The Last Ship: Cry Havoc (recap and review)

Eric Dane as Cmdr Chandler in The Last Ship Cry Havoc is the penultimate episode of The Last Ship season two. Last week saw the Nathan James lose four crew members and Sean Ramsey openly challenged his nemesis Commander Chandler. This week saw an increase in action and excitement as the destroyer and the sub face off at last. The episode also allowed Adam Baldwin as XO Slattery to get his hands dirty and prove that, like his character, Baldwin is not getting older, he is getting better.

*Sidenote* In terms of action, it is always annoying to see London born Rhona Mitra have to take a back seat to the action. One can almost see her gritting her teeth when the “menfolk” get all booted and suited to kick arse while she has to remain behind.

The crew of the Nathan James are bruised and battered this week, before they even start their face-off with the Ramsey’s and their group of international mercenaries.  Chandler decides that he is tired of playing hide and seek with the Achilles and he orders that the James flank the sub and end the whole thing “today.”

“Valkyrie” aka Valerie is being shadowed by Lt. Granderson who really does not like the technical wiz. When Val makes a joke about security Granderson jumps down her throat.  Chandler tells the president that he, Dr. Scott, the kids and a few crew members, along with the cure, will be off the ship until they have taken Ramsey’s bunch out of the picture.

President Michener is not overly pleased to be out of the action, but he goes along with the plan. Valerie points out where all the civilians are that have teamed up with the Immunes to blockade the destroyer. When it looks like the crew may have attack the civilians, something that Michener says is not acceptable, Valerie comes up with a  plan to divert the civvies to a fake sighting of the ship.

As the away team arm themselves and sort out supplies, Tex shows he is still attracted to Dr. Scott. Lt. Wilson and Lt. Green have a moment and Wilson tells him that he had better not make her raise their child on her own.

The XO tells his commander that it “really sucks” that he will not be there when Chandler sinks “that sub,” and similar to Wilson and Greens, “Lt., Lt,” greeting, the two men call each other commander after Tom hands his XO a letter for his family. Slattery calls the landing team away.

Once they reach the shore, the XO tells the group that they are on radio silence till the Nathan James tells them that the sub is dead. Back on the destroyer, Jeter and Garnett are setting up their jury-rigged sonar.

Valerie (Tania Raymondeand Granderson share a comic moment. As Val swamps her system with false leads for the Immunes and the hostile civilians, she and the Lt. have a very short chat. Granderson does not trust their new friend and Val knows it.

“Relax,” Valerie says, “I’m not a double agent. I’m on the ship too.” 

“I’m not worried,” says Granderson, “The first sign you’re not on our side, I’ll kill you myself.”

 

Valerie smiles at the Lieutenant  who stares back at her, stony-faced, and the smile slowly disappears.

The bickering Ramsey brothers continue to disagree about almost everything. When they learn, via Val’s mis-information that the Nathan James has gotten out to sea, Ned’s response is scathing.

“So much for your bloody Armada…They let a 500 foot ship get right past em,” says Ned. Sean is not fazed, “Fear not, Bruv. I’ve got a contingency on land for this very reason.”

What the leader has is a rocket battery ready to be aimed at the destroyer the moment it appears.

While the crew try to outmaneuver the British nuclear sub, the landing team set up in camp. A couple with a child wander by the tents. The woman and child are obviously sick and Dr. Scott wants to treat the child as she is now a contagious cure. Against the wishes of  Lt. Green and XO Slattery, she approaches the trio. The man, Mace, points his gun at Rachel until his wife tells him to lower it.

Rachel Scott tries her healing touch out.

Rachel touches the child and begins the healing process. The parents of the girl relay information that they got from the Immune camp (the Immunes infected their daughter by wrapping  her in  an infected blanket). They tell Slattery of the rocket battery that Sean’s men are manning and the XO takes Green and Tex to take the team out.

