Agent Carter: The Edge of Mystery/A Little Song and Dance (Review)

This penultimate double serving of Agent Carter, The Edge of Mystery and A Little Song and Dance, keeps the tension high and the subterfuge deep.

 CHAD MICHAEL MURRAY, BRIAN GLANNEY, KURTWOOD SMITH

This penultimate double serving of Agent Carter, The Edge of Mystery and A Little Song and Dance, keeps the tension high and the subterfuge deep. The comedic pairing of Jarvis and Carter has made way for a large serving of tragedy and Chief Thompson proving that he really is not to be trusted.

It is odd that ABC have opted to do this “times two” delivery of episodes in the days running up to another Marvel series coming back on after its winter break, Agents of SHIELD.   This rush to get through Peggy Carter’s story, which finished on an explosive note  before the end credits ran on A Little Song and Dance,  can only mean one of two things.

This mad pace to end the series, with the finale of Agent Carter airing  one week prior to Agents of SHIELD premiering after its mid-season break,  is either setting up a “tie-in” to the second Marvel series or there is a huge plot point meant to affect the “modern” Marvel verse’s storyline. (These two options are not the same thing, a tie-in is not necessarily a plot point.)

The first half of the second “double feature” (the first duo being Life of the Party  and Monsters with the latter ending with  Wilkes being grabbed up by Whitney, who then shot Ana in the abdomen  before escaping with her old boyfriend Manfredi with the physicist in their car.) The Edge of Mystery begins with Ana in surgery, Jarvis feeling both rage and concern and being hell bent on making Frost pay for shooting his lady love and leaving her unable to have children.

Samberly (played with a magnificent odiousness by Matt Braunger) builds a gamma cannon, using blueprints sent via teletext by Howard Stark, in record time and accompanies the two chief’s; Thompson and Sousa,  along with Jarvis and Peggy to stop Frost from detonating the second atom bomb. 

The calvary arrive too late and the explosion takes place, creating more zero matter. Wilkes is drawn up into the ball of black energy, much to Whitney’s displeasure, and the cannon is aimed  and shot at the ball in the sky, rather than at  Frost.

Samberly queries just what they should do, prior to setting the cannon up and both Thompson and Sousa shout at the scientist, in unison, to:

“Do as Peggy says!”

The gamma ray strikes the ball of zero matter and destroys it.  Jarvis drives down to the test site and as Peggy arrives, shoots Whitney point-blank. Wilkes is lying in a shallow hole in ground and despite the gamma cannon is still alive, as is Frost.

Manfredi arrives and they take Carter and Jarvis hostage so they can force Wilkes to cooperate with Frost. The butler and the SSA agent are knocked unconscious.

HAYLEY ATWELL, ENVER GJOKAJ
Carter and Sousa in a little song and dance number

The second episode on offer, A Little Song and Dance starts with a sequence that has to be a direct nod to the David Niven WWII drama A Matter of Life and Death (aka Stairway to Heaven in the US). A 1946 fantasy that has an airman stranded in a  black and white world while his fate is determined. The presence of Peggy’s dead brother Mike in the sequence seems to make this a certainty along with another “dead giveaway” in that the  character Niven played in the film was named…Carter.

After this sepia interaction with Michael, Peggy then turns up in a very abstract setting of a bar where she bumps into Wilkes, Sousa and Jarvis. After a little song and dance,  the butler appears, attired like Fred Astaire, and he tells her to wake up.  Rose (Lesley Boone) turns up, under the sign of the talent agency which fronts the entrance to the SSA offices in LA, and tells Peggy that the agency has no need of her talents and punches Carter.  This wakes the agent up.

She and Jarvis escape from the back of the van, Thompson and Sousa trick Vernon Master’s thugs into not killing the two chiefs or Samberly. Peggy and Jarvis are almost recaptured and Frost begins attempting to painfully extract the zero matter from Wilkes.

Jarvis and Carter argue in the desert, a verbal sparring match which Peg wins. She then recants her ire when Jarvis reveals that Ana cannot have children due to complications.

