I am continually amazed and impressed by the Pang Brothers. Just when I think I’ve seen everything they’ve ever made, another gem and another genre of film pops up out of nowhere. Directed by Oxide Pang and produced/written by both the Pang Brothers, The Detective is film noir at it’s finest.
Set in the back alleys and streets of Bangkok, we follow private detective Tam (Aaron Kwok). Tam’s income as a private detective obviously leaves a lot to be desired. At the beginning of the film Tam is seated behind his desk and his fan is busily rotating back and forth. He suddenly notices that the fan may be moving but the fan blades are not.
After he turns the fan off, a man he knows from a bar comes in and hires Tam to find a woman who, he says, is trying to kill him. He wants Tam to tell her that he (Lung) had nothing to do with the other thing and that she should leave him alone. Tam doubts that Lung is serious, until he pulls a wad of cash out of his pocket and drops it on Tam’s desk. Lung tells him that it is all the money he has.
After taking Lung’s picture, Tam goes to have a bite to eat at a local cafe where he bumps into his childhood friend Chak (Kai Chi Liu) who is on the police force. Tam cannot join the police as his eyesight is very bad. He suffers from extreme short sightedness. After exchanging pleasantries with his friend he pays him back some money he owes him and tells him of his latest case.
Chak jokes that he will be there to help Tam if things get too difficult.
Tam then starts his meticulous investigation and tries to find this nameless woman. As we accompany him on his journey, we learn a lot about Tam and how he works. Pictures are taken of everyone he interviews and everyplace he visits. Not long after he starts questioning people he finds his first lead and his first dead body.
Tam follows more leads, discovers more dead bodies and relentlessly continues trying to find the woman and what her connection is to all the dead people he keeps finding.
The Pang Bros signature is on every scene and every frame of this film. Their usual combination of odd and sometimes oblique camera positions and use of natural lighting helps to sell this ‘noir’ crime story. The plot is full of twists and turns and it will keep you guessing right up until the end.
Aaron Kwok portrays Tam as a likeable and tenacious man who has scars from the disappearance of his parents when he was a child. His character makes mistakes and clearly loves solving the puzzles he encounters. Tam is the Sam Spade of Bangkok if not in action, he definitely has the spirit of Spade in him.
The whole film shows Tam’s process of following first one clue then another and going through each step of his investigation as logically as he can. He pretends to be a policeman when this can help him in his pursuit. Despite being told off by his friend Chak for impersonating a police officer, he continues to use this ruse several times.
The list of suspects and the elusive woman who Tam has been hired to find makes for a very satisfactory mix of intrigue, mystery, danger and confusion. Despite the fact that this noir crime thriller doesn’t fall into the usual catalogue of Pang Bros films, it does follow their winning formula of good story, good characters, great cinematic moments and a very satisfying ending.
My final verdict is that this film is one to see. Put on your noir thinking cap and enjoy this twisting and turning journey.