Written and directed by “Murder Party” and “Blue Ruin” auteur Jeremy Saulnier, Green Room has the sad distinction of being the last film released starring Anton Yelchin before his untimely death on June 19, 2016. The film follows the misfortune of a struggling punk band who stumble onto a murder while playing at a skinhead roadhouse.
Saulnier, whose debut feature length film was the brilliant low/no-budget offering “Murder Party,” has a knack for making American film that have a distinctly English feel to them. Taking a note from such talented Brit filmmakers like “Dog Soldiers” (Neil Marshall, who wrote and directed the werewolf picture, specialized in violent and terse thrillers like Doomsday and the gloriously scary, and all female, The Descent before moving onto mainstream television.)
Yelchin plays the meekest member of a punk band who later teams up with Poots as they fight against a group of white supremacists tasked with killing them. Patrick Stewart plays wonderfully against type as the club owner who calmly arranges for all the witnesses of the murder to be disposed of.
Green Room, for the most part, takes place in a claustrophobic setting. The band members plus one, Poots’ character Amber, are trapped in a club (roadhouse) in the dressing room, aka green room as Darcy (Stewart) and his Aryan lackeys work out how to kill them all.
The band, which consists of three young men and a female guitarist, and Amber work together and the film is really all about survival. Everyone does a great job in their respective roles but Poots and Yelchin almost effortlessly nail their performances from word one.
Poots boasts a sort of “bowl” band cut and pigtails that makes her looks like a demented Pippy Longstocking’s wannabe while Yelchin appears to be almost emaciated. At one point early in the film Pat (Yelchin) takes Sam (Alia Shawkat) on the back of a folding bicycle and he looks so rail thin that one wonders how he pedals the thing with her balanced on the back.
All the band look thin and somewhat wasted, as behooves a young musical group struggling to find gigs, food and petrol. Wisely, the film spends little time on white supremacy themes and opts instead to have Darcy remind his club members to “remember, it’s a movement, not a party,” as the only reference to their leanings.
There are pit bulls, the usual “pet dressing” of these members of society, and they are used against the young band members throughout the film. Saulnier, who has already proven that he can do comedy horror on a budget, with “Murder Party” and a quirky, bloody, crime thriller (Blue Ruin) has now shown what he can do with a horror/thriller.
Perhaps the most disturbing part of the entire film is Darcy’s unflappable calm as he plots the demise of so many people. He even instructs, via a seemingly throwaway remark, how to kill the people responsible for the whole “cluster-f***” in the first place.
The soldiers who willingly go after the targets are also unsettling but as they are really quite two dimensional they serve more as bogeymen cohorts rather than the real deal, like Stewart’s character.
Green Room looks top notch with its grimy sets and gritty decor. Black walls with graffiti scrawled everywhere and a dressing room that looks too disgusting to walk through add to the grungy feel of the bar where the band play.
Once again, the late Yelchin proved just how versatile an actor he really was by playing a more unconventional lead character. Saulnier even allows his lead to be somewhat horrifically injured, a move that causes the audience to wonder of the actor’s character will make it past the first reel.
The band comes across as a real group of musicians who are working hard to make it happen. Kudos to all the actors for finding the truth of characters that could have been flat two dimensional people without a perfect marriage of script and actor.
Green Room is a solid 4 star film. It entertains and keeps the audience close to the edge of their seat as the characters are hunted down through the film. The movie can be seen on Amazon.com, as part of the “Prime” stream and if you have not already done so, head on over to watch this one.
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Mikes Film Talk 
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