The last part of the episode has action aplenty with the ship and the sub competing for the upper hand. After a lot of tension, and naval jargon, the Nathan James ends up right on top of the Achilles. Each vessel then jockeys for position. The destroyer squeaks to a position to fire ahead of the sub and shoots four torpedoes at the Achilles.

The sub returns fire, which floods the magazine and limits the destroyer’s access to ammunition. With four rounds left in the five-inch guns, Chandler decides to force the sub to take the battle to the surface.

Meanwhile, back on land, Slattery, Tex and Green find the rocket battery. The XO briefs his three man team on their strategy. “Okay boys, here’s the plan. Win.”  Tex approves, “Good plan.” The men take on the seven mercenaries and a prolonged fire-fight takes place with all three of the Nathan James ground team taking hits.

Slattery heads to the mercenary manning the battery and the two go head to head. As the destroyer maneuvers for a shot, the trio on land overpower the mercenaries, “Aren’t you a little old for this,” says the one fighting with Slattery just before the XO shoves a knife into his opponent’s torso, killing him.

The XO fires rockets at the Achilles and all are direct hits. He also gets the last word, “Cheer’s a**hole.”

The Nathan James has won more than the battle with the Ramsey’s they have won the contagion war. Rachel’s touch has healed the little girl.

The sub sinks to the sea bed and we see the Ramsey brothers laying side by side. Ned is clearly gone, his glazed eyes stare at nothing. Sean sees his brother’s lifeless body and screams, “Bruv…”

Somewhat amazingly, The Last Ship took out the “big bad’ in the penultimate episode instead of the season finale. This can only mean one of two things. Either Sean Ramsey has a trick up his  sleeve, or the Immunes are still a vital threat. With one episode left in the season, there is not a  lot of time left to end the show with a huge cliffhanger.

*Sidenote*Kudos to Eric Dane, guest star Tanya Ramonde, Adam Baldwin, and Brían F. O’Byrne  as the mad leader of the mercenaries who wanted to take over America. All of the actors did well in their roles and only one bit of complaint is appropriate here, more Rhona Mitra please. Mad props to the writers again this week who got the slang and jargon so right with the British submarine crew. Well done chaps.

TNT have come up with a real winner. Something that is a combination of drama, action, and patriotic hodgepodge. The Last Ship airs Sundays and has only one more episode left in its second season. Tune in and get excited.

 

 

 

Falling Skies: Reborn Series Finale (Review)

Tom Mason, Hal and Weaver planning strategy, guest star Jeff Fahey watches.

Falling Skies finishes their five season run with Reborn, the series finale that brings everything to a head, including allowing Pope a finish somewhat more befitting his status as resident madman. Last week saw the 2nd Mass trapped  by a wave of hornets attacking the camp before they could make the move to Washington DC. This week the first of a few new character’s bought the Espheni farm when Marty gets taken down by a hornet.

In many ways this series finale felt a little “by the numbers.” Although whoever thought to give the excellent Jeff Fahey a cameo should be congratulated. (It may well be that Fahey is a fan, in either case, his being in the final show was a great touch.) It may well be down to sour grapes, this was a popular series that could have gone on that little bit longer, but this did feel rushed.

Certainly some things worked pretty well. The new “big bad;” the Espheni queen, was a nice touch. Even more impressive was using science fiction  actress Tricia Helfer (well known from TV’s  Battlestar Galactica, Tron and Ascension) to voice the creature.  Lt. Wolf was another new character to bite the big one in the slow move to Lincoln’s foot (The foot of the giant).

Perhaps the only real complaints had to do with the lighting and setting of the final move to the statue, the appearance of the queen and the “almost” death of Anne. It should also be mentioned that a lot was forgiven when a battered and bleeding Pope shows back up. His offering the pistol to Tom Mason was a great moment, but not as much as his own admission that his mad quest to make his adversary suffer did nothing to help his grief.

*Sidenote* His wheezing finish was sad, poetic and much better than being smashed beneath the rubble back at the 2nd Mass camp. Kudos for the show’s makers for bringing John Pope, aka Colin Cunningham back for one last moment.

