‘American Horror Story’ Freak Show: Orphans (Recap and Review)

‘American Horror Story’ Freak Show: Orphans (Recap and Review)

American Horror Story Freak Show: Orphans gives Elsa the chance to mourn about the loss of one pin head, the male version of the duo named, appropriately enough. Salt. At the start of the show an inconsolable Pepper refuses to leave the corpse of Salt and the other freaks are trying to persuade the mourning woman that the body must be moved. Elsa speaks of how much she is effected by the death of one of her monsters. Desiree is reading to Pepper and when she attempts to leave, the pin head throws a fit. Elsa and Des speak of it and Mars reveals the backstory of how she obtained Pepper, Ma Petite and Salt.

American Horror Story: Freak Show Just Got Really Freaky (Review)

American Horror Story: Freak Show Just Got Really Freaky (Review)

American Horror Story: Freak Show just got really freaky, with its latest episode, titled very appropriately Tupperware Party Massacre, and heads off into the stratosphere exceeding all prior bounds of oddities in the season thus far. Dandy Mott making his own “mother puppet” which is in reality his own Dot and Bette puppet, after killing the Avon lady started the show off properly, setting the murderous tone for the rest of the show. *And on a sidenote, how many viewers can remember when the Avon ladies used to come to the front door and those adverts on the telly, “Avon Calling.” Ah the nostalgia…*

American Horror Story: Freak Show Ditches Clever for Bodycount (Review)

American Horror Story: Freak Show Ditches Clever for Bodycount (Review)

American Horror Story Freak Show in its latest two episodes ditches the clever Ryan Murphy touches which have made the show such a delight and instead focussed on bodycount, taking the series to an even darker place. The descent into increased homicidal tendencies and macabre episodes of violence seem to indicate that Dandy Mott’s inbred madness is contagious. The first episodes of season four had many sly touches of humor interjected with the overall oddness so prevalent in this carnival side show world of human anomalies. One such clever touch was the blending of musical numbers that were out-of-time i.e. anachronistic with the 1950s setting of the series.

‘American Horror Story’ Test of Strength Adieu Ma Petite

‘American Horror Story’ Test of Strength Adieu Ma Petite

American Horror Story: Test of Strength is easily the most tragic, yet creepiest, episode of the Ryan Murphy creation and it is “adieu Ma Petite” a tiny too trusting soul who learns that one should beware a strongman bearing gifts. Last week’s episode ended with Jimmy arriving at Mott Mansion demanding to speak to the Tatler twins. This week opened with what transpired during that visit. Young Mr. Darling learns that Bette and Dot were sold to the Motts and when he hears Dandy’s version of events the night that Twisty died, Jimmy realises that Dandy was the other clown. He tells the twins that they need to come with him, “Now.”

American Horror Story Freak Show: Bullseye Elsa Marks the Spot

American Horror Story Freak Show: Bullseye Elsa Marks the Spot

In American Horror Story Freak Show: Bullseye, Elsa marks the spot when she brings out the spinning wheel which was part of her act some time ago. Bearded lady Ethel Darling asks Elsa why she has brought “that old thing” out and Mars says they need something to liven up the show since the twins “left.” In reality, the leader of the troupe obviously remembers all too well the last time she sang in front of a paying crowd and the end result. Now that she has driven Bette and Dot away and “sold” them to Dandy Mott and his mother, Elsa is looking for something to keep her in the spot of main attraction.