What a rollercoaster ride “Going Out Fighting” was. Four and Nyx having sex, Three knowing about it, Rook returning, Two dying, Six saving Three’s life again and that scary-arsed thing inside of Three. Dark Matter managed to provide enough adrenaline fueled terror inside that stasis pod to last the whole season. But what about The Android? Was that a dream there at the end?
After last week’s collapse of Two, it was a foregone conclusion that Rook was going to make another appearance. (Of course it was signposted back in episode 204 “We Were Family” when the Dwarf Star Technologies station was sketched.) The smarmy villain that we love to loathe proved to be just as horrible as the first time he appeared.
The main story line was of Portia’s attempt to replace the nanites in her system. There is an underlying thread of Ryo/Four becoming fixated with returning to his home The Principality of Zairon. After learning of his parallel self ruling Zairon, Four has been watching reports of what transpires there.
He knows that without his previous memories he cannot return to rule. This may cause further problems for the skilled fighter.
Portia has a “tune up” performed by The Android so she can ascend the elevator to Dwarf Star Labs. It is temporary and if she does not get “fixed” properly she will die. Six and Three team up to help infiltrate the lab. Using retinal scan tech, the two men accompany lab technician Eric Waver (Jonas Chernick) to retrieve new nanites.
Sadly, Eric is dispatched after Rook catches the three men stealing the nanites. Three and Six are taken prisoner and Three has some tentacled thing put into him…
Two meets “Portia 2.0” who is, interestingly enough a male this time around, stronger better and more silent than she is. He matter-of-factly kicks Two’s butt and when Nyx joins the fray, defeats her quickly as well. He is about to kill her when Four intercedes with some well placed bullets and a thorough skewering with his samurai sword.
Three is acting strangely since being introduced the the boxed thing while Rook was questioning him and does not react to Two’s death. Six takes blood from Portia 2.0 and injects into the dead woman. It brings her back to life. The new and improved nanites start work immediately repairing and replacing the old ones.
Back on the Raza, Three is tampering with the ship when Six confronts him. Three goes for his gun but is shot by Two. They put him in a holding cell and when Three wakes up, he begins an alien sounding roar until he is shot by Two, again.
The crew put him in a stasis pod and the thing inside Three starts pouring out of him and gathering on the transparent lid of the device. They move the pod near an air lock and after pulling Three free, space the creature left inside the pod.
Three is “cured” but The Android has an odd look on her face. She tells the crew she will be charging. Shortly after, The Android is shown waking up on a bed, wearing a nightgown, and there is a snowy wooded vista behind her. Is she dreaming?
First of all, “Dark Matter” reached new heights of fear in this episode. The black liquid escaping from Three, while making that unearthly scream, was damn near terrifying. (For some reason, it brought to mind The Thing, and that made it even scarier.)
In retrospect, it is unclear what was more frightening: The idea of the tentacle, the possession of Three by the intelligent, and screaming, thing that came streaming out of Boone in the pod or the fact that it turned the man into a ren sleep puppet.
Secondly, the odd behavior of The Android brings up a lot of questions. Is the scene at the end prompted by her new “upgrade?” Was it related to whatever the possessed Three was doing? Or was it triggered by using the blink drive after tinkering with it again.
The last theory seems a good fit. Could there be an Android in another parallel universe that is a nightgown wearing gal who has a dynamite bedroom? Or is this a world where The Android is a “real girl?” (Sorry could not resist the Pinocchio reference.)
While the blink theory is a favorite it does seem more probable that the upgrade is the real culprit here. The Android has been slightly “off” since the software was installed. Her stealing Five’s hot chocolate, while funny, was another sign that things are not quite right here.
Lastly: Do androids dream? If they do in this verse, it is not of electric sheep but king sized beds in a lavish bedroom…
Dark Matter continues to flow smoothly into new territory, with the odd jolt of characters dying or changing dramatically. While Six seems more like his “old self,” The Android is entering a new phase. This evolution of the quirky character should be more than a little interesting.
