Justice League (2017): A Step in the Right Direction (Review)

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Justice League, the latest DC superhero film to grace the screen, almost has the mixture down pat. Perhaps a tad too much as the film does feel a bit formulaic. Still, this latest comic book hero adaptation is huge step in the right direction. There is just enough comedy to make things enjoyable and enough action to keep even the most jaded fan happy. The film is not, however, perfect.

The decision to make Barry Allen (played by Ezra Miller) not only gormless but slightly nebbish as well, reeked of Marvel’s inclusion of an overawed Spider-Boy in the latest installment of that universe. However, if one takes away that annoying element of the film, Justice League manages to entertain thoroughly.

Directed by Zack Snyder, the film had a screenplay written by Chris Terrio with later input from Joss Whedon. The story came from Snyder and Terrio together and it features the “origins” of the Justice League.

The film begins with the death of Superman, something that  directly results in the return of Steppenwolf. The angry entity is ready to wreck havoc on the denizens of planet Earth and it is his actions that cause Bruce Wayne to start the Justice League.

Diane Lane reprises her role as Martha Kent and Amy Adams returns as Lois Lane, Superman’s other half, and  Connie Nielson comes back as the Amazon Queen.

The story is fairly straight forward. There are three boxes of power (the DC version of the tesseract, if you will) that, when combined, will allow Steppenwolf to destroy earth. Batman begins to recruit his league members and the usual problems surface. These superheroes do not, as a rule, play well with others so a number of teething pains are encountered before they lose the “i” in team.

Jeremy Irons is back as Alfred. (Another mild annoyance as Michael Caine is almost the definitive Wayne butler – on the big screen but on the small screen it is personal favorite Sean Pertwee who has managed to perfectly fill Alfred’s patent leather shoes…) The butler is a major supporter of Wayne and he aids the new group in their battle with Steppenwolf.

Jason Momoa as Aquaman is good value for money as is Ray Fisher as Cyborg. J.K. Simmons is a tired Commissioner Gordon and Amber Heard has a blink and you will miss her turn as Mera.

There are things that irritate about the film however. The tendency to use Gadot’s bum as the focal point of many camera angles, for example. As the camera zooms up and in on the male protagonists, Gadot’s bottom is used almost like a fulcrum for far too many scenes on screen.

It also does not help that Justice League shows all too clearly the DC versions of Marvel heroes, and vice versa. That said, the film works well and it entertains in all the right places, despite the closeness to its Marvel counterparts.

The only thing that does not really work is the Barry Allen character but that may well be down to personal preference to the TV actor who plays The Flash on CW.

Justice League  looks brilliant and the pacing is spot on (the film runs for two hours and never once lags). The fact that personal tragedy kept Snyder from finishing his directorial duties is not obvious in the film. Joss Whedon took over the reins and managed to seamlessly carry out Snyder’s vision.

The film earns a full five stars, despite a somewhat meandering plot line, as it keeps on giving throughout. Catch it at your local cinema, grab some popcorn and enjoy this latest DC offering.

Wonder Woman (2017): A DC Ode to Powerful Women (Review)

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It is hard to believe that Wonder Woman (brought to us by the same man who dehumanized Superman – Zack Snyder; but directed by Patty Jenkins which explains so much) came at the beginning of a year that has turned into one of empowerment for females in “the business.” Gal Gadot, in her second outing as Diana “Queen of the Amazons,” proves once more that one can love a strong yet beautiful woman warrior with little effort. 

The film itself shows that, Harley Quinn aside, there are positive female role models out there in the darker verse. It also takes Wonder Woman out of those 1970’s spandex short-shorts sported by the TV version played so capably by Linda Carter.

Despite the original outcry of dismay when Gadot was cast as the lasso spinning heroine, the actress (whose face could launch a 1000 ships) brings the DC seeker of justice to living breathing life. All the emotions missing in Snyder’s version of Superman are there for the taking in this film.

