The Foreigner, directed by Martin Campbell from a screenplay by David Marconi, is the big screen version of Stephen Leather’s taut and very entertaining novel “The Chinaman.” Jackie Chan plays the lead character and he faces up against Pierce Brosnan and a group of “new” IRA members who are hell bent on starting up the old campaign of terror anew.
Fans of Leather’s work will no doubt notice a few changes, with the title change being the first as well as the character’s nationality change, but this does not affect the story at all. Overall, the tale’s message is the same and it is very easy to get caught up in Quan Ngoc Minh’s personal vendetta against those responsible for his daughter’s death.
The Foreigner is all about Minh’s search for justice after his daughter is killed by a bomb blast in a small clothes shop.(In the book it is Minh’s daughter and wife who die.) Minh visits the police everyday in order to get the names of those responsible. He even offers to pay for the names but the police, despite not operating that way, do not know who is in this new IRA cell.
Brosnan is Liam Hennessy, an Irish deputy minister with a few too many irons in the fire, who offers to help the British government find the new cell and stop them. He also has a lot more going on than is immediately evident. Minh goes to meet with Hennessy and soon the two men are locked in battle.
The Foreigner, like “The Chinaman” offers a main character who is much more than he appears. Minh may well be the owner of a Chinese takeaway/restaurant but he is the sum of his past experiences. These turn out to be all too deadly as Hennessy soon learns to his chagrin.
The pacing is spot on, like the novel it is based upon, and it feels like a splendid throwback to gritty films like the 1980 Bob Hoskins Helen Mirren gangster movie The Long Good Friday. (A film that features a very young Pierce Brosnan as a young IRA assassin and one that also deals with bombings.) It has a touch of “Who Dares Wins” to it and features solid performances from all the players.
Campbell manages to keep things moving at a cracking pace and Chan proves that he is adept outside the action/comedy roles that have made him an icon in the industry. The film looks brilliant with everything meshing together perfectly.
The locations, the film is mainly set in London, are spot on and all lack the glamorous appearance of the capital city in films like “The Kingsman 1 and 2.” The action in The Foreigner steadily increases and while the timeline has been “moved up” to fit the present, the tale loses nothing in this shift.
Anyone who has read the book will find that the film delivers Leather’s story well and one has no problem getting behind Minh in his quest for vengeance and his own personal closure.
This is a full five star film that has been, somewhat strangely, given a limited release. (In the cinema where we viewed it The Foreigner was showing in only one theater cubicle.) There is some cursing (the worst being the “C” word), a tiny amount of vague nudity and a lot of violence.
The Foreigner is playing in cinemas now and is well worth the price of admission. Check it out.