The 2015 film The World Made Straight, is a dose of southern drama, holding off the cheese, and delivering a tale which encompasses the Civil War, the drug culture and how weed seems to have replaced White Lightning as the redneck’s produce of choice. Noah Wyle plays the “Professor,” aka Leonard; a disgraced school teacher who was framed for selling pot. After losing his wife and child, along with his job, he decides to deal drugs and drop out of society.
He takes in a lad who leaves home after an argument with his overbearing father. Travis (played by Brit actor Jeremy Irvine, who made his name in War Horse) steals some marijuana plants from the local drug lord and sells them to Leonard on the advice of his friend Shank (Haley Joel Osment).
Leonard lives with his drug addict girlfriend Dena (Minka Kelly) who is not best pleased with the news that Travis will be living in the trailer as well. The “Professor” has a fascination with the past, as his ancestors and Travis’ were part of the Shelton Laurel massacre. A real event where 13 suspected union sympathizers were executed, the youngest being 13 years-old, although in the film they repeatedly refer to his age as 12.
The movie is adapted from the Ron Rash 2006 novel of the same name. This drama is a slow moving tale which features a few flashback sequences of the Civil War massacre and Leonard’s more recent past. The feeling is one of doomed existence as well as an acceptance of fate. As directed by David Burris, his first feature film in the chair, The World Made Straight moves at a snail’s pace.
Amazingly this does not detract from the power of the actor’s performances and actually helps the viewer get into the story. With its reflection on needless violence and the need for escape, the film holds our attention throughout.
Wyle is excellent as the over-educated drug pusher who cannot stop reading his ancestor’s Civil War diary and is desperate to save Travis from a dead end existence in the area. Irvine as Travis Shelton is all angst and ire, unhappy with his lot in life yet resenting the interference from his girlfriend (played by Australian actress Adelaide Clemens) and Leonard.
What is missing from this film is that “cheese” factor where the action all feels like a soap opera in progress and each character a stereotype. The one problem with the movie is that it feels more like a TV movie of the week rather than a “proper” film. Available on Netflix and Amazon Instant Video, the film is a bit on the long side, but still enjoyable.
I am not a huge fan of films that are just made to make the audience tear up and blubber at the screen. The Champ for instance; both the original and the remake put me right off. I don’t want to see a film that makes me cry. If I wanted that, I’d just look at the injustices of the everyday world. But sometimes; just sometimes, I do like sentimental films and War Horse is just such a film.
Directed by Stephen Spielberg and released in 2011 under the auspices of Disney, War Horse does not feature a cast of “stars” because he wanted the emphasis to be on the horse and not the actors presumably. That is not to say that the actors in the film were not of stellar quality. The cast features a lot of England’s finest screen Thespians extant. I saw a lot of familiar faces from actors whom I know to be considered top-notch in their profession and not without good reason.
I was particularly pleased to see one of my favourite “new” actors Toby Kebbell who I’d first seen in Shane Meadows‘ film Dead Man’s Shoes. This young man is a brilliant actor and should be seen more often. I am hoping that his appearance in a triple A feature by the undisputed master of sentimental saga’s (Spielberg) will bring him to the notice of the “big boys” in Hollywood land.
But enough about the actors; I now want to talk about the film for a little bit.
War Horse is a giant leap into the past of films and film making. It is almost an equestrian version of Lassie. The story is certainly familiar enough; Boy and horse unite, get separated, horse passes through many hands influencing all who meet him, and despite astronomical odds survives a war (the only difference from Lassie really) to become re-united with the boy at the film’s end. How’s that for a brief summary of the film?
The film opens with the birth of the horse and its eventual sale to a local farmer who, a bit worse for the drink, outbids the leaseholder on his Devon farm for the animal. Much to the landlord’s derision of course, for the man needs a plough-horse not a thoroughbred. The farmer, Ted Narracott (Peter Mullan) takes the horse home to more derision by his wife Rose (Emily Watson) and to the delight of his son Albert (Jeremy Irvine).
Albert names the horse Joey and trains him not only to follow commands but to shoulder the harness for the plough. The landlord Squire Lyon’s (played with suitable nastiness by David Thewlis says the horse will never break to the plough and that he will repossess the farm if Ted comes up short on the rent he owes.
Of course Albert or Albie as everyone calls him does get Joey to plough the field; much to the delight of the villagers who’ve come by to watch. Meanwhile, the German’s are busily starting WWI and when war breaks out Ted, whose crop of turnips is partially ruined by bad weather, takes Joey and sells him to an officer in the army.
The officer seeing Albie’s distress at the sale of Joey promises to get Joey back to him at the end of the war, if he is able. With this somewhat ominous promise Joey joins the war effort on the English side. Unfortunately we all know how the first war to end all wars was waged. A lot of men died under machine gun fire and in the trenches. And on Joey’s first charge his rider is dispatched in due course and he becomes the property of the German army.
The film follows Joey’s journey through the battle fields and the backdrop of the European countryside where it was fought. It is pretty wrenching stuff to watch. I sat through most of the film with a knot in my throat that would have choked an elephant. At least three times towards the end of the film I actually had tears in my eyes. And when actual sobs broke unwillingly from me, I cursed Spielberg for this horribly wonderful film.
Spielberg specialises in bringing the child out of us. He has the ability to make me cry more than any other director. E.T., Hook, and now War Horse have all made me blubber like a baby. Thankfully I did not see this film in the cinema or I’d have been mortified at crying in public.
The cinematography is on par with all of Spielberg’s best films and the war scenes are touching, sad, and criminal. Criminal because the First World War cost so much in lives of young men who romantically joined the army to fight the “Hun” and return home heroes; unfortunately, a lot of them came home in a box or not at all.
So despite that fact that I felt that Mr Spielberg had gone straight for the sentimental jugular, so to speak, I loved the film; every sad and teary-eyed bit of it. If you have got a box of tissues handy (or two) and don’t mind crying your eyes out; watch this film.
Oh and if you can wipe your eyes clear enough, watch out for Toby Kebbell’s turn as Geordie in the last part of the film. It’s a great scene that has been done in war films before (you’ll know what I mean when you see it) but that doesn’t take away from the effectiveness or the humour of it.
War Horse is a definite 5 star film that received critical raves and was a box office smash; it received a plethora of award nominations and goes down in celluloid history as the first film that Spielberg edited digitally.