Set in WWI, versus the WWII origins of Marvel’s  Captain America, Chris Pine easily plays the American spy who is running from the Germans, aka the Hun (the Nazis do not turn up for quite some time…) headed up by the maestro of acting, Danny Huston. The cast is full of familiar and well-known names, all of whom turn in splendid performances.

David Thewlis, that long, tall and talented Brit actor, who needs to be in more films damn it, kills it as the politico whom one suspects immediately of shady dealings and the crew that Pine collects to stop Huston’s character are all brilliant as well. 

The only shocker, in terms of cast and actors, is the transformation of Lucy Davis (who is, perhaps, best known for playing Dianne in Shaun of the Dead) into a modern version of “Aunt Clara” from Bewitched, aka the late actress Marion Lorne.

Image courtesy of IMDb
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Elena Anaya plays the sinister and scarred doctor who plans of murdering a lot of her fellow denizens with a new gas. She is a close colleague of Huston’s murderous general and the two make a great “couple.” Cameos by Connie Nielsen and Robin Wright round out this film with yet more stand out performances. 

Make no mistake though this is Gadot’s film.  She manages to surpass Carter’s TV heroine in this “origin” story with scary ease. Jenkins skillfully moves the film and her performers through the paces with admirable snap, crackle and pop.

Wonder Woman is up for a number of awards in the upcoming Oscar race and deservedly so. The effects, with the exception of that glowing lasso, are brilliant. The sets are spot on and London, for the brief time it is on show, looks authentic.

The story itself echoes real-life complaints of how the “war to end all wars” was run by generals sitting on their bums at Whitehall (see the last season of Black Adder “Black Adder Goes Forth” for a more blackly comic reference). Diana’s rant to the room of bureaucrats who have no problem sentencing thousands of innocents to death is spot on.

WW is a long film, it runs for two hours and 21 minutes, but does not lag or bog down in the middle. There is a jab at the ridiculous concept that glasses can adequately hide a superhero’s identity (Clark Kent anyone?) and we find that Diana works for the Dark Knight himself; Bruce Wayne.

There is enough time to wonder if the special gas that Dr. Maru gives Ludendorff is meant to be a tongue in cheek jibe at Viagra, but this does not distract from the overall film. (One also wonders if Wonder Woman would be so popular with fans if she were a plain yet muscly, superhero who looked horrid in those small warrior outfits. Although at the end of the day, the conclusion is that it really does not matter. Diana is appealing because of her mindset, not her appearance, although many teen boys, and girls, might disagree.)

Wonder Woman earns a full  five stars. It entertains full stop. While it is up for a number of those little gold chaps that the Academy like to give out, it will, no doubt, be snubbed. It is, after all, a comic book film and not, for instance, Schindler’s List…

There is a good bit of violence, of the non-visceral sort, no intense cursing and no on-screen sex antics. This is a film that the entire family can enjoy. It is also amazingly pertinent at a time when the Weinsteins, and others with that “casting couch” mentality, are being drummed out of the business by some very brave and new “wonder women.”

Batman v Superman Started Filming in Detroit

Batman v Superman Started Filming in Detroit

Warner Bros. Pictures have announced that Batman v Superman has started filming in Detroit. The film, titled The Dawn of Justice stars Henry Cavill, who is once again playing Superman, Ben Affleck will fill the cape of Batman and Jesse Eisenberg is to be the bad and bald Lex Luthor.

Superman Vs Batman Trades Places with Peter Pan

Superman Vs Batman Trades Places with Peter Pan

It looks like the upcoming Warner Bros blockbuster Superman vs Batman trades places with Peter Pan in terms of release dates. The new crossover film starring Henry Cavill, Amy Adams, Gal Gadot and Ben Affleck was set to premiere July 17, 2015. Now it appears that date will see the release of Hugh Jackman film Pan, where the Wolverine star is rumored to appear as Blackbeard.