Back to the camp, after poor Marty dies, this was a particularly touching moment with a choked up Colonel Weaver telling the dead man he will remember him, a group of bikers headed up by Jeff Fahey’s character Enos Ellis head into the camp and are to become Mason’s back up.

Annoyingly, after introductions are made, we have to go through the same old drill of questioning motives and the presence of Cochise. This is cut short after Anne brings out the Dorniya’s magic bullet and things move forward. Not before allowing Anthony his chance at redemption.

The game plan has to be altered after Mason and his team learn of a giant wall around DC that has to be breached via underground tunnels. As the two groups move through the old political tunnels they come across a slew of Overlord eggs. Cochise urges caution as the baby Overlords are more violent than the fully grown ones.

*Sidenote* The complaints: The trip through the tunnels really does feel like a cheat here. Too dark and too minimal to the extreme in terms of set dressing. The eggs are meant to be the focal point here and being the only source of light in the scenes they are. Much more than the actors who are difficult to make out in the dingy surroundings. With all the build up on the danger that the eggs pose, when one is finally “awakened” it proves to be anticlimactic. The death of Anne felt forced and contrived and I really felt that the queen was almost comical in appearance.

As they move closer to the queen, there are casualties. Anne is wounded, literally after telling Tom that she is pregnant. One comic moment; Hal asks Maggie to marry him, twice. Her first response being one of disbelief forces him to ask again.

Tom Mason, after the explosion that kills Lt. Wolf, and the baby Overlord, goes to meet the queen. Cue an exposition scene using stick figure paintings to show that this queen has been punishing the denizens of earth for the death of her “daughter.”

The show has mentioned Peru and Inca before and presumably this earlier queen died after the locals rose up and attacked once the glyphs were constructed. After some white knuckle tension, Mason feeds the magic bullet, via his bloodstream, to the queen. She dies and so does every Espheni on earth.

Anne dies.

Tom remembers the Dorniya reviving him after the moon attack and he takes her body to the water begging them to help him.  After they take Anne away, John Pope shows up. His body is broken and bloody. Pope offers Tom a chance to kill him after wheezingly explaining that he was wrong about everything. John dies, not at Mason’s hand, but of his wounds.

The voice over, that began at the start of the episode (against the recording of the Star Spangled Banner) begins again. It is Matt. He is writing down thoughts and he has to stop for a ceremony where Tom Mason will speak to the survivors of the world.

By the time the end credits roll, we see Anne has been revived by the Dorniya, Anthony has been completely redeemed, Maggie and Hal are together and  the Lincoln Memorial has been repaired. As Tom Mason gives his speech, the sound goes out and into space.

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Tom and Matt Mason “pre-speech.”

Falling Skies has had a long successful run. Noah Wyle and Will Patton as Tom Mason and Colonel Weaver will be missed, as will the rest of the cast, including Doug Jones as Cochise. TNT produced some solidly entertaining science fiction that entertained thoroughly for five whole seasons. Now it is so long to the Mason clan and all those who fought along side them for humanities sake. You will all be missed.

Ray Donovan: Tulip (recap and review)

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It is hard to define just what made last night’s episode of Ray Donovan so pleasing. Tulip felt like a lot of things; a touch of Breaking Bad, for instance that opening with Ray in the desert breaking up that hard dry soil with a pickaxe and flashing back to this scenario throughout most of the episode, and a final  touch of musical genius. The music playing at the end of everyone’s day, Barbarossa’s Bloodline, overlapping Father Romero praying, Bridget laying her head on Donellen’s chest, Avi driving to Mexico, Terry asleep on the bed; clutching the family bible, Ray coming in seeing his brother and reading the note from the pedophile priest and Abby saying “Come to bed,” shows the masterful touch of director Michael Uppendahl.

