With all the big news about the next Star Wars installment being rewritten by JJ Abrams and Lawrence Kasdan, it made sense to have a look at the force and see what other things about the franchise might be of interest. Oddly enough, a few things did pop up. Namely, Jabba the Hut and He-Man.
I never watched Lost when it was running on the telly. I watched the ‘pilot’ episode and saw that the survivors of the plane crash were on an island and they were, for the most part, immaculate. That sort of put me right out of the moment.
A couple of critics mentioned the “unreality” of the series and I just ‘lost’ interest before the series got started. I did catch the odd program now and then, usually when I was channel hopping, but it never really caught my interest for very long. I also tuned in for the ‘big finish’ but I really couldn’t tell you what it entailed or why everyone was so miffed at the ending.
Just recently, after reading a few articles on the web, my daughter’s and my interest was piqued enough about the long running show to watch a few episodes via a rental shop, but never got around to watching any of the episodes.
Then Netflix added them and we decided to take a break from our ritualistic viewing of Come Dine With Me and watch season one.
We were hooked from episode one of season one.
Watching the show now, I cannot help but wonder, what the hell was I thinking? The show is, quite simply, amazing. The creators managed to create a verse where rules were not only broken, but re-written as well. The Lost ‘verse’ is a serendipitous maze where everyone, it seems, on the island have crossed paths and interacted with their fellow ‘inmates’ well before their incarceration on the island.
I don’t know why I was so against watching the show when it first came out in 2004 or why I shunned it afterwards. I only know that if I had watched it during it’s initial run, it would have driven me crazy waiting for the next episode and what questions and answers it would bring.
It appears that J.J. Abrams and co. captured that elusive ‘lightning in a bottle’ that so many film and television creators dream of but never find. I can’t think of many television programs that have managed to so effectively and regularly knock the metaphorical ball out of the park on a regular basis.
Dallas may fall in this category, the lightning in a bottle category, as it was wildly popular in much the same way as Lost. And even though the stories and plot devices for each show was different they do both boil down to the same type of show.
Not the simple everyday Soaps like As the World Turns, All my Children, or The Days of our Lives, but a sort of Grand Guignol version of a soap opera. Dallas was definitely a soap opera for everyone, not just bored housewives or unemployed members of society trying to escape for a couple of hours each day. Dallas was soap opera for the masses.
And so was Lost.
I can only shake my head in amazement and confusion at my stubborn refusal to watch the show when it originally aired from 2004 to 2010. My biorhythms must have been completely out of whack. But thanks to Netflix, my daughter and I can get caught up in the trials and tribulations of Jack, Sawyer, Kate, Locke, and all the others on their voyage on the island.
They are like a twisted version of Gilligan’s Island. With Hurley as the mega-rich Mr Howell. Jack could be the professor, but I’m still working on who the others would be in this allegorical mishmash idea. So I’ll continue to watch and marvel at the wonders that Lost brings to the viewing table.
I guess in a way, I’m glad I didn’t watch Lost during it’s heyday, waiting anxiously each week for the next episode.