The poor decision to make the pilot for Quantico too short, in other words “normal” episode length, rather than a full feature length open is still an issue. This week’s episode, America has changed the series format aiming, it seems, for a sort of gravitas. The addition of a Priyanka Chopra voice over at the start of the episode does little to improve the show. It is still a messy and somewhat convoluted plot that goes in all directions while the series’ creator continues using fiction as thinly disguised patriotic flag waving.
Alex Parrish is still on the run, from last week’s episode where the former director of the academy helped the accused agent to escape. As she attempts to discover who has framed her for the explosion, the series continues to bounce back and forth between her training and the “present.”
While there are many things that annoy about this show, it does have moments of truth, the monologue from Miranda Shaw (Aunjanue Ellis) about human behavior and that people tell “truths” about themselves based upon what others want to hear, for example. The interactions between the trainees, the competition, the jealousies and the curiosity all feel spot on.
In terms of plot, the disgraced Caleb has returned as an analyst (thanks to his sister we learn later in the episode) and he is joined by a group of data specialists. One of whom zooms in on the first openly gay NAT, Simon Asher (Tate Ellington). The new analyst, Elias Harper (Rick Cosnett) first hits on Simon and then begins digging into the trainee’s past.
A few things have been cleared up, which could have been done earlier if the pilot were longer, such as the twin thread. It now turns out that the director, Shaw, is conducting some sort of ground breaking experiment. Something must go wrong since Miranda is “out in the field” getting Alex away from Liam nine months later.
We learn that the assistant director Liam O’Connor (Josh Hopkins) had a thing for Parrish (and who can blame him) and also has something over Ryan Booth’s head. Booth (Jake McLaughlin) says to O’Connor at the meeting in the woods that “This is Chicago all over again.” The assistant director then tells the undercover agent that if he wants to see his family again, he will do what O’Connor instructs.
There are a number of hints that no one in this particular class of NATs are who or what they claim to be. As a montage or two shows, each one has secrets, skills and abilities that do not match their profiles. All the better to make the viewer feel a sense of paranoia, which seems to also be the theme of Quantico. (Apparently we now need to suspect and turn in anyone whom we believe to be a threat and this equals patriotism…)
The spiel by the director states clearly where and how a threat to the country could be from within:
“Our own backyard… a neighbor you grew up next to, a one-night stand you had, perhaps even a family member.”
Sounds more like the “good old days” of Russia, under Stalin, where neighbor’s turned in their neighbor, family members contacted the KGB about siblings and life was one paranoid trip of turning in your friends before they turned you in.
There are issues with the flashback sequences not providing clarity in the right areas. This will, presumably, be sorted out as Parrish gets closer to clearing her name. The NATS and the analysts are all still very attractive, even the newer ones. The recruit Natalie Vazquez (Annabelle Acosta) who jumps to the fore this episode as Alex’s shadow (main competitor) and analyst Harper both look like models out of the pages of either Vogue or GQ respectively.
Regardless of the America’s Next Top Model look of the cast the acting is, thus far, more than acceptable. Chopra is, of course, perfection in her role, despite the somewhat disjointed script. McLaughlin is convincing as Booth and the rest of the cast all fill their character’s shoes with conviction.
Quantico has gone overboard to give the viewer as many suspects as possible. All the NATS seem to be either hiding something or pretending to be something other than what they appear. Add to this group of potential terrorists, the staff, Director Shaw and her former partner (On and off the job?) with their little secrets and sidelines and it appear that anyone and everyone could be real bomber.
Alex may be the best of the best thus far, it is mentioned again via a flashback that this young recruit is sharp, and innocent of the charges levied against her. However, she has the whole “I shot my father and killed” storyline where Liam is looking for information about her late FBI agent father.
The addition of Alex Parrish telling the viewer what is happening to her at the start of the e episode feels a little too Kung Fu or even The Fugitive (the television show and not the film) where either a character or an announcer declares, “Accused of a crime…” A little old hat but obviously deemed necessary by producers to help diminish the confusion.
Quantico, via the auspices of the show’s writers, is trying to improve the appearance and the storyline of the series. This second episode is picking up the scattered pieces in an attempt to clarify and smooth its rocky opening. The series airs Sundays on ABC. Time will tell if this one straightens out enough kinks to become addictive or whether it merely continues to irritate.