Maya & Marty: Episode 3 – Not Quite There (Review)

 Maya & Marty - Season 1

This is a show that should be funnier than it is. “Maya & Marty”  with Maya Rudolph and Martin Short is still stalling out in the third episode.  The humor  has improved somewhat, but is is still not quite there. Guests this week were Ben Stiller, Nick Jonas, Eva Longoria and John Cena and out of the lot, Stiller’s skit with Short and Maya was the funniest.

(Although Cena’s Hulk Hogan was damned funny and the lawyer advertisement was the only other bit to raise more than a chuckle. “Oh my God, dad!”)

Maya & Marty - Season 1

Sadly, like most of the sketches,  the A.I. bit went on too long and lost its momentum.  Which pretty much describes all the skits of the episode.

The show opened with Martin Short and Maya Rudolph  doing a song together which was a variation on the “showbiz” tune performed by Steve Martin and Short last week.

The first sketch was the fireman’s calendar and it featured John Cena being “cute” (“I love you Pongo.”) and Martin Short being…Martin Short.  Keenan Thompson was the glue that made this gag work.

The happy birthday skit despite being centered around Eva Longoria went on far too long, although Maya’s singing was, as usual, priceless. The urge by the Maya & Marty writers to put Nick Jonas, Keenan (who was funny as the rapping pastry chef) and Martin out there as Adele wannabes was too much.

Maya & Marty - Season 1
A.I. Sketch

The next one up was the A.I. sketch. Stiller as the scientist who creates a robot capable of true love, based on a one time encounter with a rich man. The joke, where the robot is connected to the Internet, was funny. The ads, which interrupted at crucial points, was spot on as was the gag about the client refusing to pay 99 cents to have the ads removed.

After the bluetooth joke, Short screaming into Maya’s mouth because the microphone was in the back of her throat, the comedy on offer faltered as the dance bit, once again, made the gag run too long.

An interesting addition was made to this week’s episode. Three young boys performing the sisters number from “Hamilton.” These three “Broadway Kids” did a number that. as boys, they would never be able to perform. The three lads, all on Broadway in different shows, did a brilliant job, as did Rudolph with her bit.

Maya & Marty - Season 1
Hamilton performance by the Broadway Boys.

It would be too easy to dismiss this add-on segment as so much extra publicity for the award winning “Hamilton” (already the talk of the nation) or a cheap attempt to boost ratings with some charming child performances but it was impressive and a bit of fun. Even if it did feel a tad like an escapee from the Tony Awards.

Next up was an “8 Mile” skit where Nick Jonas  takes on Keenan Thompson (who looks to have broken a foot – clock the size of that left shoe) in a rap war.  Whitebread dentist dad to Jonas takes on “Little Taco” and wins.  The sketch was amusing but not so overpowering that that cast, disguised as a trainer (sneaker) escaped attention.

Short as Jiminy Glick interviewed Kevin Hart, which had Hart equally corpsing and playing it for reals, (yeah) and it worked to a degree. However, nothing has ever really matched the “pretend” celebrity host gag as done by “Dame Edna Everage ” aka Barry Humphries. Short is funny but not Dame Edna funny.

Maya & Marty - Season 1
Hart cracking up.

 

The John Cena highlight came up next with his spot on Hulk Hogan impression in the reality TV movie sketch. Cena competed with “David Schwimmer” for the part of Hogan in the network’s follow up to the O.J. Simpson trial miniseries. Keenan came on to be O.J. and Short actually does a halfway decent Schwimmer.

The end of the show found Jimmy Fallon gate crashing the final musical number by Thompson, Rudolph and Short. Cue rapturous applause and cheering.

This is a show I dearly wanted to like. Comedy is a personal favorite, as it would for anyone growing up watching Carol Burnett and Rowan and Martin’s Laugh-In. Unfortunately, “Maya & Marty” just is not there yet in terms of delivering the laughs.

Lorne Michaels needs to stop trying to imitate a show that has been faltering of late (SNL) and shake things up a bit. Short and Rudolph are funny just not that funny…yet. On the bright side, at least Keenan Thompson did not look embarrassed to be on the show this week.

“Maya & Marty” airs Tuesdays on NBC.

