I was going to blog about the most obvious subject going right now. It’s being called many things, Frankenstorm, Superstorm, The Perfect Storm and of course it’s original moniker of Hurricane Sandy. But honestly? I think that what little I would have to say on the subject wouldn’t interest anyone. Afterall, I haven’t lived through it.
I’ve been “surfing” the net for news of the devastation that Sandy has visited on the US and I stumbled on an article that had been posted on blockbuster.co.uk.
If you bothered to follow the link, you’re probably as bored as I am. So my bored friend and neighbors what do you think of the casting choices? My immediate problem (apart from the fact that the film is based on a Biblical event) is that Russell “Bloody” Crowe is in the lead role. As Noah??
Now before I get started, I will state that I do not know Mr Crowe personally. We have never met, nor have we done business together. But after reading the miles of print on this man’s odious behaviour, I wouldn’t want to.
Crowe is a perfect example of how not to act if you are a “star.” Entire forests could be decimated in the effort to put to print his acts of rudeness and unpleasantness towards his fans and members of the paparazzi. *Okay, so some of the paparazzi probably deserve it. But not all of them are that obtrusive.*
It is inexcusable that Crowe can be so vile towards the members of the movie going public whose bums on seats have helped to cement his status as a film star. Thus far Crowe has been documented striking, assaulting (once with a mobile [cell] phone) verbally abusing, or just downright being rude to fans.
The only “good” thing I’ve heard about Crowe is his treatment of his co-workers. So far only Christian Bale has been seen to be vile and abusive to his fellow film crew members.
Okay, fair enough that this poor bugger got in Bale’s line of sight. But come on! It’s amovie!Bale wasn’t working on a cure for cancer or how to solve the world’s hunger problem was he.
Russell Crowe on the other hand has not lashed out at any of his co-workers.
Just his fans.
Oh and the occasional radio interviewer:
If you listen carefully, you won’t hear one hint of animosity from the interviewers tone. Crowe just decided to be insulted by the question and then rudely cut the interview short.
I will not knowingly put one penny in the pocket of either Russell Crowe or Christian Bale. Both actors seem to be of the opinion that their talent puts them above everyone else. Manners, disposition, and laws do not apply to them.
Like the title suggests, talent should not equal tedious behavior. Lashing out at co-workers and fans is not admirable nor is it acceptable. In this day and age where everyone is listening via the internet, it’s not a good idea. If you want people to continue to watch your films, straighten up.
I will mention that I did watch Terminator Salvation (the oh so important film that Bale verbally crucified his crew member on). I did this only to see if the film was worthy of such rage and obvious frustration from Bale.
Written and directed by Christopher Nolan Inception is a masterpiece of a movie. It features an all-star cast and has so much chopping and changing of plots and action that you begin to feel like you’re watching a movie version of the game Twister.
The budget for this film was 160 million dollars and the box office return was in excess of 825 million dollars making Inception a real blockbuster film with a capital B.
The basic (as basic as you can get in this film) is that Cobb (DiCaprio) is a dream thief. He is in exile from America as he has been accused of murdering his wife and he is unable to see his children in Los Angeles as a result. The irony is that this dream thief dreams constantly of returning home and seeing his kids.
Cobb has been offered a ‘clean slate’ by ruthless businessman Saito (Watanabe), which will allow Cobb to return home and wipe the murder charge from his record. What Saito wants in return is for Cobb to not steal a dream, but to plant an idea which is known as “Inception.”
The target, a business conglomerate, owned by tycoon Maurice Fischer (Postlethwaite) who is dying and leaving it all to his son Robert (Murphy). Saito wants Cobb to plant the idea through Robert’s dream state that his father really wants him to sell the conglomerate off and make his own fortune.
Cobb’s ‘business’ partner Arthur (Gordon-Levitt) says it is not possible. Cobb maintains that it is. He and his deceased wife Mal (Cotillard) had practised this. Unfortunately it is very dangerous and we learn that this was how Mal died. Although Arthur decides to help Cobb he is not convinced that they can do it safely.
Cobb must now come up with a new powerful dream ‘architect’ because this was Mal’s job before she died. Ariadne (Page) is recruited via Miles (Caine) Cobbs father-in-law. He then gathers the rest of his team; Eames (Hardy) an identity forger, Yusuf (Rao) who controls the sedatives required by the team, Arthur and Saito as the mission observer.