Perhaps it has little to do with the dressing. The storyline, continuing from the previous weeks has Ray still juggling the football deal (and now Paige) along with the Bunchy problem, aka Father Romero and this newest episode has him karmically getting one over on Andrew Finney. Tulip feels a lot like “what comes around, goes around.” There is a message here, those who are patient get the brass ring, or if you are Ray Donovan, you jockey things around rather than wait. Ray is, after all, a fixer.

Andrew Finney gives his lover Varick the push after Paige serves him with divorce papers. Daryl’s cadillac goes up in flames, via a good sized explosion, and Ray gets Lena and “Helen Miller Game and Fish” lady to help set up Napier with vipers full of heroin.  The last bit is easily the funniest sequence of events in the season thus far.

After injecting the snakes with sedative, the vipers are put into a bag. Helen is to stand by while Lena inserts the bag of snakes into Napier’s golf bag. As the trio stand in the hanger Miller gets increasingly nervous as Ray briefs her on the part she is to play. Helen panics and grabs for the bag.  Yelling that she will give back all the money while holding on to the bag of snakes.  Lena punches Miller knocking her down. Laying on the floor, with the now open bag of vipers, Helen complains that Lena hit her. A lone viper slithers out and bites Miller on the leg.

*Sidenote* This sequence as completely laugh out loud funny. Stephanie Erb rocked it as the bribed official who “bottles it” (loses her nerve) and gets bitten, beaten and driven away. Sidesplitting does not even come close to describing this comic interlude.

The camera moves back to Ray, working that hard soil to dig what can only be a grave. This is, after all Ray Donovan, why else would the man be digging in the desert? Avi shows up in a small mini-van and he brings a shovel to help Ray. Back at the hanger we see Lena shoving Helen into the back of a car (with Miller complaining nonstop, she  clearly believes she is going to die) to be taken to the hospital. The question now is, did she make it or is this hole in the desert going to be Helen’s final resting place after that snake bite?

As the show moves through its paces, other characters become candidates for that hole.

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Father Romero shows up at the Fite Club and tells Bunchy that he needs to speak with Ray. Bunch calls his brother and Ray immediately heads to the gym.  Meanwhile Varick has gone to see Andrew Finney after his former lover has fired him and booted him out of the company. Back at the club, there is a tense meeting with the cleric who asks Donovan to accompany him outside. As they head to an alley behind the gym Ray tells Brendan to clear the gym out and to lock it up.

The camera heads back to that hole, which now has a body in the bottom of it and Ray takes the box of evidence that Romero was seen with earlier in the show. Is the body in that bag Romero? Ray tosses a book of burning matches into the hole that Avi has poured petrol in.

Back at the alley, Ray takes a gun out and points it at the priest. Father Romero pauses for a split second and then he recounts Ray’s backstory with his family tragedies. He explains, as he hands the box of evidence to Ray, that Donovan has suffered enough. “Excommunication, ” he says, “Is not a punishment. It is a rest.” Romero gets in his car and drives off.

Clearly the burning body is not that of Romero.

Back at Mansion Finney, Varick has accosted his former lover. Andrew tells the man it has been over for a long time. He kisses Varick and tells  him that he felt nothing. Paige’s soon to be ex husband starts goading Andrew until he gets angry and grabs a fireplace poker. Yelling that “I’m not f**king gay,” Finney  hits Varick killing him.

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We now know who was in that bag…

Before Varick expires, he calls out to Andrew “Oh. Finn.” Back at the gym, Ray tells Brendan that everything is alright with Romero. Bunchy beats himself up, blaming himself and SNAP for whole thing. Ray tells him that the priest is not going to the police. Ray, somewhat predictably,  gets a call from Andrew Finney.

The remainder of the episode deals with Ray taking care of the Varick problem and getting Paige’s deal for the football stadium sorted.  Abby wins Terry over and he decides, seemingly, to stay with his brother’s family. Bridget goes to Donellen’s house and he is not pleased. The man is on a load of pain medication and not doing at all well. The Donovan girl has found what she wants.

