Scream Queens: Chainsaw OTT Fun Continues (Review)

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The pilot of Scream Queens last week started off the over the top (OTT) fun with Ariana Grande’s character, Chanel ,  tweeting about being murdered by the Red Devil.  Something that Denise Hemphill brings up later in the second episode and then the scene follows up with a gag about Instagram and an obviously dead Chanel posting to the social network.

Chainsaw, the second episode of the Ryan Murphy, Ian Brennan, Brad Falchuk project,  is apparently Brennan’s baby, written and directed by, and he has obviously channelled his inner Wayans’ and Zucker’s into this installment. The first look at the series, in the pilot, contained a lot of Scary Movie type humor, but now the show has shifted into overdrive with its clear homage to all things Animal House as well as the more comical side of every sorority house slasher ever made.

Emma Roberts continues to slay her role as Chanel #1, aka Chanel Oberlin (“Hello Idiot Hookers”) who manages to make every insult that comes from her mouth hysterically funny. The actress can literally deliver the goods with each gem that spills from her vitriolic lips. The makeover prelude with Lea Michele is brilliant.

Speaking of Lea Michele…the whole makeover scene is her baby. While Roberts starts off as the lead, Michele as the new Chanel #6 steals the entire set piece. Looking beyond stunning after coming down the stairs, one of the girls tells the pledge how great she looks. Hester (Michele) replies that she is in agony without her brace but it is worth it; all delivered between gritted teeth shaped into a smile. Brilliant.

In this installment, Denise Hemphil (Niecy Nash) continues to play the female version of Marlon Wayans’ character in Scary Movie, without the drug intake. Her lines throughout the series thus far are funny but one winces while laughing wondering when the PC police are going to strike.

Abigail Breslin has completely left her Little Miss Sunshine and Zombieland days behind her. The scene between Chanel (Breslin) and Roberts is eyeopening and also requires a bit of wincing. Realizing that the young lady who is boasting of being “Eiffel Towered” is the same one who competes in the talent  contest in “Sunshine” is a little disturbing…but still so funny.

There are so many sexual innuendos that one can easily lose count. One of the best has to be the Chanel #3 (Billie Lourd) line, “Cause munching box is what killed Michael Douglas…” (Note, Douglas is not dead for those who may have just panicked a little.) Later #3 comes out with a line that has nothing to do with sex but is still memorable. Discussing her family lineage she says to Sam (Jeanna Han) “You know Swenson? Swenson the frozen dinners, like Swanson’s for poor people…”

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Chad in The Warriors, A Clockwork Orange, West Side Story, boy band scene…

There are so many comic moments that it is hard to keep track. The whole The Warriors thing with Chad and his frat boys carrying bats and calling out the Red Devil but looking like A Clockwork Orange with their cricket whites on. Grace’s dad showing the film analysis class the Tobe Hooper 1974 original classic The Texas Chainsaw Massacre and his strange rambling summation of the film’s ending after.

Also the completely random but, oh so funny, battle between Coney the new mascot and the Red Devil after Aaron Cohen’s off screen monologue about how great it is being Coney and how he is never taking the costume off.

Back to Cody’s baseball bat carrying friends and their moment in the street against the two killers…Was that a riff on the 1975 Monty Python and the Holy Grail?  The “Come back and fight scene?” Answers in the comments please, or on a post card if you are over a certain age…

Scream Queens not only takes on all things from the slasher genre and makes over the top fun of it but also includes as many pop culture references as possible. Even the cast are culturally relevant. Ariana Grande,  Jamie Lee Curtis, and KeKe Palmer (one of the busiest young performers in the business apparently) are an example of the awareness of the casting directors and the show’s producers.

*Sidenote* How many folks instantly hear that YouTube kid’s song (Jenna Rose “My Jeans.”) when they see Palmer on screen? You know the one, “KeKe Palmer is wearing my jeans.” Never heard of the actress till that song…

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Wes, Grace’s dad, presents the best movie ever…

Back to the show, Curtis is still knocking it out of the park even when the dialogue and the action enter and  then go beyond ridiculous. The whole white noise gag bordered on idiocy yet both actresses managed to play it straight which made it work…after a fashion. A little too OTT chaps…just saying.

The show is still working though. The bit of almost Airplane! dialogue between Grace and ZayDay (Palmer) at the start :

“You want to put syrup on chips? You can’t be serious, right?”

“Yes, I’m serious.”

“You’re insane.”

Everything about episode two screams comedy. Dean Munsch’s  “Take back the night” speech and (disregarding the comedic Barfman and kelp in ice cream gag) Lea Michele’s character Hester’s rapt look while listening to the dean. Michele pretty much owned this installment on the sorority sister side. Watch that scene and you will see why.

The taser in the “nuts” gag, the chainsaw under ZayDay’s bed, the frat boy street battle…Chainsaw shoved comedy up front and slipped the horror under the bed with Williams’s granny’s protection present.

Charisma Carpenter (Buffy the Vampire Slayer, Angel) and Roger Bart (Desperate Housewives, The Producers) as Ariana Grande’s Chanel ’s parents worked brilliantly for obvious reasons.

