Directed byJames McTeigue from a screenplay by Philip Shelby, Survivor features a more than capable cast. Milla Jovovich (Resident Evil, The Perfect Get Away), Pierce Brosnan, Robert Forster, Frances de la Tour (who recently featured as the giant in the 2014 Disney film Into the Woods) and a group of brilliant talent that included James D’Arcy, Dylan McDermott, Antonia Thomas, to name but a few. Survivor could be seen as a sort of advertisement for anti-terrorism, a throwback to the days of McCarthy-ism perhaps, where all non-American’s are immediately suspect, and not a few US citizens are up to no good as well.
Certainly the film does show the abject paranoia that has gripped the government since 9/11 and it also shows that regardless of whether you work for the British or the US government, guilt is immediately presumed before it is proven. The film also shows just how slowly and ineffectually both government’s security departments move. Like a rusty wheel, the mechanism is stiff and hard to run.
Jovovich is the newest addition to the American Embassy in London, Kate Abbott. She is a high flying security officer who has a sterling reputation. Her immediate boss, Bill Talbot (Forster) is not overly pleased to have her on board but the “big boss” Sam Parker (McDermott) is glad that she is on his team. When one of the visa team flag a request from Dr. Emil Balan (Roger Rees) Kate steps in to investigate. Bill attempts to intervene but the visa is denied.
Balan complains to his superiors who bring immediate pressure on the Embassy, Kate and Sam to clear the Doctor. Paul Anderson (D’Arcy) is an officious prig who tries to bully the Embassy into clearing the medico. As Abbott attempts to find out who is behind Balan, she discovers that Talbot has a record of passing dubious visa requests.
As the visa team go to celebrate Bill’s birthday, professional assassin “The Watchmaker” aka Nash (Brosnan) kills the team, but Kate survives. Thus begins the cat and mouse game where it seems that Nash’s side hold all the advantages and Kate’s paranoid and frightened bosses are all too ready to give their new security chief up.
Jovovich fills the shoes of a security chief with ease and shows just enough know-how and tenacity that her battles with the minions of terror all feel real and possible. Brosnan as bad guy works very well, taking a step back from his non-Bond spy in The November Man. (And an even further one from his old Bond days or Remington Steele ones.)
Survivor will not set heart’s racing or cause the viewer’s adrenaline to surge, but the storyline is solid enough and there are enough twists and turns to make the film entertaining. There are the usual complaints associated with any film that uses London as a location. The underground is never that clean or void of graffiti and the streets are not that litter free. As the action starts off in, and plays mostly in, London it is also doubtful that McDermott’s character would be allowed to run around the streets of the capital with a gun.
The plot is not quite a “by the numbers” set piece but there is just enough reliance upon on stereotypes that it does feel awfully close to a standard spy film. Director McTeigue may talk about “hiding” his political messages in the films he makes but in Survivor the point he is trying to make may as well be painted in neon colors.
Still, unhidden messages aside, the film is entertaining, albeit frustrating as one really does feel that Ambassador Crane (Angela Bassett) was a tad too ready to throw the baby out with the bathwater and label her former protege a traitor/terrorist. Jovovich, as usual, is a joy to watch. This woman works hard to make whatever role she plays feel real and her Kate Abbott is no exception.
McDermott is also believable; another actor who oozes a sense of reality in any part he plays. Survivor is a solid 3.5 out of 5 stars and is streaming on US Netflix at the moment. Good spy fare, despite the “warning/pronouncement” at the end about how many terrorists the US government have caught since 9/11.
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