Ray Donovan: Octopus (Review) [UPDATE]

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[UPDATE] The hip-hop song that plays out the show, credited to “Diz and the Fam” is actually “Bunchy” aka Dash Mihok and his band. The song can be picked up at iTunes for the staggering low price of .99 cents and YouTube also has the song available to listen to. Seriously? Is there anything this chap cannot do?

Last week Ray Donovan was all about the Finney family’s little peccadilloes, one of which comes back to  roost this week along with the return of Ed “F**k her harder Eddie” Cochran (Hank Azaria). It seems fitting that after all that sweat and digging from last week, the NFL deal has hit a snag because of a minority shareholder, the late Varick Strauss.

Things have changed for Cochran. From highflying FBI agent to faceless, despised (“He smells like Lubriderm.”) investigator trapped in a petition filled office.  Presumably the FBI was not overly thrilled with Cochran’s viral video, not to mention his wife swapping activities, and cut short Ed’s status as fair-haired boy in the bureau.

Bunchy is getting married, Terry is fitting in at Ray’s place and with his family, Mickey is in over his head and apart from Varick causing problems from beyond the grave, the Finney’s this week are absent from Donovan’s life this week.  Abby proves that she is not adverse to using the “F**king”  ‘C’ word in a public place and Ray lets his little brother go.

Just after Abby lets rip at a  judgmental and bigmouthed old lady in the supermarket, Terry shows that he can lighten up, singing and dancing, with Abs, to KC and the Sunshine Band.  Mickey is initially a no show at the cops sting operation and as a result Bunch is arrested in his father’s place.

By the end of the episode Theresa makes a beautiful bride, Ray makes a pretty good best man speech and Mickey asks Ray for help. This week was almost all about family Donovan, despite the teaser plot thread dealing with Varick Strauss and the re-emergence of Ed Cochran.

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Ray’s best man toast…

*Sidenote*Sad/amusing moment of the show has to be the little scene where Ed pulls out his sealed sandwich, with the note “Affirmation” attached to it, and looking into his small mirror, Cochran chants a little mantra. “Affirmation” is obviously all about self and  reminding the former FBI agent that he is “worthwhile human being” with a “healthy attitude towards sex.”  

It has to be said that this episode was a little lackluster compared to last week’s tour-de-force of Tulip. Still, the focus on Mickey, Terry, and Brendan with his issues was a nice change of pace from the usual murder and mayhem that runs through the Donovan verse. Still, after Mickey reluctantly helps the local police detective Sheila Muncie (Michael Hyatt) he may well wind up in a desert hole, placed there by the Armenian mafia. 

Octopus proves that in Ray Donovan’s world there is no such thing as an easy day. Even little brother Bunchy’s wedding turns into a problem. When Mickey gives Muncie the slip, she arrests Bunchy in place of his father. Daryll is given a break as he was not in the apartment when the cops came knocking. Ray was there and he sorts things out after talking to  the detective and promising to bring Mick in.

On top of Ray being busier than a one-armed piccolo player, Mickey tries to do a runner after getting Ginger (Fairuza Balk) to drop off his money.  After Ray drops by, the Donovan patriarch then goes to  the police. He agrees to see Mrs. Minassian (Grace Zabriskie) who not only offers up the kidnapped girls for sale, but lets Mick take the pictures (with their price tags across the bottom) out of the meeting. 

Bridget finally gets Mr. Donellen to admit he has feelings for her and Abby realizes her daughter is high on Oxy. Terry offers to keep an eye on her. Mickey manages to make it to the “after party” (as Daryll puts it) and he tries to congratulate Brendan.  Later he tries to get Ray’s help.  Mickey leaves, alone and seemingly dejected at the end of the evening..

Ray Donovan is all about dysfunctional family. It is fitting that when Muncie’s men come and arrest Bunchy that he and Ray are in the middle of a shouting match.  The Donovan’s, like the absent Finney’s, are a flawed bunch.

