The Lords of Salem (2012): Subtle Zombie

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Heavy metal impresario Rob Zombie exploded on the movie scene with his first feature film House of a 1000 Corpses in 2003. Already a veteran behind the camera from directing his music videos, his first film (and his second) featured a lot of “heavy metal” montage shots and utilised an almost guerrilla style of film making.

Zombie then went on to re-imagine the Halloween verse in 1 and 2. He next film, he told interviewers, would be a sort of Ken Russell directs The Shining. Far be it from me to argue with Mr Zombie’s own definition of what his film is, but I would argue that it is more like Ken Russell meets Rosemary’s Baby.

I will not go any further down that particular road as I don’t want to give anything away.

Written and directed by Zombie, The Lords of Salem stars Sherri Moon Zombie as Heidi Hawthorne. She is a local radio personality who works as part of a three person team in Salem Massachusetts, home of the infamous Salem witch trials. A wooden box is left for Heidi at the radio station’s reception desk. It contains a record by a group called The Lords.

When the record is played on the air, it affects the female listeners of the audience, causing them to have visions of the olden days in Salem. Heidi is very affected by the music (which, for the record, would never have been featured on American Bandstand) and after she’s heard the music her landlady invites her to meet two old friends.

The film was obviously shot on location in Salem as the statue of television’s Bewitched character  Samantha Stevens (aka Elizabeth Montgomery) can be seen no less that three times. It’s as if Zombie wants to remind us that this is really about “fake” witches in Salem.

Zombie's cinematography made Samantha Stevens look a lot scarier in the film.
Zombie’s cinematography made Samantha Stevens look a lot scarier in the film.

Besides this reminder running through the film, a lot of black and white films play in the background in a few scenes. Heidi is watching an old “cop” film (featuring that loveable old heavy Jack Elam) and later when her boyfriend/radio partner Whitey  (Jeff Daniel Phillips) is watching a film, he is watching something with Charles Laughton (better known as Captain Bligh and Quasimodo).

There is, in fact, a lot of black and white themed sets in the film and Heidi’s apartment features a lot of black and white pictures and patterns. I’m not clever enough to know what the director is aiming for with this preoccupation with this particular colour scheme, but it’s obviously a clue of what is happening in the film. Perhaps it’s yet another allusion to the “olden days?”

The character of Heidi is a good one for Sherri Moon Zombie and she adds a depth to her acting that hasn’t been seen before. The film has a lot of Zombie’s “stable” in it. Sid Haig, Michael Berryman and Ken Foree are all Zombie “regulars.” The film also boasts the legendary Dee Wallace, Judy Geeson and Meg Foster. Most of his films feature a cadre of genre stars from old horror movies.

Quinn, Wallace and Geeson, Three scary ladies.
Quinn, Wallace and Geeson, Three scary ladies.

It was nice to see Andrew Prine  after he had to step in for the late Richard Lynch due to health issues.

Zombie has hit a level of subtlety that has, till now, been missing in his films. Where he has relied on over-the-top violence, blood and gore with villains that came close to being almost cartoonish; Salem strikes a sly and almost underrated  performance from all the key players.

A quick shout out to Bruce Davison as local Author Francis Matthias. He shines in his short performance and it was a pleasure to watch him in the film.

All the actors delivered exceedingly well and although the film had a bit of an ambiguous ending (to me at least) it kept me glued to the screen until the end credits had finished.

This may not appeal to the “normal” Rob Zombie fan. If you are expecting his usual fare of Heavy Metal Horror, you’ll be disappointed. But if you are ready to see a Rob Zombie who’s learned the art of insinuation and easing his audience gradually into the horror at hand, you’ll enjoy this latest effort.

I’d have to give The Lords of Salem a solid 4.5 out of 5 stars. I’ve taken the .5 off only because the ending left me a little baffled. Despite my shaving off a half point, I don’t doubt that this will become a cult favourite.

Bravo, Rob Zombie.

Rob Zombie.
Rob Zombie.