Mickey ends up doing a deal with the cops after the Armenian’s bomb Daryll’s caddy.  Avi and Ray sort things out between the two of them while digging that hole and burying the burnt evidence.

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Mickey celebrating with his boys before the caddy gets torched.

The tulip theme appears  throughout. Mickey gives Theresa tulips when he welcomes her to the Donovan family, there is a program on television about the flower in the scene where Varick sneaks into the Finney Mansion. At the pool side, just before the cadillac is destroyed, Mickey talks about tulips. He tells about a beautiful girl from Amsterdam who died of cancer. The tulips, like the flashbacks to the grave digging, is an underlying theme of this episode.

Oddly enough, everything works out for Ray and Paige. Donovan uses his new “Varick” leverage to force Andrew to give Paige what she wants, giving him the 3 percent back. Terry allows Abby to woo him into the room she prepared. At the end of a busy day, Terry lays on the bed and looks through the family bible. Abby asks if he is ready to leave and he says he wants to give Ray something.

Later Ray tells Paige that the football deal is back on. She is suspicious. Earlier, Ray had come to her house to get Varick’s passport. Paige was annoyed that the Napier problem was not solved. “It still needs to be fixed [sic],” Paige says. “The passport is the fix,” Ray tells her. At the end of the show she repeats this to Ray. Strangely, she is not overly happy that she has won.

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Paige, the morning after…

Back at his house Ray finds Terry asleep on the bed and takes the bible. Looking inside he sees the note from the perverted Father Danny. Irony at its finest.

It looks like Ray may have problems with Paige, she too is addicted to the fight.

This episode had Andrew Finney’s daughter getting what she wanted all along, and it was not the football stadium deal, and Andrew himself now owes Ray a great deal.

Performances by Liev Schreiber, Ian McShane an Steven Bauer were all spot on, as was Kerris Dorsey as Bridget. Kudos to Stephanie Erb as the hapless Helen Miller. Her comedic timing was just perfect. 

 

Tulip, with its “back and forth” to that hole and the trotting out of suspects for that body bag was spot on. Add to that the other things on the periphery and it was Ray Donovan at its finest.

Ray Donovan airs Sundays on Showtime. This crime and drama show continues to entertain almost effortlessly. Miss this one and miss out.

Serena (2014): Jennifer Lawrence in Depressing Drama

Bradley Cooper and Jennifer Lawrence in Serena

There may be a few films on offer that are more depressing than the 2014 drama Serena, but one feels it would be difficult to find them. The film, directed by Susanne Bier and starring Jennifer Lawrence and Bradley Cooper is set during the Great Depression and tells the story of a lumber baron and his lady love who  lose everything by the final reel. 

The drama was a long time coming to the US, after premiering in London and doing abysmally at the box office, it took another year for the film to make it across the big pond to be shown in a limited release and then heading straight to on-demand streaming. While the film does look sumptuous, with the Czech Republic doubling for the Smoky Mountains, the plot is off-putting and contains too many holes and illogical twists to make it entertaining.

Bradley Cooper is lumber magnate George Pemberton, who falls in love with Serena Shaw (Jennifer Lawrence) at first sight. Apparently Shaw’s father, who died with the rest of her family in a horrific house fire, was a lumber baron in Colorado. The two marry after a whirlwind romance and Serena comes back to the Smoky Mountains to help George run his lumber business.

A number of things happen, George’s best friend and partner Mr. Buchanan (David Dencik) hates the new woman in his friend’s life. He makes no bones about his distaste for Serena who sets about winning over everyone else. 

Everyone, that is, bar Rachel ( Ana Ularu), the local girl who has had George’s baby “on the wrong side of the sheets.” She hovers around the lumber camp working her old job while Pemberton gives her money for his illegitimate son. Serena is soon pregnant and an accident on the mountainside results in her losing the baby. She will not be able to have another one and the woman becomes more than distraught. 