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Roger Bart and Charisma Carpenter…

All in all,  Scream Queens still manages to deliver in the comedy stakes even if horror took a reluctant backseat in Chainsaw. The show airs Tuesdays on FOX. Tune in to learn the latest slang words for sexual acts and non pc humor and to laugh uncontrollably.

 

Scream Queens: Animal House Meets Scream Via Emma Roberts

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The Scream Queens pilot was just this side of brilliant. Why “this side?” There are a couple of items that feel like a clanger in the making, aka plot hole.  However, possible disconnects or logic check fails aside, the bottom line here is that Murphy and his two minion have come up with Animal House meets Scream   (the film not the TV version), with a nod to I Know What You Did Last Summer, via Emma Roberts and a slew of tweenie stars who have outgrown their initial Nickelodeon/Disney careers and Jamie Lee Curtis.

Take for example just part of the conversation between Dean Munsch (Jamie Lee Curtis) and Chanel Oberlin (Emma Roberts) at the beginning of the pilot:

Dean Munsch: “And Kappa is the source of rampant reports of alcoholism, prescription drug abuse, racism, as well as allegations of bestiality…:

Chanel: “No one forced that goat to get as drunk as it got. That’s on him.”

Yup, Animal House. However, a little later in this conversation, we learn that something really bad did happen at Kappa Kappa Ta, shades of Scream already and the hiding of the death at the start fits “IKWYDLS” quite neatly.

FOX has shown MTV the right way to do small screen horror using Ryan Murphy, Brad Falchuk and Ian Brennan’s version of a Wes Craven style horror with a heavy helping of comedy.  Scream Queens combines the slasher genre with some Scream type sly humor mixed in with a lot of over the top gags thrown in for good measure. (Think Marlon and Shawn Mayans’  Scary Movie but without the overkill punch lines.) While the music channel opted to take the Wes Craven classic film and shrink it to fit TV while they took out any semblance of humor and gave us characters that are impossible to like.

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Directed by Ryan Murphy, the maestro of small screen horror via the auspices of American Horror Story (and Glee), the pilot episode sets up the history of Kappa Kappa Ta; the sorority house with its own serial killer. The series opener also explains where everyone fits in and who they are in the scheme of things.

The pilot opens with a death, back in 1995, of a pregnant sorority sister who gives birth and then bleeds to death while her fellow Kappa Kappa Ta’s party-down to Waterfall. A brilliant opening shot has a girl walking down the stairs, hands covered in blood and not one person notices till she reaches the sorority head.

Self-centered is the catchphrase here and it sets the tone beautifully, even before the whole “no one wants to see that gross mess” schtick that prompts horrified giggles from the viewer. Murphy and co. manage to cram a huge amount of gags in the opening sequence and this tells us right off the bat that this is going to be comedy horror with a capital C.

The episode then segues into Emma Roberts doing a voice over, explaining her role in this verse, breaking the fourth wall effortlessly and letting us into the joke. Immediately the show enters non-pc territory with a Butterfly McQueen joke at the expense of the housecleaner at the sorority.

Adriana Grande is the first “Chanel” to become the victim of this verse’s version of Ghostface, a devil (that turns out the be the college’s mascot costume). This was the most surreal and hysterically funny death scene in the show. Chanel getting a text from her killer and even as he is killing her, the two continue to text instead of verbally interact. Add to this cultural humor even more topical comedy as she crawls to her laptop and tweets that she is being murdered.

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Later the murders turn more horrific, a la Sleepaway Camp III where “Deaf Taylor Swift” is decapitated with a riding lawnmower.  The characters really do feel like Murphy has created them all as an extended homage to National Lampoon’s classic campus comedy.

There are a few hiccups. Dean Munsch, who is dead set on shutting down Kappa Kappa Ta by revoking their charter, appears to have helped to cover up the death scandal at the start of the pilot.  Emma Roberts, who kills it as the b*tchy, power-mad shrew who heads up the house, vacillates between being queen bee-hotch and whiny girlfriend (to Chad played by Glen Powell).

Other things do not add up completely but we are having too much fun to care. Scream Queens manages to make fun of everything. From Starbucks customers who insist on having their lattes too hot, and then complaining that the milk has been burnt, to Twilight.

This series is a showcase for not only the iconic Jamie Lee Curtis, but Emma Roberts as well. Roberts kills it with a precise comic delivery (her childish shrieking of the line, “Ms. Bean, I said, lets hit it!” is beyond priceless. Kudos to Lea Michelle who is sidesplittingly funny as the creepy “Can I call you Mom” pledge.

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All of the young stars knockout out of the park performance-wise and all the players have excellent chemistry with their co-stars.

To be fair since Ryan Murphy is in charge here, along with his co-creators,  this does really feel a bit like Glee and American Horror Story got married and gave birth to Scream Queens. The show airs Tuesdays on FOX and is the perfect mix of the right music, over the top humor, risque gags and very un-politically correct jokes.

Enjoy.

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