Mr Robot: Sam Esmail Presents the New Normal

Mr Robot - Season 1
Watching the pilot episode of Sam Esmail’s Mr Robot opened a door in the mind of the world’s young, techno savvy demographic. The show is self-admittedly aimed at the younger members of the audience who are not only up on their computer hacking knowledge but who are topically and pop culturally aware. They most likely have a lot more in common with Elliot Alderson than they would like. Esmail presents us with the “new normal” in that Rami Malek’s character suffers from a number of mental maladies. After the season one finale, it seemed to be a good time to think about Esmail’s picture of the new normal and all that Elliot is as the modern “everyman.”

Foremost is his schizophrenia. However, looking at the hacker, and leader of fsociety, it appears that he could also be bi-polar with a few other mental issues buried in that head, which could include a form of autism. (This is not based upon Malek’s “deer in the headlights” gaze but his innate ability to work issues at almost super human speed.) It appears that the only thing that Alderson does not suffer from is ADD, on this side of the big pond, or ADHD over in England.

Alderson also self medicates, something that a huge amount of people do. At a time when a quick trip across the southern border makes it easy for a number of folks to meet their own medicinal needs, it is not too surprising. While Elliot himself may not be the “new normal” the world in which Mr Robot lives, breathes and creates anarchy, is.

Certainly, there are nods and winks to, not only Fight Club, but a number of other Stanley Kubrick films as well. However, leaving aside the internal plot lines, the verse is all about our new and ever increasing addiction to and reliance on the Internet, computers and WiFi.

If nothing else, Elliot shows us how much, or how little, the use of passwords, firewalls and security software protects our everyday life. Alderson is “scary good” at hacking everybody. No one organization, or individual, is safe from him accessing their data. He is also, until recently, untraceable.

*Sidenote* It does look like season two holds the promise of problems for Elliot and his use of server proxies in Estonia since Krista’s ex-love-rat boyfriend Michael/Lenny is on the warpath.

Still, Esmail’s new normal feels right. The world is all about the world wide web and all companies, not just banks, rely on servers, back-up servers and wireless transfers. Things have moved on from those old “key-punch” days, but one thing has not changed. Data, when it is lost, or “given” a virus, is a bucket of writhing worms that may never be sorted out or retrieved.

The showrunner/creator of Mr. Robot is a film fan, he says so in interviews and Esmail has stated specifically that he is a Stanley Kubrick fan. He cites a few films of Mr. Kubrick’s that he has paid homage to. Eyes Wide Shut being one. One cannot help but like a creator who is a self-professed fan of the redoubtable late Stanley Kubrick.

The “new normal” is relative to the age group it is aimed at. In the show, fsociety; Elliot’s team of computer anarchists who want to change the world (Save the World) have done so. Streets are full of happy rioters, if such a thing can be imagined, and the “suits” are all panicking. Elliot muses that the end of the world (as we know it) is not how he imagined. “People in expensive suits rushing around [sic].”

This is the crux of “Mr. Robot world.” Neither Elliot nor his team have thought through the whole “destroy the world’s debt” ideology. Sure, no one owes any money to anyone else, at least not in the sense that it can be tracked electronically, but money does still make the world go round. With the markets crashing world-wide money gets devalued. The divide between the “haves” and “have nots” will widen.

As shown that the season finale’s final moments (Where B.D.Wong shows up in a scene that pays tribute to Kubrick’s last film) the oligarchy are not touched, troubled, or overly concerned about the hack and the loss of debt. Their fish will fry regardless of what oil is used.

It is not unusual that Elliot and his little band of misfits have not thought their attack through. The young, the target demographic, do not, as a rule, think too far in advance. It is not just today’s youth who have this shortcoming, all youth, regardless of era suffer from this. Perhaps what is relevant to this “generation” of young people is their total reliance upon the Internet, computers, smartphones, and tablets.

In keeping with the reflection on today’s younger demographic having much in common with the damaged Elliot, take a moment to look at the number of children, and young adults, who have some form of autism, ADD or ADHD, schizophrenia, bi-polar (which used to have the charming name of Manic Depressive) and other types of mental issues. Elliot’s self medicating, in order to exist “normally” may not be overly common, but his lack of social finesse is.

Living in a world where everyone communicates more often online than in real life it is not surprising. Something that was included early on, was Ollie’s online chats with his “on the side” bit of stuff that Angela found out about. It was also shown, earlier in the season, how much social media eased a hacker’s job in finding out personal details about their target.

This too, has become part of the new normal. Texting has become passé. It is all instant messaging, direct messaging, FaceTime, Facebook, Twitter, Line, Skype, and the list goes on. Real life Conversations between people happen less and less while reliance upon the Internet as conversational hub grows and grows.

Mr. Robot shows us our world gone mad. Elliot may have issues, but the real issues are not with his ability to hack and therefor change the world, they are with the new reality. The new normal. Credit card theft, Identity theft, and/or any of the things mentioned during the Christian Slater rant on the season finale are our new world, for better or worse.

Our new normal is The Matrix, Esmail proves it by revealing that we do live in a virtual world that is filled with inhabitants who have forgotten, or never learned, what real contact and interaction is all about. A world where the rich view everything through predatory eyes and most likely study The Art of War to learn the art of winning.

Author: Michael Knox-Smith

Former Actor, Former Writer, Former Journalist, USAF Veteran, Former Member Nevada Film Critics Society (As Michael Smith)

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