Wayward Pines: Season Two, Episode Three – Pam (Review)

 WP-S2_203-scn20A-SB_0007_hires1

This week in “Wayward Pines,” in an episode titled “Once Upon a Time in Wayward Pines,” we get a history lesson, of sorts, and we learn more about Pam and her connection with Jason.  This season has managed to trot out various “survivors” from the first season only to kill them off or, like Theresa Burke (Shannyn Sossamon), allow them to bubble briefly onto the surface only to disappear. It also spends a bit of time establishing  characters that we know damn well did not exist before this season.  The “flashbacks” also allow the verse to rewrite its own history.

To be fair, the show was never intended to be more than a “one-off.” But FOX, after looking at their viewing numbers, brought the show back, sans Matt Dillion, sans Toby Jones and sans a logical plot line.  Dillion and Jones were left behind as their characters died.  Somewhat bizarrely Hope Davis returned as Megan Fisher although we would have bet she died in that tunnel (although showrunner Chad Hodge was pretty ambiguous about her death in a interview last year after the season one finale) but she is back this year. 

The only concession is that Megan is in a wheelchair. The school leader, who managed to brainwash a generation of children into believing that they were more than just special and that they  are meant to breed immediately,  is still full of zeal and single minded purpose.

Season two of “Wayward Pines” has re-written the first season in many ways. The character of CJ, the horticultural specialist (played by Djimon Hounsou) is given his bona fides by including some scenes where he was an essential part of young Jason Higgins’ life growing up.  Jason (Tom Stevens) also has his own history re-imagined as Ben Burke (Charlie Tahan) is eased, not too gracefully, out of his previous position of potential leader of Wayward Pines.

Pam, who is the centerpiece of this episode, also has her past reshuffled; leaving out the manic/depressive and schizophrenic  traits altogether, not to mention her bullying tendencies.  (Who can forget her taunting of Dillion’s character while he was weak, drugged and disoriented?)  Pam the nurse was a control freak and not a nice person, full stop.

Jason Higgins, was not the first choice as leader of the Generationals.  Ben Burke was, although this was obviously because of his police chief father, who Megan was trying to usurp.  Higgins took it unto himself to punish all those who were rebelling due to a sense of entitlement. Something that this season attempts to explain.

In essence, season two is all about cleaning house, figuratively speaking, of all the hold-overs from season one. (This does not bode well for Megan Fisher but we shed no tears for her as the spiteful and overzealous woman should have died last season.)  Although we have yet to see Amy, the “chosen” partner for Ben who almost died last season but survived for the finale’s epilogue. She has  not  yet been seen this season.

One can only assume that if Amy does return that her time in Wayward Pines will be short and end badly.  Ben was eaten by Abbies, after Jason exiled him, and Pam was killed by Higgins himself.  Kate Hewson (Carla Gugino) killed herself rather than face life under Jason’s rule.  Ben’s  mother has faded back into the woodwork and has not been seen after her public challenge of Jason. 

Pam, at least, made some sort of gesture before her removal.

Infecting herself with smallpox, she kissed Jason on the lips. Unfortunately, according to Yedlin (Jason Patric) she was not in the incubatory period yet.   So all her trouble was for naught.  Thus far “Wayward Pines” is all about the self-centered and entitled despot Jason and his “Hitler Youth” who run the town. This cleansing of older characters and rewriting of the history makes this the focus of season two.

It does appear that the town will be spreading its wings and expanding its boundaries. With the disappearance of the Abbies (And why has no one thought to check where they have gone or why?) Jason’s next step is to set up “colonies” and grow more food. This whole thing screams bad idea and no one is stepping up to say so. (That is the trouble with a dictatorship, no one wants to bring the big guy bad news.)

Back to the “cleaning house” issue. Surely Megan Fisher is not long for this world. It is surprising that she did not turn on Jason when he “forgave” Pam publicly. But then,  after all the build up of why Higgins is so much more special this season than he was last season,  the thought may never have entered Fisher’s head.

The one season one  character who has been brought back, and fine-tuned with a little shock therapy,  is Pope’s (and then Burkes’) old receptionist Arlene Morgan (Siobhan Fallon Hogan). Just why this woman was “one of the chosen” by Jones is never really clear. She is not a brain surgeon and her only real speciality seems to be that of  receptionist with attitude. 

On the subject of “why” we now know that Yedlin was not the target in Hawaii. Sure he is a surgeon but nothing special. It is clear that his wife Rebecca (Nimrat Kaur) – the architect – was the prize that Jones had his eye on. All the better to help Wayward Pines grow out of its “shell.” 

The series airs  Wednesdays on Hulu. So far season two lacks the things that made season one so compelling and addictive. Tune in and see what you think. Will this rewriting of history ultimately make this show work?

