Tag: The Sons of Katie Elder

George Kennedy Gone at 91: They Don’t Make em Like That Anymore

George Kennedy’s death at 91 means that another one of those iconic legends that I and millions of others grew up watching on television (Saturday Night at the Movies) and later on the big screen is gone.

Still from the film The Dirty Dozen

George Kennedy’s death at 91 means that another one of those iconic legends that I and millions of others grew up watching on television (Saturday Night at the Movies) and later on the big screen is gone.  While it is a trite phrase, often overused, suffice to say that in Kennedy’s case, they really do not make em like that anymore.

The last film George Harris Kennedy worked on was the abysmal Mark Wahlberg remake of The Gambler. Watching the film’s screener for review I was shocked to see how old the Cool Hand Luke actor appeared. In my mind he was ageless.

The first time I ever saw Kennedy on screen was in the film The Sons of Katie Elder. He played the surly gunsel hired to “take care” of John Elder (Duke Wayne) and the huge man first meets Duke’s character as he plunges the town’s undertaker’s head repeatedly into a barrel of water. Curly’s high-pitched “piggy” giggle as he almost drowns the man is interrupted with John Elder’s shouted, “Hey” and an pickaxe handle in the face.

This scene was iconic enough that is has been repeated in other films, even Gremlins has  Zach Galligan’s character re-enact the scene but with a  sword.

The Sons of Katie Elder moment was not an isolated incident. Kennedy played characters whose actions stood out in films, whether they were award winning movies like Cool Hand Luke, or more pedestrian fare like Clint Eastwood’s Thunderbolt and Lightfoot (where Kennedy’s character rather nastily beats a young Lightfoot (Lloyd Bridges) so badly that the boy dies a lingering death), Kennedy was one of those actors who stood out.

George Kennedy could play comedy, as proven in his turns in the Naked Gun franchise as well as menacing bad men. He was equally at home as bluff good guys, snotty bad guys or  the “last” slave to shout “I am Spartacus,” in the 1960 film, Kennedy brought a truth and believability to all his roles.

The New York born son of a ballet dancer and musician/orchestra leader was equally home in any genre playing any role.  Regardless of the budget or the part, the Oscar winning actor made you believe him.

The cigar chomping airport savior, Patroni,  who clears off the snow in the 1970 film Airport where he shared screen credits with Dean Martin but not screen time.  He worked with Dino before  in Bandolero! as the lovesick sheriff July Johnson who chases Martin through Mexico.

Throughout a career that began in 1956 (The Phil Silvers Show) and ended with the 2014 film The Gambler the actor played cops, soldiers, murderers, heroes, convicts, and all manner of roles across the board.  Watching Kennedy accept his Oscar for Cool Hand Luke, one can see the innate gentleness on his face and in his voice, a trait that caused people to all him the nicest man in Hollywood.

Watching any of Kennedy’s performances is a lesson is acting and reacting. The actor could  convey a myriad of emotions with his eyes and face alone, dialogue was not required for this character actor to convince the viewer of his character’s veracity.

I was actually surprised into tears at the news of Kennedy’s passing. He was a firm favorite, and not just from the many westerns watched all those years ago on Saturday night television,  one who could always be counted upon to stand out and make his performance memorable, regardless of the film’s budget.

George Kennedy (1925 – 2016) a huge man whose six-foot four-inch frame was dwarfed by his ability to make us believe completely in his characters actions on screen big and small. They really do not “make em like that” anymore.

Westerns

When I lived with my parents, in the long ago days before video and DVD players, it was a family tradition to watch any westerns that came on the television. This usually occurred on the weekend, most specifically on a major TV network (NBC I think) on Saturday Night At The Movies.

It was on Saturday nights that I sat with my folks, and later my bother as well, watching The Duke,Gary Cooper, and Robert Mitchum.  In fact, all the old actors who had moved into the genre when they got too old to play romantic leads any more.  We popped lots of popcorn and then rushed in to watch The Sons of Katie Elder, Rio Bravo  or some other John Wayne “Americana” western. Or indeed whatever western happened to be on.  If we didn’t watch westerns on the television, we saw them at the Drive-In.

It was at the Drive-In that I first saw Sergio Leone‘s “Spaghetti Westerns.” Specifically the “Man With No Name trilogy. I was enraptured and captivated by this anti-hero. I was so enthralled by this character that I lost the tendency to emulate The Duke and began to squint a lot and speak softly through gritted teeth. This was at the ripe old age of ten. Oh I never fell out of love with the John Wayne westerns  or old Duke’s characters.  I could still do the swagger and do the “Well, Pilgrim” drawl like a trooper.

I remember staying over  at a cousin’s house and horse riding for hours, wearing the standard western uniform of cowboy boots and hat, riding for about three days straight from sun-up to sun-down. We were both so saddle sore it was hard to sit in a chair let alone walk. But every minute spent in the saddle was a minute spent recreating our favourite scenes from westerns of the day. I believe we were both about twelve.

I remember at the ripe old age of seventeen, playing “Spaghetti Western” with my younger (and only) brother. We would strap on toy guns in the fashion of Clint Eastwood and Lee Van Cleef to do battle as “Blondie” – The Good –  and “Angel Eyes” – The Bad –  oddly neither of us had the urge to portray Tuco (the Ugly); even though Tuco was the more “overblown” and fun character to emulate. I mean really, who doesn’t admire actor Eli Wallach’s  portrayal of “Bandito’s?”

It wasn’t just “film” westerns I was infatuated  with either. I also devoured every book I could read by the authors Zane Grey and Louis L’Amour. Zane Grey was my fathers perennial favourite. I liked old Zane, but, didn’t care for his colloquial dialogue that he insisted on using. All his characters said words like pahdnuh and  mistuh just to name a couple. They were all spelt just like that, it could drive you to distraction after a while. L’Amour’s characters talked in the archaic language of the cowboy without the colloquialism’s.

Unfortunately Hollywood stopped making decent westerns just after the bumper crop year of 1969.  1969 saw great westerns like The Wild Bunch, True Grit, Butch Cassidy and the Sundance Kid to name but three out of the many that were released that year. Then “The Dream Machine” started making psychological westerns instead of  traditional or spaghetti westerns. These were a complete waste of celluloid. One such film did not have one gun in it. What kind of western is that?

I knew though, that if I waited long enough that Hollywood would start making  decent westerns again. I was right. My old Man-With-No-Name hero came out with the odd gem now and then.The Outlaw Josey Wales, High Plains Drifter  and Pale Rider (really just a re-working of Drifter, but still good) and then…Unforgiven.

Unforgiven showed that not only did old Clint still have the chops as a “western” actor, but that he was still one hell of a director as well. I still feel that Unforgiven was the “last hoorah” of the genre. I know I still like the cross genre westerns and some of the “modern” westerns (No Country For Old Men being the best thus far) and I even enjoyed the True Grit re-make that came outin 2010. But I do miss the old fashioned westerns as well as the “anti-hero” ones that came out in the late 60’s.

Now  I watch my old favourites via the DVD player and remember how much I loved them the first time I saw them. Watching them makes me feel simultaneously young and old. They also make me feel like strapping on my guns and looking for my brother to see if he remembers our gun battles and also feels young enough to have a go again. I think I might even want to play Tuco.

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