Mickey, who is a lifetime criminal, has managed to mess up his kid’s lives and Ray is the only one who was/is tough enough and skilled enough to keep out of his father’s shadow.  This episode showed us the hard facts about a number of things. Hookers, in the Donovan verse ,do not have a “heart of gold” they have a heart bent on making money.

Terry’s Parkinson’s is getting worse and underneath all that tough guy bluster, he is frightened. Daryll is a romantic and Abby has enough heart for everyone. Abs nabbed the moment of the episode award twice.  One moment hugging Terry and telling him to breathe after his panic attack and shortly after verbally castigating the idiot woman in the supermarket. As followup to her previous actions, at the wedding, she then gets the usually grumpy Terry to dance with her.

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Terry and Abby prepare to dance…

Bunchy looks to have found the perfect mate and Mickey has let himself down badly. His decision to fight Mrs. Minassian’s goons has put him in place to become a pawn for the police. It is oddly fitting that as the wedding ceremony takes place  Mickey’s incriminating footage is being looked at by the police  while Ave Maria airs in the background. Considering that this song is  associated with the video game franchise of Hitman this appears to be a foreshadowing of sorts for Mickey.

After Mick asks Ray for help, he asks Lena to look into Minassian, which may just be a good sign. Just as, to Ed Cochran, Ray being a minority share holder in the Strauss case must be a sign as well. But is it a sign of redemption or something else? “F**k me,” says Ed when he sees Ray’s name and the copy of his drivers license.  The episode is played out with Diz and the Fam’s The Evil That Men Do, which seems to signpost  that things are about to get a lot darker for the Donovan’s.

Ray Donovan airs Sundays on Showtime and is addictive drama for the discerning viewer.

 

Honeymoon (2014) If You Go Into the Woods Tonight

Poster for Honeymoon
Upon reading that Sony Pictures have made the decision to remake The Craft, my first reaction was one of horror. Added to this was the news that a newcomer, Leigh Janiak, was slated to direct this new version of the cult hit. Reading up on the proposed director it appears that she may be roughly 12 years old and her only prior credit in the “big chair” was on the 2014 film Honeymoon.

Curious, I checked out the title via IMDb, where the site helpfully informed me that the film was available on Netflix. Reopening my membership amid hamburger wrappers and quickly refilling my coffee cup, I settled down to watch a film that impressed me no end. It could have been titled “If You Go Into the Woods Tonight” with a warped “Teddy Bear’s Picnic” playing in the background.

The story of two young people, both delightfully quirky yet annoyingly cute in their new marriage, who are on their honeymoon, hence the title of the film. The new couple learn that heading back to the lakeside vacation home from the girl’s childhood for the celebration of their new life together is the biggest mistake ever.

Bea (Rose Leslie) and Paul (Harry Treadaway) are the newlywed couple who are nauseatingly in love at the start of the film. It takes Janiak a good 16 minutes to show the audience just how much these two are in tune with one another. While their interaction is a bit on the sickly side, “My Honeybee,” he whispers, “Buzzzz” she replies, putting two fingers on his pursed lips, it does show just why these two are perfect for one another.

Paul and Bea decide to head down to the local restaurant where they find a man breaking lamps and yelling that they are closed. The unhappy owner, Will (played by Ben Huber), then recognizes Bea who he refers to as Trixie and it turns out that they were childhood friends. Will’s wife Annie (Hanna Brown) comes out and tells the couple that they need to leave. Annie does not look well and the disturbed newlyweds leave.

Later, Paul wakes up alone and goes in search of his missing wife. As he stumbles around the dark property surrounding the house and the lake, he comes upon a silent Bea standing motionless in the dark. She is naked and when he touches his wife, she screams.

From this moment on, the film and the couple change. A slow build up of odd events and strange looking “bites” on the inside of Bea’s thighs are just the start of the newlyweds problems. Janiak proves to be a master at allowing the initial breakdown to seem like the jittery nerves of any new couple. She then expertly starts piling on the pressure and the mystery.

