Ernest Borgnine: Keeping his Nuts Warm

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The full title of this autobiography by Ernest Borgnine is: Ernest Borgnine: I Don’t Want To Set the World on Fire, I Just Want to Keep My Nuts Warm. The title came from a sign that Mr Borgnine had seen in his younger days that was advertising hot chestnuts, the sign stuck with him and became the title of his autobiography.

This 2009 book helped his fans learn so much about him. It was a brilliant look at a man who seemingly did not have a bad word to say about anyone. I stumbled across this hardcover copy of his book last year. Sadly, I had barely finished reading it when the news of his death was broadcast; a truly sad day for fans over the world and a loss to his friends and family.

Like most folks my age, I grew up watching episodes of McHale’s Navy (which also had the brilliant Tim Conway among the cast) and chuckled along with everyone else at his and his men’s antics. I saw his award-winning performance as the lovelorn and lonely butcher Marty and watched him die a slow motion death in The Wild Bunch.

Borgnine was one of the few actors who worked constantly. He bounced from television to film and back again. He played every type roll imaginable and towards the end of his career he even voiced a popular character on the SpongeBob SquarePants cartoon enabling him to reach an entire new generation of fans.

If you are looking for a “kiss and tell” type of book that dredges up all the old skeleton’s from the closet, don’t bother picking this book up. If you want to read a book that leaves you with a warm glow and an overall feeling of Bonhomme then this is the book for you.

Borgnine recounts his early years from when he joined the Navy right out of high school, his time as a “mature” student of 28 and his start in the theatre world doing repertory theatre. All of his memories of working in the entertainment business have an aura of excitement and joy in doing something he was good at and loved doing.

He writes about his experience in Marty and From Here to Eternity; He also tells about his experiences with some of the most powerful actors in the business.

He also talks about his marriages and he recounts his horrible lapse in judgement that caused him to marry Ethel Merman only to have the marriage dissolved 32 days later.

Mr Borgnine was among the few actors formally recognised as being the oldest in their profession who had not retired. He was proud of that and he was just as excited doing the voice of Mermaid Man and working with his old pal Tim Conway (who voiced Mermaid Man’s sidekick Barnacle Boy) and being heard by a new young generation of fans.

Ernest Borgnine was an actor who filled his roles. He did the same with his life. Nothing was too hard or too difficult to attempt and he was game for everything. There are not too many left like Mr Borgnine. Luckily for us he told us a lot about himself before he exited from the wings of life.

A great sentimental and feel good book about a great actor in his words; what could be wrong with that.

And just for fun: did you know that Ernest Borgnine was the only actor to be in all the Dirty Dozen films?

If you haven’t read this, do so immediately; it’s worth the time and effort and it is not too long at 245 pages with a bunch of great pictures to divert yourself with.

5 stars.

The Wild Bunch (1969): Iconic Death

Cover of "The Wild Bunch - The Original D...

I had been hearing that Tony Scott (Deja Vu, The Fan) was in talks with Warner Bros to re-make The Wild Bunch. About a thousand Rolaids later and it looks to be, hopefully, stalled. The last internet mention of this project was August 2011.

Good.

I have a list of films that, in my humble opinion, should never be re-made. Top of the list was True Grit (1969) and of course the Coen Bros re-made it and (he said grudgingly) they did a pretty good job. The big number two on my list is The Wild Bunch.

Director Sam Peckinpah (Bring Me the Head of Alfredo Garcia, Straw Dogs) made a truly iconic western with The Wild Bunch. His story of a band of outlaws trying to cope with the modernizing of the west was brilliant, touching and bloody.

But more than anything else, it was a last’ hurrah’ for Sam. I think it is the best film he ever made and that’s throwing  Ride the High Country into the mix. Both films were autumnal westerns, but each were autumnal in different ways.

Ride the High Country told of two ‘old’ gunmen who hold onto the old ways and in doing so defeat a new type of outlaw. The Wild Bunch tells of a group of older bandits who are struggling to cope with the ‘new west.’

The Wild Bunch was made in a small Mexican town that agreed to hold off getting electricity until Sam finished filming. I learned this little bit of information from a featurette on blu-ray edition of the film. The ‘making of’s’ on the DVD were damn near as good as the film.

Casting for Wild Bunch was spot on. Sam used the crème de la crème of the character actors available at that time:

William Holden (as Pike Bishop), Robert Ryan (as Deke Thornton),  Ernest Borgnine (as Dutch Engstrom), Ben Johnson and Warren Oates (as the Gorch brothers), Edmond O’Brien ( as Freddie Sykes) and Strother Martin and L.Q. Jones as two of the rag-tag group of bounty hunters.

The film opens with the Bunch robbing a bank. Unbeknownst to them, a special posse of bounty hunters put together by Railroad man Mr Harrigan (Albert Dekker) are waiting; scattered through the town in hiding spots. This is all happening against the backdrop of a Temperance Revival Meeting and Parade.

When the Wild Bunch leave the bank, timed to coincide with the parade passing in front it, (they’ve spotted the posse), the bounty hunters open fire. The resulting gun battle  ends with scores of towns people killed and injured and very few of the intended targets hit.

*Just a quick word about character actor Albert Dekker. Dekker had a long and  diverse career as an actor. The Wild Bunch was his last film. While the film was being edited, Dekker was found in his locked apartment in his locked bathroom, dead. It was very suspicious and unfortunate (Dekker was engaged to be married). The details of his death has been recounted in Hollywood Babylon II Kenneth Angers gritty book about the ‘dark’ side of Hollywood.

Back to the fiim. The outlaws notice that the person apparently leading the posse is old gang member Deke Thornton. Thornton had been caught and put in prison, This was his chance to ‘go straight’ by helping to catch the rest of the gang.

The rest of the film follows the outlaws and their flight from the posse. We get a bit of back story on Pike and Thornton. More importantly we learn that this group of outlaws have a code. We also learn that the posse does not. Peckinpah shows repeatedly that in the class system of the old west, the posse are the ‘dirtbags’ of that era.

The posse seem to be made up of  ‘hillbillies’ who scratch and claw for the spoils of their freshly killed targets. The outlaws on the other hand, seem almost dignified, even the Gorch’s.

The Wild Bunch gained notoriety when it first opened for the amount of blood spilled in each gun battle. Actually blood spurted would be a better description. The bloodshed combined with the slow motion almost balletic death scenes led to many critics panning the film outright.

But Peckinpah’s genius won out. It was well received by the audience and has been a cult favourite for years. One of the films most iconic scenes, the long walk, Peckinpah made up on the spot. It was not in the script and Sam turned to his AD and said, “I want them to do a walking thing.” [sic]

I would recommend to anyone that The Wild Bunch be seen at least once. Preferably the director’s cut. Once you have seen this breathtakingly original film you will wonder why on earth would anyone try to re-make perfection.