The series airs Fridays on SyFy and Space. Do not miss this brilliant show as it offers more in one episode than other shows provide in an entire season.
Dark Matter “We Were Family” takes a look at what formed Three, aka Marcus Boone and pays homage to the six “replicants” in Blade Runner and “David” in A.I. Artificial Intelligence. It also takes the Raza crew back to where they were before last week’s stressful adventure.
In terms of homages, or at the very least a huge nod and wink, Oliver Twist and Fagin are also featured in this episode. Which, in turn, elicits the delightful image of Three as the Artful Dodger growing up,
“We Were Family” also reveals that Five has a crush on Devon the intern. (Who appears to have an addiction problem) It is also learned just what the “asset” really is; not Five at all but the card she stole.
As a reminder to those who may have forgotten, this card affects “pockets of inter-dimensional space-time.” A powerful bit of technology that may become instrumental in saving Derrick Moss, if he is really dead, and bringing him back to the Raza.
(At least that is our theory here at Mike’s Film Talk. Are we right? Tell us what you think the card will be used for in the comment section below.)
Back to the episode’s storylines: Titch was Three,and those were his idyllic memories that Five was living in season one. The Android takes one step closer to becoming a real girl and Nyx proves to be surprising in many ways. Six is patched up by Devon but considering that “hand shake” it is doubtful it was done thoroughly.
(Sidenote: The Android has always felt like a cross between Pinocchio and “David” from A.I. in that she longs to be the real thing. Although the result of her scan by Victor (Brendan Murray) seems to prove that there was a Geppetto who initially programmed this creation. Her self perceived flaw is non existent. She was designed to be the way she is, or considering Five’s expertise, “adjusted.” )
Three borrows money from Five, who hid some of her stash from the GA. As per usual, he is overly cheerful and friendly right up to learning how much interest he must pay. Later he meets Arax in a bar and his childhood Fagin turns up.
Two has Five sketch the facility where she was “made.” Nyx accompanies the Raza commander to a travel agency. There they find out the building belongs to Dwarf Star Technologies and that it is on Terra Prime, aka Earth.
Devon, Five and The Android all go to shop for medical provisions. There are things needed to revive and surgically repair Six. Comically, before leaving the Raza, The Android asks to come along to observe normal people. Five asks why she cannot just observe the crew. The robot responds that they are “atypical” and not a good representation of humanity. Five is taken aback:
“Did you just insult us?”
At the space station store The Android is approached by security and as he questions her “Victor” arrives and asks why his Android is being harassed. The rent-a-cop leaves and The Android reveals she has stolen a toothbrush for her friend. Victor takes The Android to meet his friends.
Victor is not a “real boy” either. He and his four friends are Androids as well, but with an upgrade that makes them seem and sound more human. Initially the small group distrust and denigrate The Android. Then Victor scans her and reveals that she was programmed to be the way she is.
He later offers her the same upgrade and then takes her shopping, a’la Pretty Woman. While The Android may not be there yet, Victor is obviously smitten with his new friend.
Three goes on a heist with his “father” Larcan Tanner (Nigel Bennett) and his crew. He learns that the men have kidnapped a pilot’s son and he is not happy. Three is even less pleased when the men shoot the father. As they head toward the stolen payroll, Three learns that Larcan lied about the scar on his neck. He also works out that Tanner killed his parents.
In a brilliantly staged shootout, Three kills Tanner’s crew. He then finds Larcan and the boy. Sending the youngster out of the room, He braces Tanner with the truth. As the old man professes his love for “Titch” he pulls a gun to shoot his “son.” Three gets there first and leaves the cabin with the boy as Tanner sits choking and blinking slowly at the table.
Arax drops off the “asset” to Miranda (Sara Garcia) who is furious to learn it is not the right card. Nero works out that Five got the stolen card back and Miranda tells him to get the item back.
