkey convincing as Bobby. He manages to pull off his transformation scenes with a panache that feels real. Freddy Maas as Dominic the dad and New Jersey mafia member also feels authentic. Frank Osso easily nails the uncle with a plan role.

Alex Di Trolio is perfect as the mom who loves her son regardless of his hidden passions. Lastly, Maria Marinaro, as Bobby’s grown up love interest and the rest of players in this film acquit themselves more than adequately.

Everything else

Panagos has written an almost “new age” drama here. Director Pupello ties it all together in a way that keeps us watching. The cinematography and editing by Andrew Froening is crisp and smooth. This film looks good. It is all too easy to see this film as another Sopranos but with a twist. It is not though. This is, indeed, a unique approach to the world of tough guys.

Dress Code is currently streaming on Tubi, a free streaming channel, and is well worth a look. Mike’s Film Talk gives this one a full 4 star rating. The subject material alone makes this a compelling experience. Have a look at the trailer and then head over to Tubi and watch the film.

Outrage (2010)

After a long absence from the Yakuza films that made his name, Beat Takeshi, aka Takeshi Kitano is back on form in this violent Yakuza film. Enjoy!

Jackpot (2011): Brilliant Black Comedy

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Written and directed by Magnus Martens and based on a story by Jo Nesbø, Jackpot is a hysterically funny film about the lack of honour among criminals and how one innocent man gets caught up in almost more than he can handle.

The film opens with two men in a police interviewing room in the Ostfold Police Station. One is covered in blood and bruises while the other man, who is in a suit, questions him. The first man is Oscar Svendson who one hour previously crawled out from under the body of a huge woman while clutching a shotgun, the only survivor of a massive shoot-out in the club.

As Oscar struggles to tell the police detective what happened we are treated to a flash-back. A car with three young men is going down the road.We see it drive into the car park of a strip-club/video store called Pink Heaven. The three young men jump out and trot through the door eagerly calling out, “Any pussy in here?” As the doors close on them, gunfire erupts and all three men are shot.

As the opening credits roll, we see the carnage left in the club and we meet the detective who will question Oscar later in the film.

The Cast:

Kyrre Hellum
Oscar Svendson
Mads Ousdal
Thor Eggen
Henrik Mestad
Solør
Arthur Berning
Billy Utomjordet

The Plot:

Oscar is a sort kind of Parole Officer/Supervisor in a “Halfway House” factory that employs ex-convicts when they are released from prison. The factory makes small plastic Christmas trees. Oscar enters a football pool with three of the ex-cons who work there. Thor, Dan, and Billy all fill in tickets and Oscar drops them off paying for all the men to play. Oscar’s girlfriend tells him to change the first team that they’ve chosen to win to a draw.

When the match is televised the teams do indeed play to a draw, Billy, Thor and Dan are furious until they find that Oscar had changed the first match bet. They win over 1.7 million on the pool. Unfortunately for Oscar, despite his good fortune, his troubles are just beginning.

Waiting for the results...
Waiting for the results… Oscar, Billy, Dan, and Thor.

The Device:

The film switches from interview room to flashback and certain “scenes of the crime” where the flashbacks must “marry up” with the story that Oscar relates to Police Detective Solor (Mestad). Each flashback features more hysterically funny bad luck on the part of Oscar.

The Twist:

By the end of the film you’re left asking; did it really happen that way?

The Verdict:

Rib-tickling fun. Despite the fact that the amount of gore and blood-letting in the film could equal a Takeshi Miike movie, the film is almost hysterically funny. The action, which could be described as overly violent slapstick is blackly funny and is helped by the dialogue which can range from dry dead-pan delivery to over-the-top hilarity.

At one point Oscar is relating something and he states that when Plan A failed they had to resort to Plan B. The detective asks, “What was Plan b?” Oscar responds, “Not very good.” Very, very funny.

Due to the amount of violence and death; blood and gore; and some pretty gruesomely funny means of body disposal the film can only be classified as a black comedy. Jackpot has to be the funniest crime film I’ve seen in ages and I am amazed that Hollywood has not already snapped this film up for a remake.

A real gut-busting 5 stars out of 5 for a brilliant mix of hilarity and death. Proving once again that the Scandinavian countries don’t just write good crime fiction, but, they make great films as well.

Don’t miss it.

Going over the crime scene.
Going over the crime scene…Oscar and Detective Solor.

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