Not even Faith, that other vampire Slayer from the Buffy verse, is apparently safe from the crime of theft which is what happened to the rattled Eliza Dushku at the Rhode Island Comic Con when she was checking into a local hotel for the upcoming event. The 33 year-old actress, shot to prominence as the “naughty” wild-child slayer Faith in Joss Whedon’s award winning television series Buffy the Vampire Slayer (1997 – 2003). She went on to work with Whedon again on Angel, the Buffy spin-off and The Dollhouse, the second “cursed” television series of The Avengers director to be cancelled before it could really begin. The actress had her $4000 Louis Vuitton duffel bag taken from her side while unloading her car before going into her hotel room.
Shot with an estimated budget of just £100,000 ($157,000) this film sets the goal posts for “shoe string budget” films. First time director Steven Sheil also wrote the film, putting him in the illustrious company of peers like Shane Meadows (Dead Man’s Shoes and This is England) and James Watkins (Eden Lake). This small elite group of British film makers have made brilliant and successful films that they wrote and directed for ridiculously tiny amounts of money.
The horror film Mum and Dad shows us first hand what happens when we talk to strangers or trust them. It also proves beyond a shadow of a doubt that you really don’t know the people you work with.
The films starts out in Heathrow Airport where cleaner Lena (played by Holby City Alumnus Olga Fedori) gets to know her fellow workers, brother and sister team, Birdie and Elbie (Ainsley Howard and Toby Alexander). Birdie takes a shine to Lena and tells her about her wonderful parents. Lena explains that she doesn’t get along with her parents and wants to move away from home. At the end of their shift, Lena misses her bus home, and Birdie invites Lena to stay at her house which is near the end of a runway. Lena agrees and follows Birdie and Elbie to a gap in the runway security fence. Clamouring through the gap, they all proceed to the house.
After arriving in Birdie and Elbie’s home, the brother and sister disappear leaving Lena alone. She just starts to explore the house when she meets Dad (played brilliantly by actor Perry Benson) who knocks her out and injects her with something. Lena regains conciousness only to find that she is in a dark room. All she can hear are the tortured screams of someone in the house. Dad then enters the room with Mum (played with sinister madness by Dido Miles). Mum tells Lena that she will belong to her and she injects Lena again.
The film deals with a host of indignities inflicted upon Lena. Watching the film, I kept wondering who was going to rape Lena first, Mum or Dad. The entire household appear to be insane sexual deviants who rely on stolen items from the airport to help them get by. It also turns out that Birdie and Elbie are “adopted” just as Lena will be. The only real child that Mum and Dad have is a daughter who is chained to her bed in an attic room. The daughter suffered severe brain damage after being born with the umbilical cord wrapped around her neck. Dad explains, quite gleefully, that as she was a home delivery he had to cut the cord with his teeth.
Lena soon realises that if she does not escape, she will become the mad couples new “daughter.” Mum and Dad explain that other “children” who could not behave were disposed of. Since their definition of behaving includes being tortured and sexually molested, Lena starts playing Mum, Dad, Birdie and Elbie against one another with the hope of getting away.
Steven Sheil based his film on real life rapists and serial killers Fred and Rosemary West whose victims included their own flesh and blood daughter. The film could have been very grim viewing but the director has taken a lot of the sting out of the tale by injecting large doses of black humour. I found myself cringing one moment and laughing the next. The film deals with taboo issues such as cannibalism, sexual fetishes, and incest on top of the main topics of kidnapping, murder and theft.
The title of this review could very easily have been Mum and Dad: Horror on a Budget. The director and the cast and crew have proven you don’t need big Hollywood type funds to make an entertaining film. Writer/director Steven Sheil has produced a film that has been hailed as one of the most disturbing Brit-Horror films to emerge in recent years. Do not watch this film if you are at all squeamish, but if you can stand a lot of gore, this is a must-see.
Personally, I cannot wait to see what Steven Sheil has in store for us in his next feature.