Therein lies one of the problems with the film. Lawrence, as Serena, certainly delivers in terms of performance literally chewing up great chunks of emotion and spewing them out. Then falling apart when things go wrong at the end. The loss of the baby is meant to be the main cause of her deadly turn but from the very first Serena Pemberton, Nee’ Shaw, has been proactive in terms of “taking out the opposition.”

She encourages her husband to murder his friend and  business partner and this before she miscarries. The backstory to her character could lead one to believe that there was more than one reason that she survived that house fire, but it is never addressed fully.

Serena’s change from strong positive role model, she trains an eagle to kill rattlesnakes to murderous b*tch from hell does not track, especially when considering her orders to George about killing Buchanan. The loss of the baby does not introduce her cold blooded side, that was present before, but that is what the film does seem to be saying.

Cooper does an adequate job as George but sadly his character is too cold, aloof and (Sorry Bradley) passionless to be likable. One feels it was his money that attracted Serena, just as it attracted the camp washer girl Rachel. There is never one thing that stands out about Pemberton apart from the clear lust he has for his new wife.

Perhaps the only thing that works well is the chemistry between the two, in the love scenes that is. It is, unfortunately, not enough to carry the whole thing along. The creepy Galloway (Rhys Ifans) “he has visions,” is odd enough that one wonders why he is kept on, especially after he becomes oddly devoted to Serena and begins to murder for her.

All the actors deliver. Toby Jones (Wayward Pines,  Berberian Sound Studio) is brilliantly annoying as the small town sheriff with big plans for a national park and a clear animosity towards Pemberton. Sean Harris, as Campbell, is excellent as the doomed chap with a conscience and Ana Ularu as the simpleminded single mom of George’s child is spot on.

*Sidenote* Ularu manages to be doubly annoying as she fluctuates between either moping around the camp or gloatingly playing with George’s love child in front of Serena. One can easily see the new wife getting fed up with having this local yokel hanging around.

For all the beauty of the cinematography and the powerhouse acting involved, the film is depressing  and lacking any real empathy for any of the characters. No one is likable enough  for the audience to care when these bad things happen to them.  Whether it is the fault of Susanne Bier or the script failing to make the characters more sympathetic does not really matter. The film just does not work.

At 109 minutes, the film feels longer and perhaps the pacing could have been picked up a tad although even that may not have saved this third outing of Cooper and Lawrence.   This is a 3 out of 5 stars, the movie does get a full star for the beauty of the locations, and is streaming on US Netflix at the moment. Overall a very disappointing offering from the duo who made Silver Linings Playbook sizzle and crackle.

Hannibal: Wrath of the Lamb Season Finale (recap and review)

Hannibal Season 3

It is fitting that the season finale of Hannibal is a blood drenched and painful looking spectacle. The shocking end of the Lector/Graham love affair has the two working together to kill The Great Red Dragon. The scene, at the end is almost balletic and is horrifically beautiful. Hannibal and Will make a good team. Too good, apparently, hence Graham’s fatal decision at the end. The finale starts where last week’s episode ended.

Last week in Hannibal we saw Dolarhyde had taken Reba and brought her to his home. This week, in The Wrath of the Lamb, she is in the house. Francis “tests” his former lover by giving her the key to the front door. He tells her to lock the door and when she opts to open it and run, Francis is on the outside. He takes Reba back upstairs and forces her to put the key around his neck and feel his shotgun.

After splashing petrol (gasoline) everywhere, he sets it alight and saying that he cannot bear to watch Reba burn to death “shoots” himself. In essence the shotgun blast blows a huge hole in his head, one that Reba can feel as she takes the key from Francis’ neck. She wraps a blanket around herself and crawls out of the house as the fire spreads.

The beauty of this scene is both overwhelming and surreal. The disjointed and distorted piano notes caressing the set piece along with the fire caressing the ceiling and walls, is fluid and sweeping. As with all of the scenes in Hannibal the crowning glory is  the jarring gore; that piece of Francis’ flesh stuck to Reba’s forehead. The tissue that landed there when she put the key around her neck.