The Lords of Salem (2012): Zombie Christmas Gift?

I first found out about the genius that is Rob Zombie when I stumbled across the film House of a 1000 Corpses. It was a case of love at first sight. Like most people who suddenly discover a new ‘loved one’ I read everything I could about the man and his beginnings.

It then became my mission in life to watch every film he directed.

So far I have managed to do just that. It is with bated breath that I wait for his latest foray into the weird, wonderful world of horror, The Lords of Salem. I had forgotten all about this upcoming feature until someone tweeted the latest teaser trailer (try saying that fast three times, go ahead I dare ya) and I managed to catch it earlier today.

Of course the main reason it had been tweeted was Zombie’s use of classical music in the teaser. The tweeter reckoned that it worked very well. I agree. I did try to imagine it with a more typical Zombie-esque heavy metal rock background and I couldn’t do. Probably because I’m not Rob Zombie.

This short teaser had me scrambling to google the latest information on his upcoming (and soon to be released in a theatre near you…well around Christmas time is it’s slated time of release) feature and who was in it.

RIP Richard Lynch (February 12, 1940 – June 19, 2012)

The first thing I found out was that the (recently) late actor Richard Lynch‘s scenes had to be cut from the film due to his failing health and voice. The next thing I found out was that quite a few actors wound up on the metaphorical cutting room floor. Clint Howard who has made a career out of playing those ‘a few bricks short a load’ characters that hulk around in a lot of modern horror films, Udo Kier who seems to have been in just about every horror film I’ve ever seen (and that’s a lot, friends and neighbors) and lastly Camille Keaton, granddaughter of Buster (silent movie comic genius) and star of that iconic cult classic slasher film 1978’s I Spit on Your Grave.

*On a side note, I Spit on Your Grave was banned in the UK for years because it was labelled a ‘video nasty’ that would corrupt and spoil the youth of Great Britain. You can see how well that worked.*

I can only assume that all the actors who had worked with Richard Lynch could not repeat their work due to scheduling problems or possibly out of respect for the late actor. Whatever the reason it is a real shame that none of them (Richard specifically) wound up in the final film. Hopefully there will be footage of them on the DVD when it is released.

The plot, which I have borrowed entirely from Wikipedia’s entry is as follows:  Heidi DJs at the local radio station, and together with the two Hermans (Whitey and Munster) forms part of the ‘Big H Radio Team’. A mysterious wooden box containing a vinyl record arrives for Heidi, “a gift from the Lords”. She assumes it’s a rock band on a mission to spread their word. As Heidi and Whitey play the Lords’ record, it starts to play backwards, and Heidi experiences a flashback to a past trauma. Later, Whitey plays the Lords’ record, dubbing them the Lords of Salem, and to his surprise, the record plays normally and is a massive hit with listeners. The arrival of another wooden box from the Lords presents the Big H team with free tickets, posters and records to host a gig in Salem. Soon Heidi and her cohorts find that the gig is far from the rock spectacle they’re expecting; the original Lords of Salem are returning, and they’re out for blood.

Rob Zombie has, in my mind, never failed to deliver. His earlier films were raw, entertaining and slightly tongue-in-cheek. His move into re-imaging the Halloween franchise was superb considering the lack of artistic freedom that he had.

Now we have The Lords of Salem. Bucket loads of freedom, directed  and written by Zombie, plus a decent budget. These three facts alone combined with the brilliant cast list makes Salem destined for the number one position on the horror film parade.

The cast, just in case you are interested is as follows:

(cast list courtesy of Wikipedia)

Does it get any better than this? I look at the plot and the cast and I cannot wait to see this film. I can only hope it opens before Christmas instead of after. I mean, what better gift can you get than the latest Rob Zombie film?

Rob Zombie Horror meister.

House of a 1000 Corpses (2003): Horror Zombie Style

Cover of "House of 1,000 Corpses"

Released in 2003, House of a 1000 Corpses had actually been sitting on a shelf since it had been made in 2000. Studios were reluctant to release it as they were unsure of the rating it would receive from the film board.

