Tag: Nick Damici

The 2014 film Cold in July is another offering from the team that brought you Stake Land and in a sense, this new film is also about innocence lost. In the first movie, that starred Damici, it is the young protagonist being trained by Mister who loses his, in the new film by the team of Nick Damici and Jim Mickle, it is Michael C. Hall’s character Richard Dane who falls.

Based upon Joe R Lonsdale’s 1989 novel of the same name, Cold in July stars Hall as a “everyman” who shoots an intruder in his house and his life begins a rollercoaster trip of twists and turns that change his world. Initially he is stalked and threatened by the ex-con father of the man he killed, Mr. Russell, played by Sam Shepard, and he turns to his friend on the local police force Ray Price (Nick Damici) for help.

The police catch Russell and tell Richard that the man is back in prison. When Dane is at the police station, he sees a wanted poster with the name of the man he shot; the picture on the bill looks nothinglike the dead man. The frame shop owner tries to question Price about the discrepancy and the detective blows him off. Heading down to the station, he sees the police taking Russell out of jail. They put him on train tracks, inject him and leave him to be killed by an oncoming train. Dane saves the man and puts him in his late father’s cabin.

The two men dig up the man Dane shot and Russell learns that the body in the coffin is not his son. Russell calls a friend from Houston, Jim Bob (Don Johnson) who comes to help his Korean War comrade. It turns out that Russell’s son worked for the Dixie mafia and turned state’s evidence. He is now under the witness protection program and the police are helping the man to disappear.

Shepard’s character wants Jim Bob to find his son and Richard volunteers to help. When the men find Freddy Russell, the film takes yet another darker turn and Dane gets in even deeper.

Hall plays a man who finds himself firmly immersed in the underbelly of southern crime. Porn films, snuff movies, the Dixie Mafia and wholesale bloodshed all leave the man shaken and changed by the end of the film. The arc for Richard Dane is a long and complex one. At the beginning when his neighbors are starring at the man who inadvertently killed an intruder in his home, Dane is uncomfortable with his notoriety.

“I didn’t mean to shoot him,” Richard says. When he shakingly loads his pistol, it is obvious that the man is nervous and scared. Later when he confronts the man in his living room, the clock striking is the trigger that makes him shoot. The camera shows the vividness of the victim’s blood and later focusses on the couple cleaning up the crime scene and revealing just how destructive death is.

Later on, when Dane joins up with Jim Bob and Russell Sr, he slowly gets acclimatized to weapons and being around them but he still hesitates to pull the trigger. A tendency that almost costs him his life and that of his two comrades. The film moves from what could have been a question of morality and the cost of taking another man’s life into a modern noir of grim proportion.

The hunting down of the con’s son and the discovery that Russell’s offspring is beyond evil is as shocking as the video tape that they take from the giant thug they encounter at Freddy’s house. All three of the male protagonists knock their performances out of the park. Shepard as Russell is a wraith, full of remorse, rage and deadly intentions. He does not suffer fools and his life has been harsh.

Dane has lived the existence of the small town businessman. He has a wife and child, is well thought of in the community and has never killed anyone before. His gradual descent into the hellish underworld of pornography and the Dixie mafia is shocking and Hall convinces that his character will never be the same again.

Don Johnson as the Houston private eye and war friend of Russell is bigger than life and plays Jim Bob as a jaded man who has seen it all and paid the price. One can easily imagine that Richard Dane knows exactly how both men feel at the end of the film.

As a genre, Jim Mickle and Nick Damici have placed Cold in July in a category that could be called Southern Gothic Noir. At 109 minutes, the movie moves at a good pace and never drags. Some sequences of the film feel a bit like Cape Fear but not for long. The shape and direction of the movie changes quickly soon after and the viewer is taken into unknown territory.

Michael C Hall is well known for his portrayal of the serial killer with a difference in Dexter. The actor has given a brilliant performance in this film and his fans will not be disappointed with his work on Cold in July. This is a real 5 out of 5 star film that enthralls from the first frame to the last. It is streaming on Showtime at the moment.