Back on the Raza, Six recovers from his operation and it appears that it is not just Five who has forgiven him for turning the crew in.
The Android holds the upgrade in her hand as Miranda reveals that she works for Commander Neiman (David Richmond-Peck) a Ferrous Corp official that Two thwarted in season one. He tells Miranda that they need the card for the upcoming war.
Written by Dark Matter co-creator and executive producer Joseph Mallozzi, “We Were Family” continues peeling back layers and exposing the truth of each character. Three, we learn really does regret his life of crime. So much so that the kills the man responsible of putting him on that path. It is the kidnapping that motivates Three and this was the best indication of how the former mercenary thinks.
The Android’s story proves that she is not defective after all and it looks like her yearning to be more human will entice her to use the upgrade. The Android stealing the toothbrush, which she intended to pay for later, was touching and revealing.
She has been influenced by the Raza crew after all. Just as she seems to have learned humanity from Five, she also picked up some other bad habits from the rest of the Raza crew. Like shoplifting for example, or killing prison guards…
The “new” Raza crew also have some secrets. Nero’s is already apparent, he is rat who sells out to the highest bidder. Devon is an addict and Nyx is a fascinating enigma. Does she have Two’s “affliction?” Do nanites course through her body or has she been enhanced some other way? Only time and more episodes will tell.
Dark Matter airs Fridays on SyFy and Space. Tune in and follow the adventures of the Raza crew and see if Five’s secret is revealed. Mallozzi and Paul Mullie keep ringing the changes in this space opera and it makes for brilliant television. Do not miss this one.
12 Rounds 3: Lockdown is yet another of a long list of films to copy the “Die Hard” formula. One cop versus a number of villains. The hero has limited firepower in a locked down building and no outside help. Apart from the occasional phone call. Although this watered down version features a WWE star and the action is not as funny or as epic as the 1988 Willis vehicle.
Ever since Dwayne “The Rock” Johnson’s runaway success with his film career, WWE heavyweights (pun intended) have been leaping on the acting wagon to become the “Next Big Thing.” None have quite matched the success of Johnson. (The man can act and has presence that few can come near replicating on screen.)
Jonathan Good, aka Dean Ambrose, plays John Shaw (Even the name evokes memories of John McClane…) a straighter than straight cop whose partner was shot. He himself was wounded in the line of duty and has just returned to work.
“Dark Matter” star Roger Cross is Tyler Burke. A crooked detective with a gang in the police department that obeys his every order. Burke kills a partner at the start of the film and covers it up. The dead man has a piece of evidence that will convict the dirty cop if it is not retrieved. Shaw gets there first.
Things take off from there. Burke and Shaw have a history of antagonism and it is shown a number of ways. Once the action starts in, where a Burke’s 11 or so henchmen try to track down and kill Shaw, the 12 rounds of the title makes more sense.
Granted the film is just one more in a series that shares the numerical title. Each one starring a WWE sensation. The main problem with this last in the budding franchise is Good himself. Not that the man cannot act (He can and does a very good job at playing the lone “good” cop.) but he does not look the part.
At no time does the WWE star look like a cop full stop. In a world where film roles are cast because the incumbent looks the part, 12 Rounds 3: Lockdown seriously lets the side down. If this were not a WWE production Roger Cross would have been the good cop and Good the bad one.
Jonathan Good (Dean Ambrose) looks more like a drug dealer’s enforcer or even mafioso hit man. He does not emanate that “leading man” look of “rightness.” Regardless of this casting faux pas though, the actor did do a good job.
Not so the script’s writers. Fair enough the storyline and plot had to match the franchise title. 12 rounds being the amount of rounds, aka cartridges, that Shaw’s sig holds in the clip. When everything goes pear shaped in the film, Shaw is stuck with his semi-automatic weapon and sparingly uses it.