At first, the viewer suspects that this could be a “Straw Dogs” type scenario, where heading to the wife’s old stomping grounds opens up all sort of inbred problems. As the film progresses, however, this turns out to be a false lead and as the suspense and fear increase, things turn out to be much worse than a bunch of village idiots attacking the new guy in the local girl’s life

Certainly Janiak looks too young to drive on her own, but in terms of filmmaking, she impresses. Leigh looks more than capable of directing another take on the original The Craft although there is the question of just who will take the roles of these teen witch wannabes.

The Craft (1996) had a brilliant cast, Neve Campbell, Robin Tunny, Fairuza Balk and Rachel True and these ladies will be hard to replace. Especially Balk who knocked her part out of the park. Despite my initial misgivings about the idea of remaking one of my favorite films, I believe that Sony have picked the right person to helm the new Craft film.

If you have not seen Honeymoon, check it out on Netflix. This “If You Go Into the Woods Tonight” will make you jump and think. A great little film, shot for an estimated $1 million, that shows real talent and is a great little cautionary tale about staying in the woods, in a house, by a lake, with no one else around….

Leigh Janiak’s first horror film earns a full 4 out of 5 stars for entertainment value and plot. My advice? Watch it.

The Craft (1996): A Twisted Teen Tale

Cover of "The Craft (Special Edition)"

*WARNING: CONTAINS SPOILERS*

Directed and co-written by Andrew Fleming and Peter Filardi (who came up with the original story) The Craft is about four teen girls who use wiccan magic to improve their lot in life. This 1996 film was a sleeper hit. Something it has in common with the 1984 film The Karate Kid. Word of mouth after The Craft opened made it popular.

The four girls that the film centres around are all in high school and each one is a social outcast and misfit. Sarah Bailey (Robin Tunney) moves to Los Angeles with a troubled past. She appears to naturally have magical powers of her own. When she starts at the local high school she meets three other girls who have taught themselves magic and have formed a coven.

The leader is gothy girl Nancy Downs (Fairuza Balk) who comes from a severely dysfunctional family unit. The other two members of this small coven are Bonnie (Neve Campbell) who suffers from disfiguring burns and Rochelle (Rachel True) who appears to be the only black person in the school.

Leader Nancy, pretty scary even before the power.

All three girls suffer mistreatment from their fellow classmates, especially Laura Lizzie (Christine Taylor) who is the leader of the bullying faction. Sarah notices the high school hunk Chris Hooker (Skeet Ulrich) and he in turn notices her. After their one date together he ignores her and tells the entire school that they had sex. Sarah is furious.

Bonnie and Rochelle notice that Sarah seems to have some magical power and they talk Nancy into recruiting her into their coven. Because of Sarah’s latent power, the group’s magic becomes more powerful and the girls all do spells to improve their lives.

Bonnie heals her disfiguring scars. Rochelle casts a spell on Laura (her tormentor) that causes her hair to fall out. Nancy causes her abusive stepfather to die and she and her mother inherit a huge insurance payout. Sarah casts a love spell on Chris.

Everything seems to go well for a short while. But Nancy is enjoying her first taste of real magic and she forces the group to take part in a rite called the “Invocation of the Spirit” where they call on Manon a deity described as being more powerful than God. Nancy wants the power they’ve raised for herself. At the end of the ceremony she is struck by lightning and becomes incredibly powerful.

Invoking the spirit…for Nancy.

Things start to go wrong for the girls.

Chris tries to rape Sarah. Laura is found huddling in the floor sobbing because of her hair. Nancy decides to punish Chris for his attempted rape and kills him.

Sarah decides that she wants nothing more to do with the coven and the others of the group gang up against her. Nancy decides that if Sarah won’t rejoin the coven that she will kill her like she did Chris.

What none of the girls have bargained for is the fact that Sarah is the only real witch in the coven.  Earlier in the film, Nancy takes the newly recruited Sarah into a magic store. The proprietor of the store focuses on Sarah telling her that she is extremely powerful in the world of magic and that  she has inherited the gift from her mother.

When the final battle between Nancy and Sarah erupts, Sarah wins and the intensity of the magical bout drives Nancy insane. The end of the film finds Nancy strapped to a bed in a padded room, clearly out of her mind and Bonnie and Rochelle attempt a reconciliation with Sarah.

