While this is not a complaint, it is more an observation, Spectral is, in essence, a video game movie. Taking bits from classic survival horror game Fatal Frame, aka Project Zero and the horror shoot ’em up F.E.A.R.: First Encounter Assault Recon this Netflix offering, produced initially by Universal and then thrown in the bin, is entertaining.
It stars James Badge Dale as Dr. Clyne, the man who invented the special lenses that the Army uses. Emily Mortimer is the CIA agent, Max Martini is the fearless leader, who looks incredibly authentic; right down to that chiseled cleft in his chin, and hotter than hot Clayne Crawford (minus his partner in crime Damon Wayans).
The story is that soldiers are being killed by these “spectral” images that can only be seen with the special camera lenses, a’la Fatal Frame. Clyne is flown to the exotic location where these “glitches” are running through the fighting force like a hot knife through butter.
Local commander General Orland (played by the brilliant Bruce Greenwood in what can be described as an incredibly long cameo) asks Clyne to tell him what the ghostly images caught on film are. The local spook advisor CIA agent Fran Madison believes the images are of enemy soldiers in advanced camouflage, Clyne disagrees.
The film follows the men that Clyne travels with, a group that do not trust the “tourist” in their midst. The doctor invents a camera that will show the spectres without the camera lenses.
Eventually they learn what the deadly images are and how they are created, a process that is evocative of F.E.A.R., this information allows the military men to track the things down to their origin and attempt to destroy them.
The action is effective and moves the story forward. There is a sense of danger and the suspense factor is impressive. As the things chase and kill off a large number of soldiers when another one appears, the inclination of the viewer is to immediately tense up.
Deaths are, for the most part, bloodless. The “ghosts” zoom through their victim and they fall over dead. The creation of the phantom Army is explained as being part of an Albert Einstein collaboration that has been improved upon.
Spectral could also be seen as being a sort of riff on the 2011 film Battle Los Angeles where the spectral images take the place of invading aliens. Regardless of any similarities between plot lines the film is clever with its own storyline and the characters in it.
The cast all bring something valid and quite truthful to the table. Clayne Crawford shows that he can command attention even when he is not in the boots of Martin Riggs. Martini’s very essence screams military leader, or cop, and Greenwood provides a sort of dry gravitas to any role he plays.
Emily Mortimer proves once again that when it comes to American accents, she has no peer. This English London born actress gives “good American.”
Dale is quite effective as the scientist forced to fight for his life in the field. The effects in Spectral work very well and are indeed very evocative of the spooks in Fatal Frame.
Director Nic Mathieu gives a brilliant rendering of a science fiction thriller based upon a story Nic and Ian Fried; George Nolfi wrote the screenplay. At 107 minutes the film does seem, at times, over-long but overall the action manages to make up any short falls in pacing.
Spectral is a splendid 4.5 star film. It loses half a star due to its resemblance to other projects in the genre and for being just a tad overly long.
It is, however, well worth a look. It is classed as a “Netflix Original” and since they saved the movie from the bin, where it had been tossed by Universal, it is by all rights theirs to claim.
Head on over and take a peak, after finishing your holiday repast and see what you think.
This movie reminds me of another one, it’s a found footage movie and it has the wonder waffle of black ops in it. I can’t find it for the life of me