The last in a series about South Korean all-girl schools, A Blood Pledge also known as Whispering Corridors 5, is the only one set obviously in a Catholic School. It is interesting to note that each film in the series, which are all considered part of the franchise, has a different director and writer.
All have similar themes, an emphasis on friendship and betrayal of same, fierce competition for grades/scores in class, which in turn leads to even more competition to get into a good university.
Girl crushes, teen pregnancy, Korean teenage girls portrayed as bitchy, bullying and overly obsessed with money and class, dysfunctional family units, and betrayal all are part of the franchise formula along with curses, urban myths and of course supernatural occurrences.
The first three films in the series are really the best. In my honest opinion, as the “sequels” continued they borrowed freely from whatever new trends in Asian horror were prevalent at the time of filming or when writing screenplays.
A Blood Pledge is directed by Jong Yong-Lee, who was actually a co-writer on the superior 2002 film Sympathy for Mr. Vengeance, Yong-Lee also wrote the screenplay for A Blood Pledge and the film marks his second time in the director’s chair, his second credit for writing and first feature length film.
Now, despite what IMDb maintains the storyline is; it is not about FOUR friends who make a suicide pact. There are only three who decide to swear an oath that they will die before their time. The mistake seems to have been brought about because a fourth joins the group later, after the blood oath, or pledge, and she is the only one who perishes.
Leader of an elite trio of friends, Eugene, or Eun-Jo, is a manipulative little schemer who does not like losing at anything. As she has been knocked off her spot as student with the highest grade average, mainly because of her “out of school” romance with the rich love rat Ki-ho, she comes up with a plan to knock current leader Yoo-Jin out of the top spot. Her grades have slipped so much that she is no longer in the list of top ten best students.
Eugene kicks an old established member out of her group and woos Yoo-Jin’s best mate Soy into her little trio, with the idea that the former straight A student will become so upset that her grades will drop. The plan backfires when Ki-ho goes after the new girl and in the process, dumps Eugene and impregnates Soy.
Oops!
She then plans to kill Soy, win back Ki-ho and resume her place as top straight A student. Unfortunately everything goes wrong when Yoo-Jin goes over the side of a school building instead of Soy and dies. The dead girl soon begins appearing and her younger sister keeps approaching Soy for answers.
The school, broken into various cliques and class loyalties, is a hotbed of rumors, theories, backbiting and mudslinging between the different factions.
A Blood Pledge is entertaining. Sadly, though, it is not a fitting end to the brilliant trilogy that started the whole thing off. While it does not borrow quite so heavily from the franchise as Voice did for example, the film feels like a poor relative to the series and seems as though it was meant to be a “made for TV” version of the franchise.
It is confusing and hard to follow at times, mainly because of flashbacks and the fact that Eugene, Eun-Jo and Soy resemble each other so much. It would have helped if the director had at least changed their hairstyles a bit. At times other events transpire that never have a real explanation of why or what exactly had been done. The locker scene in particular, you’ll know what I mean when you see it.
Another example is the “evil mother of the rich love rat” car scene. Good stuff, but it did not really fit the motif here…
I would recommend watching A Blood Pledge, and Voice actually, just so you can finish the franchise off. Then sit down and watch the first three and enjoy the best the series has to offer.
That’s it from me this week so until next time, keep watching the movies and have fun!
Here is the video from my YouTube channel where I talk about the film. Enjoy:
22 May 2015
Michael Knox-Smith