Directed and co-written by Gabe Ibáñez and starring Antonio Banderas, the 2014 film Automata takes the ideology behind I Robot and makes it darker; the result of a different sort of evolution. Set in a Dystopian future where mankind has shrunk to just a few million survivors on an inhospitable Earth, the story follows one man’s investigation of an “impossible” crime. With shades of Blade Runner, the film has a protagonist that is not a cop but an insurance investigator, criminals that are not cyborgs but robots who have gone against their protocols and evolved.
Jacq Vaucan (Banderos) is a married man whose wife Rachel (Birgitte Hjort Sørensen) is heavily pregnant and an investigator that is fed up with his job and wants to be moved. His work consists of proving that the robots manufactured by ROC cannot be altered or perform against their protocols.
There are two protocols that each robot must adhere to. The first does not allow it to harm any living thing and the second does not allow it to alter or repair itself. A cop named Sean Wallace (Dylan McDermott) shoots and destroys a robot that he claims was repairing itself. The policeman, who was high on drugs at the time of the shooting, swears that he did not imagine the incident; that the machine altered itself right in front of him.
Robert Bold (Robert Forster) tells Vaucan that this is impossible and the investigator starts looking for someone who disabled the second protocol; a clocksmith. Jacq finds one, a Dr. DuPre (Melanie Griffith) but it turns out that she is not modifying the robots and she learns that it has happened “naturally.”
This film is very dark and brooding in its delivery and with its depiction of a future-earth burnt and dried out by solar flares. Automata does a brilliant job showing the fickle nature of mankind. In the backstory, humanity cheer the new “pilgrim” robots that were made to help “push back the desert.” When the machines fail, the same people who cheered them on turn and their praise becomes hate and disgust.
Similar to I Robot, the machines are part of everyday life although in the that film, the cities are clean and full of successful, happy people. In Automata , like Blade Runner, the towns are dirty, full of acid rain, the unemployed, worn-out robots and is segregated from the ghetto, which is “out of bounds” to the city dwellers.
While the message is bleak, for mankind at least, the robots seem to be the future. Banderas acts his little cotton socks off in the film and his performance alone is worth the “price of admission” as they say. Griffith has a small role and while she still has the chops to impress, it is her character’s outcome that is remembered best. Shocking and sudden, it sticks in the mind and fits this future of grim reality.
Kudos to two favorite Brit actors who have worked together before, although they do not share any real screen time here, Tim McInnerny and Andy Nyman. The actors appeared in the 2006 horror film Severance and it was a delight to see them in this film. McInnerny as the long dust coat-wearing killer for ROC and Nyman as the partner of Wallace, the drug addict cop. Both actors can play “Yanks” quite convincingly.
Oh, and Keep an ear out for Javier Bardem as the “blue” robot.
Automata is streaming on Netflix at the moment and is a real 5 out of 5 stars film. This one, as they say, is a keeper and should become a cult favorite if it has not done so already. Watch this one you will be glad you did.
With a pedigree this impressive it seems like Black Death could deliver entertainment in spades and it does. It is an incredibly bleak film for all it’s big name cast and crew. The message that director Smith is apparently sending is that people react the same way to terrible events whether they are in days of ‘olde’ or now.
The film opened to positive reviews and Rotten Tomatoes gave it a “certified fresh” rating. But looking at the box office returns from their opening weekend, it appears that audiences did not share the critics feelings about the film. I am assuming that the DVD sales will up their take. Interestingly, neither IMDB nor Wikipedia lists their budget.
Set in 1348 in an England being decimated by the plague that was known as the ‘black death’ we see a young monk, Osmond (Redmayne). He resides at a monastery under the tutelage of the Abbot (David Warner) for all things spiritual and for all things of the flesh a young girl named Averil (Kimberley Nixon). When Osmond discovers that the plague has breeched the monastery walls he tells Averill to leave and head for the sanctuary of the nearby forest.
Averill does not want to leave Osmond behind and says that she will wait in a clearing every morning for a week for him to follow her. After she leaves a group of men lead by a knight appointed by the Bishop of the Church arrives. The knight Ulrich (Sean Bean) is looking for a village that is rumoured to be free of the plague and of God. The village is worshipping a demon and necromancer and the Church wants this group of ‘holy crusaders’ to kill the demon and necromancer and bring the body to the church.