But…The cop is in the police headquarters building which has an entire arsenal of weapons at his deposal. Shaw never goes there, neither does he pick up any of the weapons of villains he dispatches. He does, however, keep compulsively checking the sig clip and counting his dwindling supply of ammunition.
Later in the movie Cross and his cohorts raid the arsenal and pull out the heavy duty stuff. Something that Shaw could have done at any time.
Another annoying thing was the fight sequences which did all feel a little too WWE. It would not have been surprising to see a body slam in there somewhere. Each altercation seemed to indicate that none of the police officers had courses in self defense. It was all brute force and no real finesse.
The film is entertaining. The pace is swift and while Good (Ambrose) is not Bruce Willis we do get behind his outnumbered character.
(On a sidenote: The taser gag was well done and made up for a lot of sloppy logic in the film.)
It is tempting to give 12 Rounds 3: Lockdown a full 4 stars (as the presence of Roger Cross earns a full star immediately) but the reliance on an old (by now) formulaic action template drops the score. The film is a 3 star film which entertains but is, ultimately, nothing special.
Fans of WWE may want to award a higher star rating.
The film is streaming on Amazon Prime at the moment and is well worth a look. Check it out and enjoy Roger Cross’ villain. (Cross does give good bad guy.)
At long last Dark Matter is returning to our screens. Co-creatorJoseph Mallozzi has kept his promise from last year’s interview with Mike’s Film Talk and kept the mystery burning bright. The show’s season two premiere airs tomorrow; 1 July on SyFy and while it may be a tad slow, compared to last year.s finale it does manage to be pretty shocking.
Looking at the first two episodes, but not reviewing them yet (That would be spoiler city and very unpopular with everyone.) fans are in for a treat with season two. The gang are all back and we learn more about their past lives.
Six is revealed to be a law enforcement official and the rest of the Raza crew are split into criminal and “not-criminal” quarters. Two, Three and Four are all placed in with the general populace while One and Five are in protected custody.
The Android is in a tech lab and proving to be a handful.
The first episode is slow, it is, after all, setting up this new predicament for the crew and it is a bit stationary compared to the fluidity of space. This is prison and it entails rules, gangs and “fitting in.”
All the characters, with the exception of Six, are exactly as we remember them. Three is irascible and quite comfortable in the stir. Four and Two are equally at home in this prison environment.
More is learned about the bombing, which so disturbed Six when he suffered from double memory loss. There is a lot going on behind the scenes and it looks like a few more people may be joining the Raza crew.
Brit actress Melanie Liburd is Nyx; an inmate who appears to be a match for Two, seems to be on board. Although things get off to a rocky start initially. Gang leader Arax Nero, played by Mike Dopud, is also supportive after starting out on the wrong fool Nero and Nyx may be “on-side” but their motives are a tad unclear at this point.
There are a number of well known performers turning up in this season of Dark Matter. Keep your eyes peeled for Franka Potente to make an appearance. The Run Lola Run and Creep actress (who was spectacular as the hit-woman in The Bridge) shows up and knocks it out of the park.
The actors all continue to deliver in spades. Even in this new setting they all maintain their characters and the paths they walk. One crew member, however, shows a new side. This surprising turn also shocks a little.
One slight word of complaint would be that there was not enough Zoie Palmer in the opening episode but that is rectified by episode two. Before then the crew learn that there is much more going on their arrests and imprisonment. A device must be found in order to stop a corporate war.
Dark Matter airs Fridays on SyFy. Tune in and be ready for a slow open but pay attention! If you have forgotten last season a lot of hints are hidden in plain sight in this show. Do not miss this season two open. In the mean time let your excitement build and watch this trailer. One more night…
[UPDATE] For those fans of Dark Matter who watched the season finale and read this interview afterward, the actor seen walking the “long slow walk” off the ship with Six (Roger Cross) is none other than Canadian actorJeff Teravainen who plays Galactic Authority Officer Lt. Anders in episode 8 and the final episode of the season. To all those who ventured guesses via social media thanks for playing.
