Rise (2007) Drink Like an Egyptian

Rise: Blood Hunter

Written and directed by Sebastian Gutierrez and starring Lucy Liu and Michael Chiklis, Rise was Gutierrez’s third time at bat as a director. Despite the talented cast and taut storyline, Rise on it’s release got a pretty poor reception. It received a 33% from Rotten Tomatoes and a 5.0 on IMDb.

Lucy Lui plays Sadie Blake a reporter who specializes in doing undercover work and showing the ‘underbelly’ of society.

She gets a tip from a colleague who works as a computer ‘Hacker’ and he has traced a reference to a Goth Vampire Cult that is meeting in Korea Town.

Sadie decides to follow up the lead. When she reaches the address of the meeting place, it is deserted except for the blood that adorns the floors and walls.

She is knocked unconscious by Bishop’s servant Poe (Mako in his last live action role) and taken to the leader of the vampires Bishop (James D’Arcy) who questions Sadie and then with the help of Eve (Carla Gugino) rapes, tortures and murders her.

She wakes up in a drawer in the morgue. She realizes pretty quickly that she is now a member of the un-dead. She leaves the hospital and eventually finds her way to Arturo (Julio Oscar Mechoso) who is also a vampire.

Julio Oscar Mechoso in January 2009

Sadie explains that she wants to kill Bishop and Arturo agrees to help, it appears that he and Bishop are in some sort of power struggle.

While tracking Bishop down, Sadie gets arrested by cop Clyde Rawlins (Michael Chiklis). Rawlins lost his daughter to Bishop and his life has been all but destroyed by this event.

rise_blood_hunter
rise_blood_hunter (Photo credit: perry_marco)

Sadie finally convinces Clyde to help her take Bishop down. Clyde agrees and the two work together.

I enjoyed this film a lot. There were areas that were a bit vague  or not explained very well, but the sheer speed of the film and its action made up for this.

I liked Lucy Lui’s character as well as Michael Chiklis’s. I also like the ‘Egyptian’ looking small knife that the vampires used to cut their victims. It made me think of the Ankh symbol used by the Egyptian vampire Miriam (Catherine Deneuve) in The Hunger (1983).

I love good vampire films and to me this jumped into the ‘top twenty list’ of my favourites. It is worth a watch just to see Mako in his last action role.

Mako Iwamatsu

The Awakening (2011): Who Ya Gonna Call

The Awakening is one hundred percent English, like cricket or afternoon tea with strawberry jam, thick cream and scones. Currently an English film either does extremely well or dies a quiet and dismal death. This film appears to be smack in the middle with a very poor audience reception, the tally cannot be fully counted as the film is still being released in other countries throughout 2012. It  is all the more puzzling since the film opened at the Toronto Film Festival to mostly positive reviews. Amazingly this three million pound  film, has not done well,  pulling in a fraction of its production cost.

Nick Murphy directed and co-wrote the film with Stephen Volk and it is the first feature film helmed by Murphy (who has a long pedigree directing  television programmes).  British actress Rebecca Hall, perhaps more familiar to film goers as Emily Wotton in the film Dorian Gray, is an excellent actress who is moving up in the cinema world. She is currently working on the next instalment of the Iron Man series Iron Man 3.  Imelda Staunton gives a splendid performance as Maud the eccentric housekeeper. Dominic West is brilliant as the traumatized, wounded ex-army teacher in the boarding school. Especially notable is  Joseph Mawle as the school gardener/caretaker (he can currently be seen in Abraham Lincoln: Vampire Hunter as Thomas Lincoln)  never has one actor exuded so much menace and downright nastiness. The real surprise is Isaac Hempstead Wright. This young actor gave a faultless performance as the young school boy Tom in his first ever film performance.

Preface –  The year is 1921 and the world  is still reeling from the deaths caused by the ‘War to end all wars’ and from the Spanish influenza outbreak of 1918. In England where  the religion of Spiritualism has always been quite popular, the amount of people who wanted to get in touch with their deceased loved-one rose to almost fever pitch. This lead to “easy pickings” for the charlatan mediums of the time.

The “Reader’s Digest” version of the plot is as follows: Famous Ghost ‘debunker’ Florence Cathcart spectacularly halts a seance in mid flow to reveal that the whole thing is a sham. Florence is not popular with the gullible victim and we see that this debunking business is quite hard on her psychologically. She has had a book published and this combined with her debunking work has made her a minor celebrity. Florence is approached by teacher Robert Malory from Rookford boy’s boarding school. He want’s Florence to come and debunk the ghost of a boy who was murdered back when the school was a private residence. Malory informs Florance that a boy has just recently died as a result of seeing the ghost. He also mentions that the housekeeper Maude, who has been with the school since it’s inception is a big fan of Florence’s and does not believe in ghosts.

Arriving at the school Florence meets the creepy grounds keeper Edward Judd, Maude (her number one fan), the headteacher and Freddie Strickland (another teacher at the school). After interviewing the students and the staff, Florence decides to accept the job and sets out her antique ghost-buster equipment throughout the school. She discovers who is responsible for the ‘hauntings’ and successfully debunks the school ghost. Things then take a harsh turn to the left and it seems that Florence has not debunked anything at all.

The overall mood and atmosphere of this film did not feel like your bog standard horror or ghost film. It affects you in a different way. My daughter, who watched the film with me, kept breaking out in goose flesh and I could not tear my eyes from the screen. The film almost feels like a drawing room mystery, but at the same time, it doesn’t. I kept thinking that this was a Miss Marple of the ghost world only to have that thought quashed by what was happening on the screen. Rarely have I watched a film that had such an impact.

When I checked on IMDb for the budget and box office figures, I was dumbfounded by the amounts I was confronted with. I just don’t understand it.

This film is easily on par with The Others, even though the films are really nothing alike. Both films though have the power to drag you into their worlds and leave you gasping when you get to the end.