Rob Zombie wrote and directed this sequel to House of a 1000 Corpses. After the financial success of Corpses Lions Gate Entertainment were eager for Zombie to make another film.
Rob had an idea for a sequel while filming Corpses about the sheriff’s brother coming after the Firefly clan in an act of deadly revenge. With the idea in place Zombie began to craft The Devil’s Rejects with the aim of making the film less comedic and more horrific.
The Devil’s Rejects opens with the Sheriff’s brother, Sheriff Wydell (William Forsythe) surrounding the Firefly house with a posse of lawmen. After telling the besieged family to surrender or die a prolonged shoot-out ensues with every one in the house being shot to rag-doll ribbons.
Otis (Bill Mosely) and Baby (Sherri Moon Zombie) manage to escape, but Mother Firefly is captured by Wydell. Otis and Baby after murdering a nurse to steal her car hide out at a motel.
At the motel Baby starts flirting with Roy (Geoffrey Lewis) who part of a country music band and when they head back to Roy’s room, Otis shows up and they take the entire band hostage. What follows is the hardest part of the film to watch.
Gone are the comedic undertones that make Corpses so amusing. Otis and Baby have grown p as it were and they set upon the band member with vicious and horrific acts of violence. Otis rapes Roy’s wife Gloria (Priscilla Barnes) and later kills the two remaining men. He cuts one of their faces off and returns to the motel room with his victims face over his own.
The two contact their father Captain Spaulding (Sid Haig) and they meet at the motel. After their reunion they all go to the Chicken Ranch, a brothel run by family friend Charlie Altamont (Ken Foree) and his lackey Clevon (Michael Berryman).
Sheriff Wydell has hired two bounty hunters to help track down the remaining Firefly family members, one of the bounty hunters is Danny Trejo, they catch up with them at the chicken ranch.
With his second feature Rob Zombie has fine tuned his cinematic and horror skills. Focusing more on the evil side of the Firefly brood, he has toned down the hilarity that was present in his first film. He also gives the characters a chance to show who and what they really are.
The interaction between Baby, Otis and dad, Captain Spaulding is touching, funny and revealing. That this family unit is dysfunctional is obvious and just as apparent is their love (however strange) for one another.
Yet despite the more horrific nature of the film and it’s lead characters, we are fond of the backwater Dionysian family and when the film ends to the music of Lynyrd Skynyrd’s Free Bird we are sad and a little touched.
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