Ulrich asks the Abbot for a volunteer who knows the area to lead them to the village on the other side of the marshes. Osmond, who has been praying for a sign from God, volunteers (much to the Abbot’s dismay) and the group depart.
This ‘rag-tag’ group of holy enforcers are grim, battle scarred and, on the surface, not a bit holy. But working on the principle of might makes right, this little ‘God’ squad feel like they are invincible. Only Ulrich appears to be the real deal, a true believer in the Church and God. His right hand man is Wolfstan (John Lynch) and his most ardent supporter is Swire (Emun Elliott).
Their first day out of the monastery they interrupt a group of peasants about to burn a ‘witch’ alive. Osmond interferes and Ulrich steps in to release the unfortunate woman. Taking her away from the group he slits her throat. Walking past Osmond, he tells him, “Don’t stop again.”
When the group reach the edge of the forest they camp for the night. Osmond wakes up before the rest and goes to find Averill. Finding her horse and a trail of bloody clothes instead, he is consumed with grief. While he is clutching the bloody rags, he sees a large group of armed men and he runs back to the camp yelling out a warning.
Bloody battle commences and one of the holy group is killed defending Osmond, who is himself wounded, and the remaining group of thieves who attacked the camp steal Ulrich’s horses and ride off. Ulrich forces Osmond to continue leading the group and they cross the marsh.
Arriving at the village, they are greeted by Hob (Tim McInnerny) and warmly welcomed. The village’s leader and healer is Langiva (Van Houten) and she treats Osmond’s wound with a miraculous salve that stops his pain almost instantly. Despite the groups suspicions and misgivings they join the villagers in a welcoming feast.
Osmond follows Langiva outside where she leads him to a spot in the woods. There she ‘raises’ Averill from the dead for Osmond. He runs away terrified by what he has just witnessed. When he returns to the hall he finds the holy enforcers have been drugged and he is knocked out.
The group awaken in a pit of water with their hands tied around poles that stretch across the pit. Langiva tells them that they must repent their God or die. Hob takes one of the men and kills him when he refuses.
Swire then says that he will renounce God. Hob removes him and Swire then publicly renounces God. Hob says that he is free to go and that some men will take him to the edge of the village. They do, but Swire will go no further as they kill him anyway.
Langvia then removes Osmond from the pit and sends him to a hut that contains Averill. When he enters Averill is coughing and spitting up what looks like blood. She is stabbing a table and the walls with a knife. She is clearly mad and Osmond kills her telling her that they will be together soon.
Hob then takes out Ulrich and they tie him to two Punch horses. As the horses start to pull him apart he continues to refuse to repent his God. Before he dies he tells Osmond to open his shirt. Osmond does so and everyone discovers that Ulrich has the black death and he has brought it to the village.
Wolfstan and Mold (Johnny Harris) escape the pit and while the villagers are panicking start killing the men of the village. When the carnage ends only Wolfstan and Hob are left alive and Hob has been incarcerated for delivery to the church. Osmond chases after Langvia but loses her in the marshes.
Osmond is returned to the monastery and Wolfstan says he never saw him again, but has heard that Osmond became a ‘soldier of God’ and searched for evil. In a short montage we see that Osmond sees Langvia’s face on every woman that he accuses of being a witch and he executes them all.
This film is bleak and dark and grim. There are no little breaks from this bleak picture, no humorous let ups at all. Despite this unrelenting attack of the viewer it is a good film. I enjoyed it, if enjoy is the right word to use, and felt that the acting from all was superb.
It was wonderful to see David Warner, although it would have been nice to have seen a bit more of him, and it was the first time I’d seen Tim McInnerny since Severance. I was also pleased to see John Lynch again. He is a brilliant actor and I’ve loved his work since The Secret Garden.
I will say though that my hat is off to the casting director. How he managed to find an actor who is almost the spitting image of actor Klaus Kinski is beyond impressive. I checked IMDb and found that the actors name was Tygo Gernandt and even though he seems a bit tall to be a real dead ringer for Kinski, if they ever do a film of his life, Gernandt should play the lead.
The cinematography is crisp, clear and mood making. Smith’s direction and the films location all combined to make it work very well. So yes it was bleak, but considering the subject matter, you could hardly expect it to be anything else.