Hunters: Maid of Orleans – Regan’s Backstory (Review)

 Hunters - Season 1

“Hunters” starts with some backstory on Regan as a child. It also highlights the issue of sounds on the creature’s hearing. The younger Regan attacks another girl who will not stop jumping rope outside her house. The slapping noise of the cord hitting the sidewalk hurts her ears.

“Maid of Orleans” takes the Hunter back to her childhood and we learn that her father is also a Hunter as well as her mother, who we never meet in the flashback sequences. This episode feels very much like a cross between “Predator” and “The Terminator”franchise.

In the present Regan, Briggs and Flynn all head to the jungle and with the bickering between the local guns for hire and the clicking noises it feels like Arnold Schwarzenegger may come bounding out of the underbrush at any moment.

The atmosphere works and puts the viewer on edge. The fact that Briggs is trigger happy adds to the tension. Keeping with the Predator theme, a young woman they rescue tells Flynn that a monster came out of the jungle and took her mother.

Instead of the 1987 film monster, these kidnappers are the “leather-faced fodder-muckers” that McCarthy (Julian McMahon) did business with last week and something much more frightening.   Regan knows the leather faced  creatures  very well as it seems that they killed her family.

It is also revealed that the younger Regan (Britne Oldford) killed a rabbit and ate it raw while on the run.  Flynn and his team reach the camp and find it empty of life and surrounded by dead bodies. The dead are mangled and torn apart. 

As they move through the camp something is watching Regan.  Later she finds a footprint. The camp was a heroin factory but one of the bodies found has the same holes in it as the heroin addict’s corpse found at  McCarthy’s place.

More memories of Regan before the ETU emerge, sex, smoking crack and attacking the police brings her in contact with the organization.  In the jungle, Flynn bonds with the alien agent who reveals that Briggs has a love/hate relationship with her.

Regan also tells Flynn that she did not know she was alien till her parents told her. The FBI agent is also starting to believe that his wife Abby was a Hunter after all.  A “monster” kills all the local gun’s for hire sand the leader, Mato.  Alarmed and angry, he  goes to call for backup. Regan shoots him  in the back of the head, per ETU protocol.

Mato (Deniz Akdeniz), who Regan killed with a bullet in the back of his head, wounded  the creature before being executed and the remaining team start to  track the creature down despite Jackson ordering them to abort. 

Briggs finds a punji stick trap and it slows the team down while Flynn treats the other ETU agent’s injury. Briggs explains why he dislikes Hunters and Regan.

The Hunter ETU agent tracks the creature on her own.  She finds the “monster” and the description is an apt one.  This Hunter looks anything but human and it is indeed wounded. Rather than kill it, Regan reaches out and touches the creature.

Thus far, it seems that there are several varieties of the same Hunter species. Not all Hunters are created equal with some being less human than others. There are also, apparently, warring Hunter factions on Earth.

Briggs tells Flynn (Nathan Phillips) that regardless of what the aliens look like that underneath it all they are monsters. Regan shows, via her flashbacks, a certain vulnerability that, despite her alien nature, makes her rather endearing. 

Hunters - Season 1
l-r) Britne Oldford as Allison Regan, Nathan Phillips as Flynn Carroll.

“Hunters” airs Mondays on SyFy. Tune in and watch this serious  and intriguing thriller.

‘Wynonna Earp: Leavin’ on Your Mind’ (Review)

Wynonna Earp - Season 1

“Wynonna Earp: Leavin’ on Your Mind” has shoved the series right into that hallowed spot of favorite by making this reviewer “well up,” aka grab for the tissues and then break out in gooseflesh.  The humor is still there as is the clever writing with so many layers given to each of the characters.  How can one not love a show that has “Sometimes we get donuts” and then makes tears flow later  on only to be followed up by goosebumps at the episode end?

In this weekly installment  there are three revenants who follow a spell left by the “Stone Witch” that will allow them to leave the Ghost River Triangle without suffering “Hell on Earth.”

“Leavin’ on Your Mind” begins with Waverly (Dominique Provost-Chalkley) taking US Deputy Marshall Dolls (Shamier Anderson) and Wynonna (Melanie Scrofano) through her revenant research.  Dolls proves, yet again, that he is not “Mr. Affable” and the elder Earp talks about  shooting the revenants in the face and making them tremble with fear before her. Wynonna’s boss retorts:

“You have powdered sugar on your nose.”

