Out of the two religious themed films released this year, as in epic retelling of bible stories versus the feel good films also hitting theatres in 2014, Ridley Scott, with his epic tale of Moses in Exodus: Gods and Kings, is to be congratulated for having the moxie, or belief in his subject matter, to allow his biblical vision to actually mention the “big guy” or God. The film, which the English director dedicated to his late brother Tony, feels almost like a homage to David Lean, another English director, sort of a Lawrence of Arabia meets Moses of Canaan, if you will.
Peter O’Toole has died at age 81; the actor who became a star after his portrayal of Lawrence of Arabia has ridden of into the sunset for the last time. O’Toole’s agent announced that the star had died in a Wellington Hospital in London after suffering from a protracted illness.
I was very saddened to read this little bit of information on the net. Still, one can perhaps hope that he is premature in his assertion that he is retiring from acting.
The man who shot to international stardom in Lawrence of Arabia is the same man who, after battling illnesses that would have brought most of us to our collective knees, did two films back to back while still recovering, The Stuntman and My Favorite Year, oh and taking time out to do a mini-series in between.
And just when I thought that Peter would be relegated to those supporting smaller roles that is the perpetual home of older stars, he did Venus. Venus, a complete British Comedy/Drama was filled with ‘old’ thespians and it was a brilliant film. It gave Mr O’Toole his eighth Academy Award nomination (he lost to Forest Whitaker) making this his eighth nomination with no win.
He has been awarded the ‘life-time’ achievement award, which he initially declined until his children told him off for it. I can only think that the ‘hallowed’ Academy thought that Peter was going to die, that is generally when they finally unbend enough to award someone who has been overlooked for years.
That O’Toole is beyond talented is obvious. The strength of his performances are astonishing. He has never, to my knowledge, given a lacklustre performance. When I think of his voice, that wonderfully mellifluous voice that I would kill to have, I get goose bumps. His voice and his way of speaking his lines has developed into a sort of musical cadence as he aged. It is almost like a signature, one that allows you to immediately know without looking that it is O’Toole.
The first thing I saw him in was not Lawrence of Arabia. I first saw him in The Lion in Winter. He and the powerful Katharine Hepburn striking sparks off each other. I then saw him in Beckett with Richard Burton. Brilliance. I did not watch Lawrence of Arabia until late one night on television. *On a side note, I read once that Peter had been hired on the strength of a stage performance he had been seen in by the producers, in the interim between being hired and turning up for costume fittings, they were horrified to see he’d had a nose job.*
But I did not fall in love with Peter O’Toole as an actor until I saw him in a small comedy directed by Richard Benjamin, My Favorite Year. Playing an ageing movie star who agrees to do a mainstream comedy variety show to pay his tax bill. The star is a raging alcoholic and does not realize that the show will be broadcast live. The pathos. comedy, sadness and courage that O’Toole gave his character made this film an unforgettable experience and shot the film to the lead of my favourites. Based on real events (I think the star in question was Errol Flynn and the show was Sid Caesar‘s) the ending never fails to give me a lump in my throat.
Peter O’Toole has suffered illness and a battle with the bottle his entire career. The effects of both these have left him lean and aged, like a worn out whippet, but the power is still there. The ability to rise above his age and illness and still give the kind of performance that shines. Watch Venus, at 73 he still has the ability to tug the heartstrings and make us chuckle, almost at the same time.
So Peter O’Toole has finally had enough. The acting world should put on black armbands and fly their flags at half-mast.
He may be “down but not out” but let’s just hope that maybe he can be enticed to act again for the right role. I would still like to see him earn his Oscar properly, as I am sure he would, and not just have the conciliatory one the Academy farmed out to him.
- Peter O’Toole Announces Retirement From Acting: “The Heart Has Gone Out Of Me” (m.deadline.com)
- Peter O’Toole says a ‘dry-eyed’ farewell to acting (timesunion.com)
- Film: Newswire: Peter O’Toole is done with acting (avclub.com)
- Screen legend Peter O’Toole retires from acting (panarmenian.net)
- Peter O’Toole bids acting ‘a dry-eyed and profoundly grateful farewell’ (guardian.co.uk)
- Legendary Actor Peter O’Toole Announces Retirement (entertainment.time.com)
- Peter O’Toole announces retirement from show biz (cbc.ca)
- Peter O’Toole Retires (huffingtonpost.com)
- Peter O’Toole Is Retiring from Acting (people.com)
- Peter O’Toole retires: His best roles in pictures (digitalspy.co.uk)