Thompson talks Masters into using the gamma cannon against Whitney after Samberly repairs it.  The New York chief (played with greasy abandon by Chad Michael Murray) then goes on to prove that “once a two-timing douche always a two-timing douche.” He double crosses Vernon, Frost and Sousa by having Samberly sabotage the cannon turning it into a bomb. 

When the cannon explodes, it should kill both Whitney and Wilkes (Vernon will have been killed by Frost before the bomb explodes) and pave the way for Thompson to get a seat on the council.

Sousa and Peggy force Samberly to block the signal and as Whitney starts to kill Masters, Wilkes arrives (after turning down Peggy’s offer of help) to explode before the bomb can go off. (Thompson actually forced Samberly to un-block the bomb.)

Wilkes emits an explosive amount of zero matter and now all that remains is for the second season finale to tie things up.  Jarvis, who was sent off to help Peggy by Ana, has not turned up and with the eruption of Dr. Wilkes, it seems all those by the car could be doomed as well.

The season finale of Agent Carter airs March 1 on ABC, tune in to see who survives and perhaps to learn why such a rush to end the second season.

‘Stitchers’ Season Two “on Set” Interviews

ABC Freeform approved Stitchers for a second season rather quickly after the season one finale aired. The series will premiere on March 22, 2016 and fans will be eagerly tuning in to see just how the first season’s cliffhanger turns out.

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Freeform approved Stitchers for a second season rather quickly after the season one finale aired. The series will premiere on March 22, 2016 and fans will be eagerly tuning in to see just how the first season’s cliffhanger turns out.

“Stitchers” is a show of many colours. It contains a touch of science fiction combined with mystery, as well as a little fantasy, a dash of action and a bit of romance…All of that diversity in just the genre department alone.

Add to this mix a cast of attractive and damned talented people who deliver great performances every week plus a creator with vision and a penchant for pop culture references and the end result is a show that entertains thoroughly.

It also has fascinating characters that are fleshed out well enough to make the events on-screen seem more plausible.

All of these elements combined to make the first season of Stitchers a hit with viewers and convinced the powers that be at  Freeform (then Family) to bring the show back for a second season.

After writing reviews for each episode throughout the first season, Mike’s Film Talk was approached by the show’s creator Jeff Schechter. Mr. Schechter left an open invitation to visit the set if the series was approved for a second season.

It was.

On January 28, 2016 this writer was allowed the privilege of visiting the main Stitchers set and also interviewed the  cast and the show’s creator Jeff Schechter. On that long day, the cast and crew were filming the second season finale and the actors graciously fit in long moments of time, out of their hectic schedule, to speak with Mike’s Film Talk.

(Throughout the following  articles Mike’s Film Talk will be shown as MFT during the Q&A sessions.)

The interviews will be broken into three different articles: One for the men of the show, one for the women and another for the creator.

All of those interviewed agreed that this season of Stitchers was going to be even better than the first. Two-point-oh (2.0) was the phrase used a lot, with the implication that all the characters have evolved along with the storyline of the verse.

The location of the studios where Stitchers is filmed, except for location shooting, is Santa Clarita Studios (roughly 30 minutes north of Burbank and very near Magic Mountain) which is  scattered over an area that includes “gated” premises and other stages nestled amongst the buildings and industrial estate of Santa Clarita proper.

Entering the main gate, one immediately sees stages off to the right. To the left, and slightly behind the gate is the main complex, its front covered partially with ivy and glass. Immediately in front of the gate are a number of vans, trailers, and a caterer’s area.

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Caterers, the main complex and a left over bit of set dressing  from Vegas

Getting checked off the visitor list and texting the publicist Robin meant having a little time to look around and take in the surroundings. Seconds after texting  Ms. Finn, she  arrived and proper introductions were made. While waiting for her to park up, the first cast member to come wandering by  was Damon Dayoub (Detective Fisher).

MFT: “Hello. I’m going to be talking to you later.”

There was a shaking of hands as he commented on my being from Mike’s Film Talk.

Damon: “Nice to meet you, I’ll see you later.”

The very tall actor then moved past an unmarked trailer and within seconds “Linus,” aka Ritesh Rajan came walking from the same direction as Damon and once again a short conversation took place between cast member and Mike’s Film Talk.