Haught comes into the black badge office to tell about an incident in the big city and spares a smile at Waverly. The officer clearly still has a crush on the younger Earp. Dolls notes this interesting exchange with his usual lack of emotion.

The revenants are collecting items for their escape spell, all cryptically named.  The voice of a mute, turns out to be collection of poetry written by a deaf-mute author (and local celebrity) and a loveless heart is the necklace of a cheating wife. The third item  in the spell’s recipe a man’s dismembered hand,  is the only one still a mystery.

Doc Holliday proves that sex with a demon is not above him and Waverly now knows who “Henry” really is and attempts to either prove it or make him acknowledge the fact.  Wynonna has a run-in with a speedy revenant and reports the fact to Dolls.

The two work out that the revenants, who killed a city official and cut off a man’s hand in the big city, are headed to the old Purgatory bank which is now a surplus store.  The two law officials show up at the store and the revenants take hostages. Two of the people being held are Shorty and Waverly’s fella Hardy Champ (Dylan Koroll)

Marty (Murray Farnell),  the revenant who moves “like he is krumping” is barely keeping it together and Wynonna goes into the store to replace the hostages.  Dolls takes the Buntline Special and caresses Wynonna behind her ear in an uncharacteristic show of tenderness before she goes in.

Inside the store all the hostages are released except for Shorty,  Champ and Wynonna.  Marty kills revenant Gary, and Wynonna opens the old Purgatory bank safe for the revenants. This results in the final ingredient becoming available for the stone witch’s spell.

The witch’s name is wanted by Holliday and Bobo tells the former friend of Wyatt Earp that he will give him name if he gets close to Wynonna.  Waverly gets too near the two during their negotiations  and after shooting at her, Holliday angrily confronts Waverly  and insults her. Little sister gets angry and Doc may have made a mistake.

After getting all the ingredients Sam (Roger LeBlanc) performs the spell, but only after shooting the increasingly annoying Marty. Wynonna helps Champ to escape and Sam possess the dying Shorty (Peter Skagen).  A weeping Wynonna gets back the Buntline and uses it to send Marty and Sam back to hell. 

Unfortunately she has to shoot Shorty in the head to send back Sam this is an emotional moment. Afterward, Holliday comes to the homestead and introduces himself offering help to the Earp sisters in their quest to send back all the revenants.

Cue goosebumps.

Ruminations:

This episode reveals a bit more about the enigma that is Dolls.  For one thing, it appears that he covets the Buntline Special and even tries to fire it at the revenants. The pistol does not work and he ends up giving it back to Wynonna. One does have to wonder if, the gun had fired, whether the Deputy US Marshall would keep the Earp heir on the team.

Dolls is also “sneaky” that caress behind the ear was him placing a tracker on Wynonna.

Holliday (Tim Rozon) proves he has a temper and when under the influence of his ire, he makes stupid mistakes. Attempting to bully Waverly was clearly something that he should not have done.  The youngest Earp sister does have a steely interior as proved in the pilot when she takes a shotgun to someone she believes to be a woman moving in on Champ. 

Wynonna may not have killed the revenants with her bare hands as promised, but she does not hesitate to get physical when she needs to.  The bit where she has to shoot Shorty is one of those tissue grabbing scenes that burns the eyes and chokes up the viewer.

Comic Moments:

These mostly have to do with eating and drinking or references to food in the scene with Dolls and Waverly:

Donuts; powdered sugar and as a special treat, intermixed with the “Mr. Shut-up and Do as You’re Told.”

Coffee; Wynonna burning her lip after being told to hurry up.

Reference:

Waverly: “You know, sounds a little cuckoo bananas.”

Narc-mobile.

Dolls’ reactions to Officer Haught to Waverly.

Wynonna Earp - Season 1
Katherine Barrell (l) and Shamier Anderson (r).

Final Thoughts:

By the end of the episode the storyline has reached an impressive depth of themes. The revelation that Willa was not killed instantly and that “she screamed for days” is shocking. The violence, thus far, has been mostly aimed against the fictional revenants. Sam’s  referral to the pilot’s backstory reveal, where young Wynonna kills her father and Willa is murdered,  marks the only “non-revenant” deaths apart from the unfortunate girl on the bus. (Also in the pilot.) Shorty’s death moves the “real” death count forward. .

The death of Shorty, a peripheral character with ties to the Earp family, is upsetting. The revenants killing the city official and cutting off the man’s hand are violent acts against people and not demons.  These and the reference to the  horrid death of Willa shifts things into a darker fantasy world than the previous episodes have suggested.