On August 26, after watching the season one finale of Dark Matter, MikesFilmTalk (MFT) got to interview show runner, creator, and executive producer Joseph Mallozzi.
Dark Matter is the latest offering from the man whose name is synonymous with science fiction. The award winning writer/producer has been involved with all three Stargate shows, SG1, Atlantis and Universe.
Joseph and I have been direct messaging on Twitter since I began writing reviews and recaps of Dark Matter and the first thing I discovered when talking to him on the phone is that Mr. Mallozzi is one heck of a nice chap.
During our call, Joseph spoke of many things; not, however, ships and sails and sealing wax, but the topics were varied.
Dark Matter Cast:Anthony Lemke is not like his character but in some ways, he can be. When someone new shows up on set, it is Anthony who automatically meets and greets the visitor.
Jodelle Ferland is the most experienced in terms of acting. Jodelle has been working since the ripe old age of 2 and now at 20, she has a total of 18 years in front of the camera.
Jodelle and Roger both lived near Joseph, as did many of the cast and crew, and it made for a real feeling of family.
Roger Cross and Jodelle Ferland used to watch The Walking Deadat Joseph’s place, along with his girlfriend, and he would make milkshakes for the occasion.
Alex Mallari Jr came across as such as nice and open person in conversations after auditions that Joseph actually began to secretly root for him to play Four. Once he had been cast, Alex also had to come in very early each day to have his tattoos covered up before filming. He got up even earlier to work out every day.
Julie Benz (Star of Defiance, another SyFy Friday show) used to walk her dogs in the same park that Joseph walks his and they talked quite often. She is, Joseph says, “A very nice lady.”
None of the Dark Matter cast knew the ending until right before shooting on episode 1.13 began. Joseph took the entire group of actors aside and revealed “the reveal.”
Dark Matter Season Finale:
MFT: Thank you so much for having a chat with me tonight. I’ve got to tell you I just finished watching the season finale and have one thing to say, “Wow!”
Joseph:Well, when I first envisioned this show, or conceived the show and had the initial concept, I had two big moments in my mind that I wanted to hit. Everything else sort of fell into place. Those two big moments were; the big reveal in the pilot where they find out that they are murderers and mercenaries and the last sequence of the finale where the Galactic Authority sweeps in and you see all our familiar surroundings…The feeling of the ship was like a home away from home in many ways. Not just for the characters but for the viewers as well and to see all these strangers come and take it (the ship) and to see everyone carted off and the last shot is the empty corridor and Andy Mikita, the director of the episode, did a wonderful job there.
MFT: Plus you get that moment of unreality where you see that Six is walking out. And you’re like “Oh no!”
Joseph: Right. Exactly.
MFT: The first thing I thought was, “Six?? He’s the grown up of the group. It can’t be him.”
Joseph: Well, I’ll just say, there’s more to the story there. It’s not as simple as…on the surface it looks like he’s just turned against them but there’s more there…A few hints that are in the episode and then if we get a season two…Well, we’ve already got a game plan and everything will be explained in the second season. And there will be a lot more questions. If you thought season one’s finale was big, ooh you wait till you see the end of season two.
MFT: Jumping now to Five and the conversation that she had with Six – it seemed to me that everyone kept putting a gun in her hand over the last two episodes.
MFT: And she tells Six now I’m more like you and he says that ironically they’ve all be trying to be more like her and failing. To me, Five is the most mysterious member out of the entire crew, we know least about her out of everyone else on the ship. She is my favorite character, I refer to her as the “Artful Dodger,” she was the street kid who picked pockets to survive and I thought it was interesting that when she heard the recording her level of trust went right out the window. It shows just how fragile their relationships all are.
Joseph: I’m curious, Michael, as you watched the finale and you drew toward the end…Did you have any suspicions, a suspect?