*Sidenote* Rutina Wesley, kills it in the first of this season finale. Her performance as the blind Reba has been memorable from day one and her own “finale” was just perfect.

After the opening credits, Reba speaks with Will Graham as she recovers from her harrowing ordeal. McClane may be scarred “He shot himself in the face, I put my hand in it,” she says, not once but twice, this is clearly something Reba will never forget.  Graham tells her that in the end, Dolarhyde could not kill her, nor could he stand to see her die.

Later, we learn that this is not true. Francis never intended for Reba to die, she was meant to escape and verify his death, leaving him free to exact his revenge on Will Graham and Hannibal Lector.

She points out, to Will,  that she drew a freak.  He corrects her and says she drew a man with a freak on his back.

Will: “There is nothing wrong with you.”

Reba: “I know there’s nothing wrong with me. In making friends, I try to be wary of people who foster dependency and feed on it. I’ve been with a few. The blind attract them.”

Will: (He knows. He has attracted his own.) “Not just the blind.”

Graham goes to see Hannibal and tells him “Ding, dong the dragon’s dead.” Lector asks if congratulations are in order and Will tells him that he did not kill Dolarhyde. “I was rooting for you Will,” says Hannibal. He then taunts Graham over Chilton’s punishment and congratulates him for the job he did on the doctor.

Will tells Hannibal that he will go home now that Dolarhyde is gone and Lector tells him it will never be the same. Graham reveals to Hannibal that he knows why he turned himself in.  “Will,” Hannibal asks, “was it good to see me.” “No,” Will replies.

After their exchange Will returns to his motel. At his  room, Francis Dolarhyde incapacitates Graham, attacking him from behind. The Great Red Dragon is not dead after all. After knocking Will out, Dolarhyde wakes him up and Will says, “You didn’t break my back.” The two talk and Francis reveals that he believes that Lector betrayed him. Graham tells The Dragon  that he needs to change Hannibal Lector.

Later, the Coroner double-act reveal to Jack Crawford that the headless and burnt body was not that of Dolarhyde but the man he kidnapped earlier, Arnold Lang. Afterward, Will sells Jack on letting Lector be the bait for Dolarhyde. “Allow” Hannibal to escape drawing the Dragon to him so he can be destroyed.

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Jack Crawford, Dr. Bloom and Will talk strategy and Hannibal’s fate.

Will tells Bedelia of the plan and she is furious and terrified. Du Maurier believes that Hannibal will be after her to kill and eat her.  “Who holds the Devil, let him hold him well,” says Bedelia. She warns Will, “He will hardly be caught a second time.” “I don’t intend  Hannibal to be caught a second time,” Will responds.

“Can’t live with him, can’t live without him,”  Bedelia taunts Will, “Is that what this is?”

“I guess,” Will replies.

After a little more conversation, Will gets up and tells Bedelia, “I’d pack my bags if I were you. Meat’s back on the menu.” Du Maurier gets her claws out, “You righteous, reckless, twitchy little man. He might as well cut all our throats and be done with it.” Will gets the last word, “Ready or not,” Will says, “Here he comes.”

Alana visits the burnt and scarred Frederick. Chilton reveals that he blames Bloom as well for his disfigurement. He tells Alana that he would like to have Hannibal’s skin. “You were never comfortable in your own skin,” she tells Frederick, “you would not be comfortable in Hannibal’s.”

“Are you,” asks Chilton.

Dr. Bloom tells Hannibal of the deal, he gets all privileges restored for playing along. Lector requests that Will ask him personally, and he wants Graham to say “Please.” Hannibal also threaten’s Bloom. (Later, after the “escape” Alana, Margo and their baby flee their mansion in case Hannibal comes calling.)