There are at least two interesting things to note about the film’s cast. Firstly, all the actors were well past their teen years but Rachel True was the oldest as she was almost 30 years old. Secondly this was the first time that Neve Campbell worked with Skeet Ulrich. They went on to work in Wes Craven‘s Scream. Ulrich was Neve’s love interest in Scream and in a case of history repeating itself, he played the same type of unpleasant character.

Hello, to the future Billy Loomis…

The Craft is a fantastic film that has aged quite well in the special effects department. The plot, dealing with the vagaries of high school and the misery that it can inflict on its inhabitants, is still relevant.

The vast majority of people who live through the fishbowl world of high school do not enjoy it. There are the few who excel in this micro environment, but  they usually never replicate the success they enjoy as the leaders and charismatic magnets.

The Craft focuses on the losers and the misfits and their small taste of power. It is a brilliant look at how power, whether it is magical in origin or not, can change a person.

At the beginning of the film we can all relate to the little coven and their newest recruit. We are shown why their lives are so out of balance and unhappy. The strict Catholic high school world they inhabit does not have the latitude to help them out of their social “class” or their unhappy home lives.

Bonnie is  shy and has no self-confidence  because of the horrible scarring that covers so much of her body. When she is able, with the addition of Sarah’s real magic, to heal or cover her scars she changes. She turns into a narcissistic creature with no room in her life for anything else.

Nancy is pushy but socially inept. Because of her abusive and unhappy home life she will never be able to claw her way out of the life she seems doomed to lead. She has anger management problems and easily “rides herd” over the other two members of her coven. Once she has tasted life, again with the addition of Sarah’s real power, she becomes almost maniacal. The magic, for her, has never been about just improving her life but about punishing others.

Rochelle, a bit flat…

Rochelle is sadly the only almost two dimensional character in the film. Oddly, she appears to be the only non-caucasian student in the entire school. Her tormentors are stereotypically racist, almost comically so, and it is the only part of the film that has not aged very well. We never see any of Rochelle’s home life to see why she is so bothered by Laura and her racially motivated verbal attacks and her lack of ability to deal with them.

Sarah, despite her troubled past, is clearly the most “normal” one of the group. She is an outsider, the newcomer who will have to find her place in the new school she has to attend. Her emotional burden is having to deal with the death of her mother and a stepmother who is in the unenviable position of having to fill her place. What Sarah has in common with the other girls is her lack of focus and her unhappiness. That she has magic is clear from the very beginning of the film.

Unlike the other girls though, Sarah has no ulterior motive or hidden agenda. Nancy’s true goal has been domination of her “fellow-man” and Bonnie and Rochelle are her friends mainly because of her rebellious nature and gothy magical leanings.

At the end of the film we see Bonnie and Rochelle’s attempt to get back with Sarah. That their motives are suspect is soon proved when Sarah rejects their advances and they walk off angrily. As they leave the girls begin to grumble that Sarah obviously doesn’t have any real magical talent and that they wasted their time. She gives them a taste of her still very powerful wiccan prowess and they leave silently.

All the actors involved in the film sell their characters. Fairuza Balk is scary as the pushy Wiccan goth chic. She never fails to convince that she is so tightly strung that she might snap. When she becomes almost unstoppable later in the film she goes from scary to terrifying. She does induce sympathy from the viewer, especially when we get a glimpse of her home life, but the feeling is replaced with fear when she shows just how power mad and vengeful her character is.

Scary “Losing her shit” Nancy

Robin Tunney did have a habit of appearing a bit lackadaisical in the acting department. I will admit it took me a bit of time to warm to her character. Even when she is fighting for her life at the end of the film, I felt her actions were just short of lethargic. She does manage to give her character a bit of umph at the very end though so I don’t want to sell her too short.

Neve Campbell’s performance suffered only because in my mind she will always be the fighter Sidney Prescott from Scream. Sorry Neve. But future boyfriend Skeet Ulrich was suitably nasty and  love struck in turns.

This film with its theme of magic and teen angst is a must see.  It is a definite two popcorn bag film and I highly recommend it.