MFT: I decided it was Five, especially after the tape (recording) and the reveal that she could do so much more than we ever suspected, like programming and so on, and that the dream, at the beginning of the episode, revealed that her experience with this bunch on the ship was pretty abysmal and this caused her to wipe everyone’s memories so they could all start fresh. Am I miles away here?
Joseph: Not really, you are fairly close. All the pieces are there to figure out. I said to the crew, the cast, just before we started filming on episode 13…We actually had 12 out of 13 episodes scripted before we went to film except for the last one. Even then. we kept the reveal a secret except for the last day and I gathered the cast on the bridge like an Agatha Christie moment, “I’ve gathered you all here…” Which, incidentally, we ended up filming and that we’ll release as a special feature.
Joseph: I told the cast that the person who wiped their (character’s) memories may not be the one to worry about. She (Five) finds the recording, she overhears Two and Four threatening someone and she confides in him and Six, who at this point becomes savvy about certain things has pieced it together and realizes that she is the one who wiped everyone’s memories. Like the Android points out in Episode 3, the code was rushed because they had to get to the stasis pod, maybe that was not the original intent…And again this is something we’ll explore further down the road…But in all probability she was going to target certain memories and as a result of the accident, or the rushed code, wipes everyone’s, including her own. She asks Six, “Well why would I do this” and he says to protect someone. It’s clear now why she did it and who needed protecting.
MFT: Well, I’ve got to say that I love everything that you guys have done and for me everything clicks into place. Sorry, this is turning more into a fan-boy gush than a Q&A.
Joseph: That’s all right I love it, I love feedback.
MFT: I mentioned, in my notes for the finale preview, that we finally meet Two’s Geppetto and he turns out to be an evil bugger strapped in a bed. It is not even Will Wheaton’s character as he is the tool, or instrument, of the bed-ridden man.
Joseph: This is another one of those moments where more questions arise. You know the man ask Alex, “How old is this body?” Alex replies “24,” so you see what happens. Indeed, what does happen? Why does this individual need a body and his regular forms deteriorate so his team are working on developing a superior form which is why they created her (Rebecca/Two/Portia Lynn) and why they are working on another prototype. And the work is so secret that they cannot allow her or the crew of the Raza to survive. If we do get a second season there will be more to come on that front.
MFT: I love that whole part of that storyline. I mentioned in my review that the first thing I thought of was the video game Mass Effect 2 with Miranda Lawson, the genetically enhanced “perfect” human character. I love the way the show gives nods and winks to other works in the genre.
Joseph: My influences for the show were varied. I mean I grew up being into comic books and anime, science fiction and television, film. We like to drop the occasional tributes throughout, and we used to do the same in “Stargate.”
MFT: I just love it. Going back to show and the actors, a lot of whom (my apologies to the cast here) I’d never heard of before the show, Zoie Palmer’s Android goes through the ultimate of almost sacrificing herself for Two, will she get a chance to do that again, but this time for more than just Two?
Joseph: Well, you know, Paul (Mullie) and I have convened an early writer’s room, we haven’t heard whether there will be a season two but we are fairly confident…We have the 13 episode game plan, we have the beginning, middle and the end. We have the major moments that we want to hit and we have 7 out of the 13 episodes outlined and we have some great stuff planned for all our crew, including the Android.
MFT: Speaking of other cast members, my first question for Alex Mallari Jr as Four, is did you channel your inner Caine. [Joseph laughs] You know, “Accused of a crime he did not commit, Caine is forced to flee his country…”
Joseph: It’s funny you know. That when we held auditions, I had to call several actors back, around 50 or so, and Alex was so honest and open that I ended up secretly rooting for him to get the part of Four.
Joseph: He does a great job as do the entire cast.
MFT: Alex does come across as incredibly sincere on screen. I’ve sort of (rightly or wrongly) classed him as a sort of Jean-Claude Van Damme, a very fit chap, martial artist who wanted to act and is very good at it.
