Written by Jon Spaihts (Prometheus, Doctor Strange) and directed by Morten Tyldum (The Imitation Game, Headhunters), Passengers is a spectacular offering that runs the gamut from a Robinson Crusoe theme to one of heartwarming romance. In-between these two scenarios the film offers some brilliant action and soul searching moments.
Chris Pratt is Jim Preston is the “everyman” engineer who wakes 90 years early because of the spaceship hitting a very large meteor. His existence is lonely, frustrating and desperate. In the year he faces life on his own, he finds Aurora Lane (Jennifer Lawrence) and after an agonizing time of indecision, opts to wake the writer up early.
Michael Sheen is Arthur, the ship’s robotic bartender. (A clear nod and wink to the film Arthur which was about an alcoholic millionaire played first by Dudley Moore and later by Russell Brand.) The three spend their days interacting until another person wakes early; Gus Mancuso (Laurence Fishburne).
Gus, the only crew member to wake early, tries to find out what is wrong with the ship and works to fix it.
Passengers skillfully and deftly moves between its four acts and allows us the opportunity to really care for each character as they appear. Preston grabs our sympathy from the very start and later, when he and Aurora bond we feel for each person in this unlikely romance.
As the characters grow and change the atmosphere melds into one of unease as things go on in the background. Each shift in the tale increases our interest in the people and their fate.
Each actor in the film knocks it out of the park. Fishburne is brilliant as the last minute guest. The casting of the actor must have been a homage to his doomed captain from the 1997 space film Event Horizon.
Michael Sheen manages to not only shine as the android bartender who seamlessly blends in with the only two passengers on board but he also offers a delightfully odd air throughout the film. His drink and wisdom dispensing robot, with those overly pink lips, comes dangerously close to stealing every scene he is in.
Passengers offers up moments that feel like loving homages to scenarios in other films. Basketball, from Prometheus, the robotic cleaners; a nod to Silent Running, and other nods and winks are there for the movie fanatic to pick out at their leisure.
Tyldum, who specializes in the offbeat tale, manages to put everything together perfectly. The film looks brilliant and epic. The sets are spectacular while the editing and lighting are absolutely spot on.
This is a visual treat that may rely too heavily on a few cliches in order to offer up a pleasing payoff. Overall the film entertains, pleases and thrills so the manner of delivery does not, in the end, matter.
Rather interestingly, Andy Garcia has a cameo as the ship’s captain and his silent presence is somewhat puzzling although welcome. One can only assume that whatever lines the actor may have had wound up in the cutting room floor.
At almost two and a half hours long, the film could have drug in places but Tyldum keeps things interesting and the pace, while not too fast, works to keep the interest of the viewer at a constant rate.
This is another 5 star film. It could have suffered a half star loss, just for that “Hollywood” ending, but because we care about the characters there really was no other way for the film to finish.
Passengers is available on a number of platforms, i.e. Amazon, i-Tunes, et al and should be viewed immediately if not sooner.
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