The final death toll against humans is now four.

“Wynonna Earp” still has humor in spades and the writing suggests that things are now going to pick up in the Doc Holliday/Earp dynamic.  The motives of Wyatt’s old, and apparently back-stabbing, bestie remains to be seen. Revenge is most definitely on Doc’s mind but against who.

The Earp heirs or the Stone Witch?

“Wynonna Earp” airs Fridays on SyFy.

The Catch: Catching Up (Recap/Review)

The Catch on ABC is moving on with the story of Alice Vaughn (Mireille Enos) trying to catch up with “Benjamin Jones” (Peter Krause) the man who conned her and the company before disappearing. I

 MIREILLE ENOS, DEREK WEBSTER

The Catch on ABC is moving on with the story of Alice Vaughn (Mireille Enos) trying to catch up with “Benjamin Jones” (Peter Krause) the man who conned her and the company before disappearing.  It also follows “day-to-day” investigations that Vaughn’s private detective agency undertakes.   

Episode two begins what appears to be a long term con where the target is a Princess’ console.  Jones’ business partner and lover Margot Bishop (Sonya Walger) tries to get him to leave the country as Alice and her agency know his face.

This plan is cancelled when the team learn that Interpol official Agent Dao (Jacky Ido) is in Los Angeles looking for Jones.   In The Real Killer a man acquitted of murdering his older and very rich wife attempts to frame her son by hiring Alice and her agency.

Vaughn finds the painting that Ben/Christopher stole from the museum and placed into her apartment.  A little investigation proves it is real and Alice heads to the museum to find that they have a fake up in place of the stolen art.

Ben realizes that he loves Alice and cannot bring himself to  break cleanly away.  The third member of his little con group,  Reginald Lennox III (Alimi Ballard) warns him that if Margot learns that Ben has been in contact with Vaughn  she will kill her. 

By the end of the episode, Vaughn has proven that her initial instincts about their client was correct but his new wife kills the murderer before he can be brought in.  Vaughn learns of a pattern to the identities taken on by Jones.

She provides him  new one, as bait, and he takes it.  Alice, and Agent Dao (who bugged her house), can now track his activities via his new credit card transactions.

In  episode three; The Trial,  Vaughn and Jones are still part of the running plot as is the Princess con.  Valerie Anderson (Rose Rollins) is undergoing a divorce and her soon-to-be-ex Dan Bailey, turns up with a case for the company.   Bailey’s sister was  part of a trial for MS sufferers that ended with her in  ICU.  Valerie’s estranged spouse  (Alan Ruck) wants to learn what happened. 

PETER KRA-- USE, MEDALION RHAIMI
PETER KRA– USE, MEDALION RHAIMI

Benjamin is still “working the princess” (Medalion Rahimi) and he, along with his team, get the woman away from the “mark” Qasim Halabi (Navid Negahban). Qasim quite rightly deduces that Benjamin, as Mark Thorne, set him up for the fall and things turn ugly. 

Halabi confronts Thorne with a silenced pistol. The two men fight and as Qasim overpowers Mark, Margot retrieves the gun and kills the angry Halabi. Vaughn sees Thorne/Benjamin but cannot react properly as she was poisoned at the trial Susan Bailey attended.

Margot and Reginald dispose of the body and later Reginald takes off to make the Princess’s people believe that Halabi has left with her money.

Later, Benjamin warns Alice to back off so she does not end up dead in the trunk of a car like Qasim.   Vaughn will not stop though as she now has the man’s location.

As mentioned before,  the show is pretty much a long running “cat and mouse” scenario between Alice and Benjamin.  Micelle Enos’ character is pretty bad a** and one heck of a detective. She is also carrying a big grudge.

The wild card in all this, plot wise, is Dao (Jacky Ido) who is working hard to catch Jones for a murder in Europe.  Dao fluctuates between being a bull in a China shop (See what we did there?) and being dead clever (putting the bug on Vaughn’s door). Jones’ team fear the Interpol/FBI official so Dao must be good at what he does. 

Enos is good as the tough and intelligent P.I. who let love get her, and her company, in trouble. Although  they did manage get all the pilfered moneys retrieved in the pilot episode. Krause is convincing as the smooth as silk conman who is still carrying a torch for Alice.

The show looks brilliant with lots of split-screen action going on, tight editing and smooth storylinesThe sets look fantastic as does the outfits worn by the players.

The Catch airs Thursdays on ABC.

Verified by MonsterInsights