Joseph: He makes it look easy but Alex is the one, I mention it on the blog, who gets up at three in the morning to get his tattoos covered each day and then on top of that has to work out. It is amazing how many weapons he mastered for the first season.
MFT: I’ve got to ask, re: Two…Are there any other personalities in there, First there was Two, then Portia and now Rebecca…
Joseph: No. Those were just names, not personalities. Alex called her Rebecca and when she left she became Portia. It is interesting to note that the name she took for herself, she abandoned Rebecca for Portia and essentially she also abandons Portia to become Two.
MFT: I’ve just got to mention Will Wheaton’s character. I adore Wheaton anyway, since his days as Wesley Crusher on Star Trek: The Next Generation, and everything else he’s done. His Alex was so snotty as a villain and yet the second things get rough, he’s gone. Alex points out that Rebecca has nothing wrong with her. There is no flaw, so essentially she is just naturally aggressive.
Joseph: Yes. [laughing]
MFT: Just out of curiosity, did you have an “alternate” ending set up? I know that you said this was your ending from day one, but did you have a “plan b” if things went a different direction? Or was it always going to be that situation where everyone was all out and “down for the count” at the end?
Joseph: Yes! I always approach each installment of each season like a book with a definite beginning, middle and end. So basically as a result of what happens in the finale, season two heads off into a wild and very different direction. But it was always that way…I knew who the mole was going to be and one of the great things about the show was we had time to really develop the stories. Basically it allowed us to seed in little clues and hints along the way.
Joseph: You know it’s funny, I just saw, on the internet, where someone posted a photo from episode 3 where the Android is about to go out on her EVA and she turns to Two and Two says, “We can’t do this without you.” And Android says, Well, you can” and then turns around and leaves. I remember people going on line and saying what a weird inflection for her to say “you can.” And other people going “no, no, no, that was just the way the actress’s delivered the line.” The entire first season was peppered with little clues and hints. One, I’ll leave with you, I don’t know if you’ve noticed, but the individual who flanks Six in the “slow walk” out at the end, you’ve seen before.
MFT: I thought he looked familiar! But to be honest, I was still too flummoxed at Six walking out while everyone else was carted out…I did think, “Blimey he looks familiar” and the more I think about it, I seem to remember seeing him at the mining community, if I’m not mistaken.
Joseph: You are mistaken!
MFT: Darn! I’ll have to look this one up now [I’ve still not figured out where this chap was before, although I think it was at the General’s camp where Six went for revenge.] I’ve got to ask, was it One that Two and Four wanted to “off?”
Joseph: Well, all that will be revealed in season 2, it could have been One or it could have been Six…That will all be explored more in the next season. It is safe, though, to assume it is one of those two.
MFT: What was the biggest difference between working on Dark Matter and Stargate?
Joseph: Miles different. For a start I was playing in someone else’s sandbox essentially. In Dark Matter we got to tell our own stories, although we did to an extent in Stargate as well. There were differences in budget obviously and things were set up differently. Of course we were working on 13 episodes for Dark Matter versus 22 or 20 and in Stargate we had all the stories in advance and that was such a luxury. In terms of our own show, everything was planned accordingly, Paul and I planned for each episode and we knew we weren’t going to run out of money at the end of the year.
The interview finished shortly after and Joseph revealed two things. One, he is a huge Stephen Chow fan (Shaolin Soccer) and he is pretty confident that Dark Matter will get the pick up for season two.
Sadly, it looks like the Time Zone God, or perhaps the Jet Lag Deity has sabotaged the Alex Mallari Jr. interview for now. MikesFilmTalk will be covering Dark Matter, season two, if it is picked up and I have already put in requests to speak with Joelle Ferland and Anthony Lemke and Zoie Palmer and Alex and…
MikesFilmTalk would like to thank Joseph Mallozzi for taking time out of his busy evening for chatting about: Dark Matter, why Canadian TV has so many great shows out at the moment and a slew of other subjects that did not make into this interview.