Written and directed by Christopher Smith this was Smith’s first full length feature film. He went on to make Severance (2006), the vastly superior Triangle (2009) and Black Death (2010) and he is currently directing a TV mini-series Labyrinth (2012). Starring Franka Potente – Run Lola Run , The Bourne Identity . Given that the premise of the film, getting locked in the London Underground after hours, is not actually possible; it’s a good film nonetheless.
The film opened to a pretty lukewarm reception. The reviews were mostly mixed with a tendency for most of them to be negative. Considering that the film actually accomplishes what it set out to do, scare the crap out of the audience, I feel that the poor reception was unwarranted. Franka Potente really sells the film. Her portrayal as the protagonist of the film is just what you would expect from this accomplished actress. I don’t know how Smith managed to get her for his film, but hat’s off to him for casting her.
The Readers Digest version of the plot is as follows: Girl sets out to meet George Clooney. She gets a bit wasted at the party she’s attending and winds up falling asleep on the Underground while on her way to meet George. A lecherous workmate tries to rape her. He is gorily dispatched by some unseen person. Girl spends most of the film trying to get out of the Underground, getting captured by the maniac killer and then trying to not get killed by same. She escapes with the help of an underground maintenance worker. He is then killed while trying to defend the girl. She is the last [wo]man standing and defeats the killer. The subway opens up for the morning trade and she gets a hand out from a passer by who thinks she is a beggar.
I have of course left out the “backstory” of the maniac killer who haunts the underground. All said, it is a pretty good one. His name is Craig and he was kept in the underground in some sort of medical facility. He is Mentally Challenged. Somehow, even though the facility has closed, he has made his way back to the familiar surroundings. He now kills stragglers and other unfortunates in bizarre re-enactments of surgical procedures that he remembers from his past.
This is more than just your typical slasher film. Okay, you do have your villain or “boogey-man” who is damn near impossible to dispatch, but…It has a bit more going for it. Apart from the sexual predator workmate that attacks the girl (Kate) all the other character have been written well enough that we actually like them. As a consequence we actually care when they die. Most slasher films feature vapid miss-behaving teenagers who are so two dimensional they might as well be cardboard cut-outs. These teens also suffer lethal fates because they “break” the morality clause of their “Christian Contract,” you know, breaking certain basic Christian rules like: pre-marital sex, smoking, drinking, drug taking, etc. Where a few of Craig’s victims are young, they are also not breaking the known rules. Although the two homeless people that Kate meets in the underground could fit that mould, but hey, they’re homeless, not some mindless vapid teen partying, drinking and trying to get laid.
The film does require you to suspend your disbelief, but if you cannot do that, then why are you watching a horror film?