Kiyoshi Yamamoto (who is perhaps better known as the cinematics director for the video game Dragon’s Dogma) directs this low budget horror film as a languid and lackadaisical urban myth in treacle.
The film starts with a group of four friends talking about a “special” phone number. If you call the number on your mobile phone the devil will grant you a wish. The only price you pay is that the amount of time that the phone call takes is deducted from your life. It sounds too good to be true.
And it isn’t.
The real price comes before the end of your life. Each girl gets a mobile phone bill that runs around 15 thousand pounds. None of them can pay this exorbitant fee and one of them (Mako) starts working in the sex industry to earn the money.
Mako’s boyfriend Sakamoto has found out that she is working in the industry and asks best friend Dijimo and Mako’s friend Mai to find out why. Mako is at work when she is told that she needs to see one more client before her shift ends. She goes down to the room and finds it is her lecherous teacher Jojima (who likes to fondle his female students and give them his website details) and she is horrified.
Jojima attempts to blackmail her into servicing him and she kicks him in the crotch and runs out. Later Mai meets her in a public toilet to give her a jacket. Mai asks about the huge phone bill and Mako says that Mai can’t understand; her family is well-off and Mako has to degrade herself to pay the bill.
Tragically, the reason for the phone call was that Mako wanted Sakamoto as a boyfriend, now that he has found out what is going on, he leaves. Mai never hears from Mako again and she is terrified that Dojimo will find out she used the number to get him as her boyfriend.
Out of the group of five friends, one (Mako) disappears and another (Ryoko) kills herself after her boyfriend leaves her to date Mai. Mai has also got a huge phone bill and Ryoko’s boyfriend as a result of her phone call. Mai tell Dojimo about the phone number and the resulting big bill, but not about her phone call or wish.
Urukawa is the first of the group to use the number and she asks for freedom, which she gets, but not how she wants it. After an argument with Mai, she goes to the library to research this number. She bumps into Dojimo and they look together. He finds an old newspaper article saying that this same thing happened ten years ago.
All the girls who called this number died; either by suicide or illness and accidents. He says it sounds like an urban legend. He also finds out that the same thing happened again ten years later; each time 10 people die after ringing the number.
The movie ends with a twist, but by the time you get there, you might get confused.
The film is patchy and despite the promise of the story; the low-budget, poor acting and spotty continuity detracts from the impact of the film. The sound, especially the ADR, is very poorly done; as though the dialogue has been dubbed.
I’ve watched the film twice now (both times on Netflix) and I understood better the second time around what was really going on. It is an interesting film and worth a look, but it is nothing to write home about. It obviously did not make a big splash when it was released in 2008 as IMDb has only the absolute minimum of information about it on the site.
Not surprising considering the amount of things that are wrong with the film. If your attention wanders for even a minute, you will lose track of what is going on. There is not enough action to keep you glued to the events on-screen and the pay-off is minimal at the end. It would have been interesting to see what a difference a bigger budget would have made to the film.
End Call is not the best example of J-horror out there but, nonetheless, it is hard to stop watching it. More of a curiosity than a truly scary film the basic plot is more interesting than the overall presentation.
I will say this though, if there was such a number to call? You’d wind up paying one hell of a phone bill.
Mikes Film Talk 