In order for the idea to be planted, the team must go into several dream states, each deeper than the previous one, in order to evade the target’s defences.
And evade they must for Robert has had his brain ‘trained’ by a security company. This training allows his dreaming state to be patrolled by security guards who can spot intruders and terminate them with extreme prejudice. This is not the only hurdle the team have to overcome. It seems that Cobb’s dead wife, Mal, is alive and well in his sub-concious and she will try to sabotage their mission.
The last ‘danger’ the group face is being in the dream world too long. If you go too deep and cannot be brought back, via a drop or your dream self getting killed, you will remain in the dream state forever. You can also become confused as to what is ‘real’ and what is a dream, to help each team member keep track, they each have a personal totem that behaves differently in the dream state. Cobb’s is a top that spins perpetually.
So the team must go into a dream and then go into another dream and into another dream. Each dream state requires a team member to stay in that level and watch over the remaining members as they go deeper.
This film looks amazing, you can see where the 160 million went. Nolan masterfully helms the many twists and turns of the verse and at no time does he leave one string dangling. My daughter and I went to see this at the cinema. We both were on the edges of our respective seats through the entire film.
What The Matrix did for cinema combat, Inception does for cinema environment. Two of the film’s set pieces, ‘the exploding room’ and ‘the anti-gravity room’ were real sets. The mountain fortress was real as well, just in miniature so it could be blown up. CG was used at a minimum to help sell the shots. Nolan created these set pieces by taking a step back in the world of special effects.
But where CGI was used, it worked beautifully. When Cobb is interviewing Ariadne, the scene begins with the two of them at a Parisian Bistro. They are seated with drinks in front of them. Cobb is explaining how dream architecture works. He then looks at Ariadne and says, “Do you remember how we got here?” When Ariadne starts to respond, items from the ‘busy’ set start exploding. *On a side note here, the scene has so many props in it, that if it were not computer generated it would have set Nolan back a large part of that 160 million.*
After the set explodes, they then start walking the streets. Ariadne starts practicing her architecture and literally bends the streets and buildings, while Cobb explains the rules of the ‘dream verse.’
CGI is used for the world that Mal and Cobb created that resulted in Mal killing herself in the mistaken belief that the created world was the real world that she desperately wanted to go back to. The city in the parallel world is almost Dali-esque in it’s depiction. When Cobb and Ariadne go there to deal with Mal, it is decaying and falling into the ocean. It is like the place is eroding from lack of use and it looks disturbing.
But two of the most impressive scenes that did not rely on CGI were the exploding room at the beginning of the film and in the hotel scene later on. Using an ‘anti-gravity’ room, which in essence was a ‘room’ that was suspended in mid-air and rotated. The actors were attached to wires in some cases, but for the most part they really were working in ‘free-fall.’
And free-fall is how Nolan sells the film so well. Remember the “dream within a dream within a dream” bit? Well, this tier system that requires a team member to stay behind in each level, starts with the first team member, who actually has everyone else with him but in a dream state, drives a van they are all in off a bridge. Cue the first free-fall. And it has a effect on the next team member who is in the hotel portion of the dream.
The film only had about 500 visual effects. A very small amount for a film with so many special effects and such a huge budget.
The film moves almost seamlessly between the real world and the dream world. But it does this so often that is almost like a cinematic shell game. By the end of the film you have to decide what was real and what was a dream. What ever you decide is based on your interpretation of the series of events.
When the film ended (prepare yourself for the controversy) two things happened almost simultaneously, we both looked at each other and said, “Blu-ray.” We also immediately started discussing the ending and how we saw it. We weren’t the only ones either.
For the first time in years, I saw a room full of people discussing excitedly the film they had just seen. The room was full of laughing, talking, and arguing people. I really can’t remember the last time I’ve seen an audience act that way after a film.
As we left the cinema, my daughter turned to me and said, “Wow, that was ‘The Matrix‘ of the new millenium.”
I think she’s right. Just like The Matrix, Inception changed the rules and bent the rules it couldn’t change. It went so far outside the box, that the box ceased to exist.
If Inception is not on the list of films to see before you die, it should be.