Red Lights (2012): Little Things That You Do

Written and directed by Rodrigo Cortés (BuriedThe ContestantRed Lights is really a psychological  cum paranormal thriller. Rodrigo’s last film Buried did so well, that the studios obviously trusted him to work with the big money, aka star actors. You cannot really get much bigger than veteran actors Robert De NiroSigourney Weaver, and Joely Richardson.

Add into this already heady mix, the more ‘recent’ dependable actors in the guise of Cillian MurphyElizabeth Olsen and Toby Jones and you have a vehicle that just smacks of success. The “Readers Digest” version of the plot is as follows:

Sigourney Weaver

Dr Matheson (Weaver) is a psychologist who is also a veteran paranormal “debunker.” She works with her assistant  Dr Buckley (Murphy) who is a physicist. The beginning of the film sees the two “debunking” a typical haunting. That the two are fond of each other is apparent; these two are not just colleagues, they are friends.

After they finish, Matheson asks Buckley to drop her off at the hospital to see her comatose son, who is hooked up to a life support machine.

We next see the two presenting a class to university students. They are “teaching” them how to ‘fake’ a seance. We are introduced very briefly to Sally Owen (Olsen) who after the class approaches Dr Buckley to turn in an assignment. She clearly likes him and they go out  to a diner.  Buckley explains to Sally about  “red lights” which are the subtle tricks that fraudsters use to fool the gullible.

Robert De Niro at the premiere of Tennessee at...

Enter Simon Silver (De Niro) a blind older version of Uri Geller. He can bend spoons, practice telepathy and apparently can levitate. He is making his first public appearance in over thirty years. He ‘retired’ when one of his most fervent denouncers dramatically had a heart attack and died during Silver’s last public appearance.

Buckley wants to immediately investigate Silver and prove that he is a fraud. Dr Matheson urges Buckley to leave it alone. She had faced Silver thirty years ago and she maintains that he is too powerful to be touched. She also reveals that when she had gone up against Silver before, her young son suddenly toppled over and he has never regained conciousness.

Buckley ignores Matheson’s warning and starts investigating Silver anyway.

The build up of suspense in this film was brilliant. It played more like a mystery/thriller for three quarters of the film. The characters of Matheson and Buckley and Owen were drawn so well that we immediately felt a connection with them. In essence before the first twenty minutes of the film we found that we liked them and cared about what they were doing.

I was a little disappointed that Joely Richardson did not have more to do. She played Silver’s manager/agent and she came across as malevolent and not a little scary. De Niro did what he does best. He dominates the screen with his presence alone. He is still capable of catching our attention without saying a word.

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Elizabeth Olsen gave a very sturdy performance as Buckley’s love interest/partner in crime. Cillian Murphy was the stand-out performance in this film. He has come a long way since 28 Days Later and Inception.

English: Actor Cillian Murphy in 2010.

IMDb gives Red Lights a 6.6 out of  10. I would rate it higher just for the high quality of the acting and for the well woven plot. It is one of those films that you should see at least twice to catch every nuance the film has to offer. Just like the “red lights” mentioned by Buckley, the film will mislead you and trick you.

Despite the mediocre and misleading marketing of the film, it is worth the price of admission and splashing out for a bag of popcorn and a coke.

Event Horizon (1997) A Haunted House in Space

Film poster for Event Horizon. Copyright 1997,...

Helmed by the English director Paul W.S. Anderson (Mortal Kombat, Resident Evil, AVP: Alien vs Predator, Death Race) Event Horizon is a nightmare inducing ride through a celestial  haunted house.

Amazingly this ‘space screamer’ was penned by Philip Eisner after he initially ‘pitched’ the idea to the studio money men on a film he referred to as “The Shining in space.” He was given the go ahead, although he had not written one word on a plot. It turned out incredibly well, despite it’s ‘shaky start.’

Blessed with an amazing cast: Laurence FishburneSam NeillKathleen Quinlan,  Joely RichardsonJason Isaacs, and my personal favourite Sean Pertwee and a good multi-written script, the film has no problem selling us the idea of a haunted spaceship. Although, I personally would have loved to see the original 130 minute film before Anderson had to trim twenty minutes of the more spectacular violence out.

The “Reader’s Digest” version of the plot is as follows:

It is 2047.  The crew of the ‘Lewis and Clark’ have been tasked to answer a distress beacon that seems to be coming from another ship, the ‘Event Horizon’ that vanished seven years preciously.  A scientist, Dr Weir, has been tasked to join the crew because he was the man who was behind the technology of the Event Horizon.

The crew find out that the Event Horizon was capable of creating it’s own black hole. This black hole would enable the ship to travel to the furthest reaches of space. Unfortunately, the first time that Event Horizon used the black hole device, the entire ship and it’s crew vanished. The distress beacon indicates that the Event Horizon has re-appeared.

When the crew find the Horizon and board it, they find out that the distress beacon was actually a warning. They also find a ships video log and have to fix it so they can see what happened prior to the ships disappearance. While the crew and Dr Weir are trying to piece together what happened and the status of the Horizon, they all start experiencing things. They soon find out the wherever the Horizon went, the furthest reaches of space was not where it wound up. The ship has returned and brought something terrible with it.

This film can almost literally scare the crap out of you. Taking metaphorical pages from Solaris, Legend of Hell House, and yes, even The Shining the film works incredibly well. Even though there are a few blaring plot holes (and to be fair these seem to be the result of the studio enforced editing of some of the gorier scenes to lower the film rating) and the ‘dating’ of some of the FX, the film still has the ability to creep around in your head long after you’ve watched it.