After a very brief introduction, Ritesh revealed that he knew that interviewing would be taking place later and he then asked if I was Michael.

While answering in the affirmative, the publicist came back and Ritesh made his apologies and moved past the same trailer as Damon.  As the itinerary for the day was being laid out, Allison Scagliotti also wandered over from the same area that Dayoub and Rajan had come from earlier. “Camille” was simultaneously texting on her mobile phone and looking over what looked like a script.

She too headed toward the same nondescript trailer outside the soundstage. As a couple more publicists arrived, one transitioning and the other an intern, we all moved into the soundstage and headed back toward the interview area.

A conference room had been set aside, conveniently located right behind the “stitch-room” where Emma Ishta, as Kirsten, is stitched into the memories of the recently deceased by Cameron (Kyle Harris), Linus (Ritesh Rajan) and Camille (Allison Scagliotti) while being overseen by Stitchers head Maggi (Salli Richardson-Whitfield) and assisted by various technicians such as Tim from engineering (Cameron Britton).

This is the same set where Cameron “killed himself” to allow Kirsten the chance to stitch  into  his memory in the season one finale…It is also where the series ended on a cliffhanger, as he was not responding to resuscitation attempts.

Amazingly, the entire lab area fits into one sound stage. The tank, where Kirsten is submerged for the stitch and the rest of the set  all fits easily into an area that shares space with a catering niche, the video viewing area (where the director works along with continuity, makeup, and the DP and assistant director and a plethora of other people, including, on this occasion, Ms. Scagliotti when she was not on camera.

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No this is NOT where the set is located, but it is a Santa Clarita soundstage…

As the second season finale was being filmed, it was all hands on deck with rehearsals taking place between shooting and interviews being squeezed in wherever possible. All of this frantic activity took place with the players and facilitators all being extremely pleasant and accommodating.

Sidenote: After working in television over a number of years, this was the first time, in America, that this writer stepped foot on a working soundstage, the last being in 1978, at Fox studios. Almost all work in the business took place on location shoots in England, with the exception of Anglia Studios in Norwich (1994) for ITV’s “The Chief” and a Tonka commercial in Amsterdam.

It also has to be said that the interviews themselves were great fun as each of the performer’s were not only very open about the upcoming season, but they also humored the interviewer by laughing at his abysmal attempts to be amusing.

Actor John Billingsley was working on this day and it was impressive and not a little overwhelming to see this performer’s consistent energy level as take after take (for different camera angles and so on) was filmed.  Sadly, the prolific character actor was not on my list to interview, but watching his performance was awe inspiring.

Each cast member spent a considerable amount of time chatting with Mike’s Film Talk and Jeff Schechter managed squeeze an impressive amount of interview time in the time allowed.   The total amount of time accrued speaking with these marvelous folks necessitates the three article breakdown.

Stitchers is going to hit televisions screens on March 22 and the interviews will be spaced out to allow fans of the Freeform series plenty of time to see what the performers have to say.  Mad props and a massive amount of gratitude goes to the publicist who ensured  that the Stitchers visit went well.

 

Helix Season Two Premiere Recap/Review

Season one of SyFy’s futuristic thriller “Helix” provided enough apocalyptic angst to satisfy the most jaded of viewers. This particular series more than made up for the audience members of the network who were not overly pleased with the tongue-in-cheek Z Nation. The “Helix” season two premiere promises to keep the thrills and suspense coming and shows that despite blowing up the whole complex, where season one took place, the series has plenty of mileage left in it…

Read the rest article by Mark Knox over at  Viral Global News.

The Following Season 2 Finale: Bodies Everywhere and Bromance in the Air

The Following Season 2 Finale: Bodies Everywhere and Bromance in the Air

After waiting, in vain, to see Joe Carroll die in a hail of bullets from the trio gunning for him, the season 2 finale of The Following can be summed up with bodies being left everywhere, but where you want them and there was a hint of bromance in the air. Brotherly love aside, it has to be said, when the overweight blond Carroll follower got punched twice by Hardy and then anonymously shot in the dark by the storming SWAT members, it was hard to not “punch” the air in victory. Not because she was overweight, but because she was a nasty bit of work.