Corpses marks Rob Zombies directorial debut, he also wrote the film, and for a first attempt, Zombie pretty much knocked it right out of the park.

The cast of Corpses is a good one. Sid Haig (as Captain Spaulding), Sherri Moon (as Baby Firefly, Moon would later marry Zombie effectively giving her the more bizarre name of Sherri Moon Zombie), Karen Black (as Mother Firefly), Bill Moseley (as Otis Firefly), Michael J. Pollard (in a tiny cameo as Stucky), William Bassett (as Sheriff Frank Huston) and Dennis Fimple in what would be his last film role as Grandpa Hugo.

Rob Zombies first horror film would be the celluloid equivalent to his Heavy Metal music.  Zombie is an avid horror film fan himself, he adores horror films from the 1930’s and 40’s, he had already directed all his own music videos when he decided to make a feature length film.

Although the film opens with two couples who are travelling the back roads of rural America in search of local legends and places of infamous origins for a ‘travelogue’ the film is really about the Firefly family.

Captain Spaulding, who dresses like a clown, is the head of the backwoods brood. The Firefly’s are like the American dysfunctional family on acid. Every member of the family give a whole new meaning to the descriptive word eccentric.  Spaulding is at turns, funny, irascible, and murderous.

Mother Firefly is a southern belle of a gal, who can be likened to Blanche Dubois on drugs. Baby is drop dead gorgeous (emphasis on the drop dead), Otis is the most visually terrifying of the family, he lacks either the skill or the need to hide his murderous nature.

The two couples, a hilarious quartet of young people whose delight at discovering the existence of Dr Satan, are at turns excited (the boys) and disgusted (the girls). When they get directions to the tree where Dr Satan was hung, they get lost and they get a flat tyre.

It is when they ‘break down’ that they come across the Firefly clan. They are welcomed into the Firefly home and are entertained while their car is being repaired. The scenes in the Firefly home are ingenious. Baby Firefly has a definite interest in Bill Hudley (Rainn Wilson) and his girl friend Mary Knowles (Jennifer Jostyn) is less than pleased at this.

At dinner, where they all have to don masks (“If ya don’t, she won’t serve desert!” says Grandpa Hugo), they hear how Mother Firefly’s ex-husband tried to burn down their house while Tiny (Matthew McGrory) was sleeping in it.

After dinner the family then put on a show. It is “Theatre Firefly” and Baby comes out singing I Want to be Loved by You to Bill. Mary doesn’t like this one little bit. She threatens Baby and the whole evening turns deadly.

If it were not for the incredibly vicious violence, House of a 1000 Corpses could almost be a comedy. Any scene with Sid Haig as Spaulding is hilarious. He is broadly funny and antagonistic. His interaction with Bill Hudley and later with the two deputies left me gasping for breath. His scenes are comedic to the extreme.

The Firefly evening, felt so surreal. We feel as awkward and as uncomfortable as the young couples obviously do in the house. Mother Firefly is clearly mad as a hatter and the fact the both Bill and Jerry Goldsmith ( Chris Hardwick) both fail to notice this, is both funny and ominous.

The film is an almost perfect ensemble piece. The entire family each get a chance to show off their backwater weirdness and both Otis and Baby are terrifying. Otis with his clearly evil ideology and Baby with her childish and naive murderous nature both shine a bit more than the rest of the family.

Of course the iconic Karen Black as mother was brilliant. It is a shame that a dispute over salary kept her from reprising her role in the sequel The Devil’s Rejects.

Corpses was Rob Zombies initiation into the world of horror and he followed it up with The Devil’s Rejects or as I like to think of it The Further Adventures of the Firefly’s. He did hop on the re-make train and he re-imaged the classic Slasher Horror that is  Halloween, part one and two. He is currently working on The Lords of Satan.

Zombie is continually fine tuning his directing talent but he still makes what I like to think of as heavy metal horror films. I cannot wait to see what he has in store for us with his next film.