The plan is to release Lector into police custody and “let him escape” allowing Francis an opportunity to contact Hannibal.  The real plan is to kill Dolarhyde and Lector, according to Crawford. Will goes to see Lector and after a short “reprimand” from Hannibal “Now you have to pick the mic back up,” Graham does indeed say “Please.”

After delivering Hannibal to the federal authorities, he and Will are transported via a small motorcade. A police car comes up and, lights flashing, pulls up to the lead car. Dolarhyde is driving and he shoots the cop driving the lead vehicle causing it to crash. The domino effect of the first car crash takes out the entire convoy of vehicles. The van crashes and Will smacks his head into a window, he is semi-conscious when Dolarhyde arrives.

Dolarhyde releases Hannibal from his cage in the back of the van and drives away.

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The Dragon goes to the police van and releases Hannibal.

Hannibal climbs out of the van and takes off his straightjacket. Going to the closest police car, he drags the dead cop out of the driver’s seat while Will gets out of the van. Driving the car around, Lector pushes the other dead policeman out of the passenger seat, “Going my way,” he asks Will. Afterward, Jack Crawford surveys the carnage and we see Alana leave Mansion Verger with her little family.

Will and Hannibal are at the cliff-top house and Lector points out that the bluff is still eroding. He tells Will, “You and I are suspended over the roiling Atlantic. Soon all of this will be lost to the sea.”

Back in the house, Hannibal has wine and two glasses, he pours Will a glass and tells him  “My passion for you is inconvenient.” Will responds, “If you’re partial to beef products, it is inconvenient to be compassionate toward a cow.” After a little more conversation Graham tells Hannibal, “He is watching us now.”

Hannibal - Season 3
Dolarhyde moves in for the kill.

“I know,” Hannibal replies just before  a silenced bullet passes through his torso and smashes the wine bottle. Thus begins the long, protracted battle between the two men and the Great Red Dragon. It is brutal, dark, bloody and akin to a slow motion ballet. Blood spurts in fountains of black as the battle goes outside the house and into the moonlight and the two men, who are two sides of the same coin, orchestrate Dolarhyde’s death.

Disturbingly, yet not surprisingly, the men work as an effective team. Both suffer dearly from the wounds dealt by Francis as the Dragon. (One shot has Will seeing the Dragon approach Hannibal, wings extended, as it reaches for his intended victim.)

At the end of the battle, the Great Red Dragon is bloodily and violently banished. Will looks at his claret covered hands:

Will: “It really does look black in the moonlight.”

Hannibal: “See. This is all I ever wanted for you, Will. For both of us.”

Will: (laughing softly) “It’s beautiful.”

The two survivors embrace on the edge of the Atlantic clifftop and Will leans out over the edge, toppling the two out into space and down to the ocean below. After the end credits, we see Bedelia Du Maurier sitting at a large table groaning with food. In the middle is a rolled “long pig” (slang for human meat) and she is clearly waiting for Hannibal to arrive.

This episode, while a bit final (surely no one can survive that long drop to the rocks and ocean below) was a satisfactory ending to the series. NBC may have opted to end the story of Hannibal Lector and Will Graham but they have, at least, left us with a  brilliant legacy of dark beauty and horrible visions.

Surreal and sublime, the show offered feast as orgasmic delight, all the more so if the meal was of “long pig” dressed with sauces and side dishes to “die for.”

Kudos to both Hugh Dancy and Mads Mikkelsen for their double act  and the fitting finale. Director Michael Rymer never let us forget that these two actors made their character’s so alike that they became the mirror image of one another.

Hannibal - Season 3
Hannibal, in the reflection is clearly the reflection of Will and vice versa.

Despite the disappointment of having both main characters apparently expire, this was clearly the right ending for the series. Graham was never going to be comfortable with his transformation (his Becoming) to Hannibal, even if it was necessary in order to kill Dolarhyde.

This show will be sorely missed. Its dark beauty and horrible specters will have to haunt via reruns now. RIP Lector and Graham.